Metallic harmony: Difference between revisions
Tristanbay (talk | contribs) Clarified concept with example and cleaned up grammar and wording Tags: Mobile edit Mobile web edit |
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{{Distinguish|Metallic harmonic series}} | {{Distinguish|Metallic harmonic series}} | ||
'''Metallic harmony''' is an approach of building harmony based on sevenths rather than thirds to produce consonant, resolved, sonorities. Specifically, metallic harmony treats [[7/4]] as the most consonant interval next to the octave. As a result, tunings that do not approximate 7/4 decently do not support metallic harmony. In addition, there must be an additional size of seventh/sixth that "clicks" with the 7/4 to form a triad. For example, [[13/7]] can be used as the upper interval, creating a 4:7:13 chord in [[just intonation]]. Other intervals such as [[12/7]] and [[19/11]] are notable possibilities. These seventh chords have a characteristic metallic and somewhat cold quality which earns them their name. | '''Metallic harmony'''{{idio}} is an approach of building harmony based on sevenths rather than thirds to produce consonant, resolved, sonorities. Specifically, metallic harmony treats [[7/4]] as the most consonant interval next to the octave. As a result, tunings that do not approximate 7/4 decently do not support metallic harmony. In addition, there must be an additional size of seventh/sixth that "clicks" with the 7/4 to form a triad. For example, [[13/7]] can be used as the upper interval, creating a 4:7:13 chord in [[just intonation]]. Other intervals such as [[12/7]] and [[19/11]] are notable possibilities. These seventh chords have a characteristic metallic and somewhat cold quality which earns them their name. | ||
== Basic chord types == | == Basic chord types == | ||