Horn: Difference between revisions
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* Richard Burdick's [[http://www.i-ching-music.com/FREE102.html|opus 102 Planetary Ripples]] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial | * Richard Burdick's [[http://www.i-ching-music.com/FREE102.html|opus 102 Planetary Ripples]] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial | ||
* [[http://www.roberthasegawa.com/|Robert Hasegawa]]: //the clear architecture of the nerves// (2000) | * [[http://www.roberthasegawa.com/|Robert Hasegawa]]: //the clear architecture of the nerves// (2000) | ||
* <span style="color: #333333; font-family: Helvetica; font-size: 16px;">Bozza, Eugène (1905-1991) [[@http://www.alphonseleduc.com/|Dix-Huit Etudes en forme d'Improvisation pour Cor]](1961)</span><span style="background-color: rgba(255,255,255,0);">microtonal writing on ¼ and ¾ tones</span> | |||
* <span style="color: #333333; font-family: Helvetica; font-size: 16px;">Grabois, Daniel (1964-) [[@http://www.danielgrabois.com/|Quarter Tone Manual for French Horn]] (2010) </span> | |||
> <span style="background-color: rgba(255,255,255,0);">These etudes were written for gradually practicing microtonal notation.</span> | |||
* Kotulan, Jaroslav (1937-) [[@http://www.bohne-schulz.de/|28 Moderne etüden für waldhorn, heft 2]] (1995) | |||
* Matosinhos, Ricardo - [[@http://www.ricardomatosinhos.com/12etudes.html|12 Jazzy Etudes for Horn]] (2010) two of these etudes use quarter tones | |||
* <span style="color: #333333; font-family: Helvetica; font-size: 16px;">Salonen, Esa-Pekka (1958-) [[@http://www.chesternovello.com/|Concert Étude for solo horn in F]] (2000)</span> | |||
* Thompson, Timothy F. (1953-) [[@http://www.proquest.com/|Extended Techniques for the Horn An Historial Overview With pratical performance Applications]] (1997) | |||
==Further reading== | ==Further reading== | ||
* Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", //Xenharmonikôn// vol. 5, spring 1976, pp. 1-3. | * Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", //Xenharmonikôn// vol. 5, spring 1976, pp. 1-3. | ||
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<!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="x-What existing music features the horn in a particularly microtonal way?"></a><!-- ws:end:WikiTextHeadingRule:8 -->What existing music features the horn in a particularly microtonal way?</h2> | <!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="x-What existing music features the horn in a particularly microtonal way?"></a><!-- ws:end:WikiTextHeadingRule:8 -->What existing music features the horn in a particularly microtonal way?</h2> | ||
<ul><li>György Ligeti's <em><a class="wiki_link_ext" href="http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&amp;n=5174" rel="nofollow">Hamburg Concerto</a></em> &quot;for horn &amp; chamber orchestra with 4 obbligato natural horns&quot;</li><li><em>Epilogue</em> (1985) from <em>Les Espaces Acoustiques</em> by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm</li><li><em>Horn</em> by Larry Polansky, score featured in Xenharmonikon 14</li><li><a class="wiki_link_ext" href="http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245" rel="nofollow">Joseph Pehrson's</a> <em>Harmonic Etude</em> for solo horn, <em>Nature's Harmony</em> for two horns</li><li><a class="wiki_link_ext" href="http://www.archive.org/details/JeffMorrisEtudeforHorn" rel="nofollow">Jeff Morris' Etude for Horn</a></li><li>Richard Burdick's <a class="wiki_link_ext" href="http://www.i-ching-music.com/FREE102.html" rel="nofollow">opus 102 Planetary Ripples</a> (1996) for 16 similar instruments, on a harmonic series up to the 27th partial</li><li><a class="wiki_link_ext" href="http://www.roberthasegawa.com/" rel="nofollow">Robert Hasegawa</a>: <em>the clear architecture of the nerves</em> (2000)</li></ | <ul><li>György Ligeti's <em><a class="wiki_link_ext" href="http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&amp;n=5174" rel="nofollow">Hamburg Concerto</a></em> &quot;for horn &amp; chamber orchestra with 4 obbligato natural horns&quot;</li><li><em>Epilogue</em> (1985) from <em>Les Espaces Acoustiques</em> by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm</li><li><em>Horn</em> by Larry Polansky, score featured in Xenharmonikon 14</li><li><a class="wiki_link_ext" href="http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245" rel="nofollow">Joseph Pehrson's</a> <em>Harmonic Etude</em> for solo horn, <em>Nature's Harmony</em> for two horns</li><li><a class="wiki_link_ext" href="http://www.archive.org/details/JeffMorrisEtudeforHorn" rel="nofollow">Jeff Morris' Etude for Horn</a></li><li>Richard Burdick's <a class="wiki_link_ext" href="http://www.i-ching-music.com/FREE102.html" rel="nofollow">opus 102 Planetary Ripples</a> (1996) for 16 similar instruments, on a harmonic series up to the 27th partial</li><li><a class="wiki_link_ext" href="http://www.roberthasegawa.com/" rel="nofollow">Robert Hasegawa</a>: <em>the clear architecture of the nerves</em> (2000)</li><li><span style="color: #333333; font-family: Helvetica; font-size: 16px;">Bozza, Eugène (1905-1991) <a class="wiki_link_ext" href="http://www.alphonseleduc.com/" rel="nofollow" target="_blank">Dix-Huit Etudes en forme d'Improvisation pour Cor</a>(1961)</span><span style="background-color: rgba(255,255,255,0);">microtonal writing on ¼ and ¾ tones</span></li><li><span style="color: #333333; font-family: Helvetica; font-size: 16px;">Grabois, Daniel (1964-) <a class="wiki_link_ext" href="http://www.danielgrabois.com/" rel="nofollow" target="_blank">Quarter Tone Manual for French Horn</a> (2010) </span><br /> | ||
<!-- ws:start:WikiTextHeadingRule:10:&lt;h2&gt; --><h2 id="toc5"><a name="x-Further reading"></a><!-- ws:end:WikiTextHeadingRule:10 -->Further reading</h2> | <span style="background-color: rgba(255,255,255,0);">These etudes were written for gradually practicing microtonal notation.</span></li><li>Kotulan, Jaroslav (1937-) <a class="wiki_link_ext" href="http://www.bohne-schulz.de/" rel="nofollow" target="_blank">28 Moderne etüden für waldhorn, heft 2</a> (1995)</li><li>Matosinhos, Ricardo - <a class="wiki_link_ext" href="http://www.ricardomatosinhos.com/12etudes.html" rel="nofollow" target="_blank">12 Jazzy Etudes for Horn</a> (2010) two of these etudes use quarter tones</li><li><span style="color: #333333; font-family: Helvetica; font-size: 16px;">Salonen, Esa-Pekka (1958-) <a class="wiki_link_ext" href="http://www.chesternovello.com/" rel="nofollow" target="_blank">Concert Étude for solo horn in F</a> (2000)</span></li><li>Thompson, Timothy F. (1953-) <a class="wiki_link_ext" href="http://www.proquest.com/" rel="nofollow" target="_blank">Extended Techniques for the Horn An Historial Overview With pratical performance Applications</a> (1997)</li></ul><!-- ws:start:WikiTextHeadingRule:10:&lt;h2&gt; --><h2 id="toc5"><a name="x-Further reading"></a><!-- ws:end:WikiTextHeadingRule:10 -->Further reading</h2> | ||
<ul><li>Secor, George D. &quot;An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn&quot;, <em>Xenharmonikôn</em> vol. 5, spring 1976, pp. 1-3.</li><li>Whaley, David Robert. <em>The Microtonal Capability of the Horn</em>. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.</li><li>Heim, David Bruce. <em>Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance</em>. Master thesis, University of Tulsa, 1990.</li></ul></body></html></pre></div> | <ul><li>Secor, George D. &quot;An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn&quot;, <em>Xenharmonikôn</em> vol. 5, spring 1976, pp. 1-3.</li><li>Whaley, David Robert. <em>The Microtonal Capability of the Horn</em>. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.</li><li>Heim, David Bruce. <em>Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance</em>. Master thesis, University of Tulsa, 1990.</li></ul></body></html></pre></div> | ||