31edo: Difference between revisions
→Theory: Make zeta stuff less prominent |
→Theory: Explain what "11th harmonic is almost twice as flat as the 3rd harmonic" means |
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31edo's perfect fifth is flat of the just interval [[3/2]] by 5.2{{c}}, as befits a tuning [[support]]ing [[meantone]], but the major third is less than a cent sharp of just [[5/4]], making it slightly sharp of [[quarter-comma meantone]]. 31's approximation of [[7/4]], a cent flat, is also very close to just. It is a very tone-efficient melodic approximation of the [[11-limit]] (and specifically the [[11-odd-limit]]), although it conflates [[9/7]] with [[14/11]] and [[11/8]] with [[15/11]]. Many [[7-limit]] JI scales are well-approximated in 31 (with tempering, of course). It also maps most [[15-odd-limit]] intervals [[consistent]]ly, the exceptions being [[13/9]], [[13/11]], and their [[octave complement]]s. | 31edo's perfect fifth is flat of the just interval [[3/2]] by 5.2{{c}}, as befits a tuning [[support]]ing [[meantone]], but the major third is less than a cent sharp of just [[5/4]], making it slightly sharp of [[quarter-comma meantone]]. 31's approximation of [[7/4]], a cent flat, is also very close to just. It is a very tone-efficient melodic approximation of the [[11-limit]] (and specifically the [[11-odd-limit]]), although it conflates [[9/7]] with [[14/11]] and [[11/8]] with [[15/11]]. Many [[7-limit]] JI scales are well-approximated in 31 (with tempering, of course). It also maps most [[15-odd-limit]] intervals [[consistent]]ly, the exceptions being [[13/9]], [[13/11]], and their [[octave complement]]s. | ||
Because of the near-just 5/4 and 7/4 | Because of the near-just 5/4 and 7/4, 31edo is relatively quite accurate in the [[7-limit]]. Prime 11 is somewhat less accurate, making intervals like [[11/8]] off by about 9 cents, however intervals like [[11/9]] and [[11/6]] are approximated quite well because the errors cancel out. Other ways in which 31edo is especially accurate is that it represents a record in [[Pepper ambiguity]] in the 7-, 9-, and [[11-odd-limit]], which it is [[consistent]] through, and that it is the first [[trivial temperament|non-trivial]] edo to be consistent in the [[odd prime sum limit|11-odd-prime-sum-limit]]. It is also a prominent [[the Riemann zeta function and tuning #Zeta EDO lists|zeta peak edo]]. | ||
One step of 31edo, measuring about 38.7{{c}}, is called a [[diesis]] because it stands in for several intervals called "dieses" (most notably, [[128/125]] and [[648/625]]) which are tempered out in [[12edo]]. The diesis is a defining sound of 31edo; when it does not appear directly in a scale, it often shows up as the difference between two or more intervals of a similar size. The diesis is demonstrated in [[SpiralProgressions]]. [[Zhea Erose]]'s 31edo music uses the interval frequently. | One step of 31edo, measuring about 38.7{{c}}, is called a [[diesis]] because it stands in for several intervals called "dieses" (most notably, [[128/125]] and [[648/625]]) which are tempered out in [[12edo]]. The diesis is a defining sound of 31edo; when it does not appear directly in a scale, it often shows up as the difference between two or more intervals of a similar size. The diesis is demonstrated in [[SpiralProgressions]]. [[Zhea Erose]]'s 31edo music uses the interval frequently. |