User:Lucius Chiaraviglio/Keyboard Layout Lab: Difference between revisions
→Hemiwürschmidt/Hemithir/Hemiwur Lumatone mappings: Copied to Various other Lumatone mappings and expanded there, so replace with Godzilla Lumatone mappings, starting with Bryan Deister's Lumatone mapping for 62edo |
→Godzilla Lumatone mappings: --> Godzilla-related rank3 Lumatone mappings, because Godzilla by itself is contorted in 62edo; got approval for the mapping itself; added temperament text |
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Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 18:30, 9 July 2025 (UTC) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 18:30, 9 July 2025 (UTC) | ||
== Godzilla Lumatone mappings == | == Godzilla-related rank-3 Lumatone mappings == | ||
=== 62edo (demonstrated to work | === 62edo (demonstrated to work) === | ||
[[Bryan Deister]] | [[Bryan Deister]] has demonstrated a [[Godzilla]] Lumatone mapping for [[62edo]] in [https://www.youtube.com/shorts/UerD0NqBbng ''microtonal improvisation in 62edo''] (2025), with scale [[5L 4s]] with 10:3 step ratio, which also has easy provision for dividing the near-just septimal minor seventh ~[[7/4]] (50\62) into five equal parts each functioning as a meantone whole tone (~[[9/8]], ~[[10/9]], and ~[[19/17]]) (10\62 is right by one key), which is naturally useful in its own right for mixing the common practice sound in with the xenharmonic sounds. A logical implication of splitting the ~7/4 into five meantone whole tones is that the near-just classic major third ~[[5/4]] is very easily accessible as two of these divided generators, and the only slightly flat lesser septimal tritone ~[[7/5]] is easily accessible as three of them. As convenient as this rightward generator is, it would produce a contorted mapping if not for a second generator; the upwards generator 7\62 is convenient for this as a a tridecimal neutral second that functions as both ~[[12/13]] and ~[[13/14]] (the buzurgisma/dhanvantarisma [[169/168]] is tempered out); backing off from ~7/4 by two of these generators gives the fifth (the flat ~[[3/2]] shared with [[31edo]]), while backing off from ~7/5 by two of these generators gives a moderately flat classic minor third ~[[6/5]]. Octaves slant down moderately, and the range is just under 4⅓ octaves with no missed notes and no repeated notes. | ||
{{Lumatone EDO mapping|n=62|start=4|xstep=10|ystep=-7}} | {{Lumatone EDO mapping|n=62|start=4|xstep=10|ystep=-7}} | ||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:00, 22 July 2025 (UTC) | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:00, 22 July 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 07:18, 24 July 2025 (UTC) | |||
== Magic (Divination/Soothsaying) related Lumatone mappings == | == Magic (Divination/Soothsaying) related Lumatone mappings == | ||