Keyboard: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-08-19 10:25:47 UTC</tt>.<br>

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-08-19 10:28:24 UTC</tt>.<br>

: The original revision id was <tt>~~35534739~~</tt>.<br>

: The original revision id was <tt>35534901</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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There exist several solutions for this problem:

===1) 12 Note Octave Scales===

===1) 12 Note Octave Scales[[#12noteoctavescales]]===

(Terminology from [[http://www.microtonal-synthesis.com|www.microtonal-synthesis.com]])

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"12 note octave scales" piano tuning instructions for 41edo

===2) Full Keyboard Scales===

===2) Full Keyboard Scales[[#fullkeyboardscales]]===

(Terminology from [[http://www.microtonal-synthesis.com|www.microtonal-synthesis.com]])

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In the case of acoustical instruments such as pianos, however, tuning full keyboard scales may even require major changes in construction. It has been done, however, e.g. on the [[http://www.sauter-pianos.de/english/pianos/microtone.html|16th tone (96edo) piano]].

===3) Get an alternative keyboard!===

===3) Get an alternative keyboard![[#alternativekeyboard]]===

This is actually quite an old idea, since in historical tunings of the pre-well-tempered area, there was a demand for differing between flats and sharps.

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There exist several solutions for this problem:<br />

<br />

<h3 id="toc1"><a name="x-Strategies for more than 12 tones per octave-1) 12 Note Octave Scales"></a>1) 12 Note Octave Scales</h3>

<h3 id="toc1"><a name="x-Strategies for more than 12 tones per octave-1) 12 Note Octave Scales"></a>1) 12 Note Octave Scales<a name="12noteoctavescales"></a></h3>

(Terminology from <a class="wiki_link_ext" href="http://www.microtonal-synthesis.com" rel="nofollow">www.microtonal-synthesis.com</a>)<br />

<br />

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&quot;12 note octave scales&quot; piano tuning instructions for 41edo<br />

<br />

<h3 id="toc2"><a name="x-Strategies for more than 12 tones per octave-2) Full Keyboard Scales"></a>2) Full Keyboard Scales</h3>

<h3 id="toc2"><a name="x-Strategies for more than 12 tones per octave-2) Full Keyboard Scales"></a>2) Full Keyboard Scales<a name="fullkeyboardscales"></a></h3>

(Terminology from <a class="wiki_link_ext" href="http://www.microtonal-synthesis.com" rel="nofollow">www.microtonal-synthesis.com</a>)<br />

<br />

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In the case of acoustical instruments such as pianos, however, tuning full keyboard scales may even require major changes in construction. It has been done, however, e.g. on the <a class="wiki_link_ext" href="http://www.sauter-pianos.de/english/pianos/microtone.html" rel="nofollow">16th tone (96edo) piano</a>.<br />

<br />

<h3 id="toc3"><a name="x-Strategies for more than 12 tones per octave-3) Get an alternative keyboard!"></a>3) Get an alternative keyboard!</h3>

<h3 id="toc3"><a name="x-Strategies for more than 12 tones per octave-3) Get an alternative keyboard!"></a>3) Get an alternative keyboard!<a name="alternativekeyboard"></a></h3>

<br />

This is actually quite an old idea, since in historical tunings of the pre-well-tempered area, there was a demand for differing between flats and sharps.<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-08-19 10:25:47 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-08-19 10:28:24 UTC</tt>.<br>
-: The original revision id was <tt>35534739</tt>.<br>
+: The original revision id was <tt>35534901</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 22: / Line 22: @@
 There exist several solutions for this problem:
-===1) 12 Note Octave Scales===
+===1) 12 Note Octave Scales[[#12noteoctavescales]]===
 (Terminology from [[http://www.microtonal-synthesis.com|www.microtonal-synthesis.com]])
@@ Line 38: / Line 38: @@
 "12 note octave scales" piano tuning instructions for 41edo
-===2) Full Keyboard Scales===
+===2) Full Keyboard Scales[[#fullkeyboardscales]]===
 (Terminology from [[http://www.microtonal-synthesis.com|www.microtonal-synthesis.com]])
@@ Line 49: / Line 49: @@
 In the case of acoustical instruments such as pianos, however, tuning full keyboard scales may even require major changes in construction. It has been done, however, e.g. on the [[http://www.sauter-pianos.de/english/pianos/microtone.html|16th tone (96edo) piano]].
-===3) Get an alternative keyboard!===
+===3) Get an alternative keyboard![[#alternativekeyboard]]===
 This is actually quite an old idea, since in historical tunings of the pre-well-tempered area, there was a demand for differing between flats and sharps.
@@ Line 89: / Line 89: @@
 There exist several solutions for this problem:&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="x-Strategies for more than 12 tones per octave-1) 12 Note Octave Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;1) 12 Note Octave Scales&lt;/h3&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="x-Strategies for more than 12 tones per octave-1) 12 Note Octave Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;1) 12 Note Octave Scales&lt;!-- ws:start:WikiTextAnchorRule:8:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@12noteoctavescales&amp;quot; title=&amp;quot;Anchor: 12noteoctavescales&amp;quot;/&amp;gt; --&gt;&lt;a name="12noteoctavescales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:8 --&gt;&lt;/h3&gt;
   (Terminology from &lt;a class="wiki_link_ext" href="http://www.microtonal-synthesis.com" rel="nofollow"&gt;www.microtonal-synthesis.com&lt;/a&gt;)&lt;br /&gt;
 &lt;br /&gt;
@@ Line 105: / Line 105: @@
 &amp;quot;12 note octave scales&amp;quot; piano tuning instructions for 41edo&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-Strategies for more than 12 tones per octave-2) Full Keyboard Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;2) Full Keyboard Scales&lt;/h3&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-Strategies for more than 12 tones per octave-2) Full Keyboard Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;2) Full Keyboard Scales&lt;!-- ws:start:WikiTextAnchorRule:9:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@fullkeyboardscales&amp;quot; title=&amp;quot;Anchor: fullkeyboardscales&amp;quot;/&amp;gt; --&gt;&lt;a name="fullkeyboardscales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:9 --&gt;&lt;/h3&gt;
   (Terminology from &lt;a class="wiki_link_ext" href="http://www.microtonal-synthesis.com" rel="nofollow"&gt;www.microtonal-synthesis.com&lt;/a&gt;)&lt;br /&gt;
 &lt;br /&gt;
@@ Line 116: / Line 116: @@
 In the case of acoustical instruments such as pianos, however, tuning full keyboard scales may even require major changes in construction. It has been done, however, e.g. on the &lt;a class="wiki_link_ext" href="http://www.sauter-pianos.de/english/pianos/microtone.html" rel="nofollow"&gt;16th tone (96edo) piano&lt;/a&gt;.&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="x-Strategies for more than 12 tones per octave-3) Get an alternative keyboard!"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;3) Get an alternative keyboard!&lt;/h3&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="x-Strategies for more than 12 tones per octave-3) Get an alternative keyboard!"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;3) Get an alternative keyboard!&lt;!-- ws:start:WikiTextAnchorRule:10:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@alternativekeyboard&amp;quot; title=&amp;quot;Anchor: alternativekeyboard&amp;quot;/&amp;gt; --&gt;&lt;a name="alternativekeyboard"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:10 --&gt;&lt;/h3&gt;
   &lt;br /&gt;
 This is actually quite an old idea, since in historical tunings of the pre-well-tempered area, there was a demand for differing between flats and sharps.&lt;br /&gt;