User:CompactStar/Ed9/n: Difference between revisions
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One approach to ed9/2 tunings is the use of the 9:10:14 chord as the fundamental complete sonority in a very similar way to the 4:5:6:(8) chord in meantone. Whereas in meantone it takes four 3/2 to get to [[5/1]], here it takes seven [[14/9]] to get to [[10/9]] (tempering out the comma 215233605/210827008 in the 9/2.5.7 fractional subgroup). This temperament yields 7-, 10-, 17-, and 27-note [[mos scale]]s. | One approach to ed9/2 tunings is the use of the 9:10:14 chord as the fundamental complete sonority in a very similar way to the 4:5:6:(8) chord in meantone. Whereas in meantone it takes four 3/2 to get to [[5/1]], here it takes seven [[14/9]] to get to [[10/9]] (tempering out the comma 215233605/210827008 in the 9/2.5.7 fractional subgroup). This temperament yields 7-, 10-, 17-, and 27-note [[mos scale]]s. | ||
[[Category:Ed9/2| ]] <!-- main article --> | [[Category:Ed9/2's| ]] <!-- main article --> | ||
== Ed9/4 == | == Ed9/4 == | ||
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[[Category:Ed9/4| ]] <!-- main article --> | [[Category:Ed9/4's| ]] <!-- main article --> | ||
== Ed9/5 == | == Ed9/5 == | ||
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[[Category:Ed9/5| ]] <!-- main article --> | [[Category:Ed9/5's| ]] <!-- main article --> | ||
== Ed9/7 == | == Ed9/7 == | ||
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* and what [[5edo]], [[7edo]], and [[12edo]] are to the [[EDO|division of 2/1]]. | * and what [[5edo]], [[7edo]], and [[12edo]] are to the [[EDO|division of 2/1]]. | ||
[[Category:Ed9/7| ]] <!-- main article --> | [[Category:Ed9/7's| ]] <!-- main article --> | ||
== Ed9/8 == | == Ed9/8 == | ||
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* [[15ed9/8]] | * [[15ed9/8]] | ||
[[Category:Ed9/8| ]] <!-- main article --> | [[Category:Ed9/8's| ]] <!-- main article --> | ||