Magic: Difference between revisions
Wikispaces>genewardsmith **Imported revision 394649608 - Original comment: Reverted to Nov 3, 2012 11:49 am: I don't know what the hell Cameron thinks he is doing** |
Wikispaces>mbattaglia1 **Imported revision 397555634 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:mbattaglia1|mbattaglia1]] and made on <tt>2013-01-11 05:44:39 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>397555634</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
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=[[Chords of magic]]= | =[[Chords of magic]]= | ||
=Music= | =Music= | ||
[[http://micro.soonlabel.com/magic/daily20120113-piano-magic16-.mp3|Chromatic piece in magic 16]] | //[[http://micro.soonlabel.com/magic/daily20120113-piano-magic16-.mp3|Chromatic piece in magic 16]]// | ||
[[magic16]] | [[magic16]] | ||
[[http://micro.soonlabel.com/22-ET/daily20120128-pauls-magic.mp3|A Piece in Paulsmagic]] | //[[http://micro.soonlabel.com/22-ET/daily20120128-pauls-magic.mp3|A Piece in Paulsmagic]]// | ||
[[paulsmagic]] | [[paulsmagic]] | ||
[[@http://www.chrisvaisvil.com/|Chris Vaisvil]] | [[@http://www.chrisvaisvil.com/|Chris Vaisvil]] | ||
//[[http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3|Magical Daydream]]// | |||
[[http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3|Magical Daydream]] | |||
//A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together. Cameron Bobro// | //A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together. Cameron Bobro// | ||
[[http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3|Evening Horizon]] | //[[http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3|Evening Horizon]]// | ||
//The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament "magic".. This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a "moment of symmetry", with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others. Cameron Bobro//</pre></div> | //The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament "magic".. This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a "moment of symmetry", with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others. Cameron Bobro//</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
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<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:6:&lt;h1&gt; --><h1 id="toc3"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:6 -->Music</h1> | <!-- ws:start:WikiTextHeadingRule:6:&lt;h1&gt; --><h1 id="toc3"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:6 -->Music</h1> | ||
<a class="wiki_link_ext" href="http://micro.soonlabel.com/magic/daily20120113-piano-magic16-.mp3" rel="nofollow">Chromatic piece in magic 16</a><br /> | <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/magic/daily20120113-piano-magic16-.mp3" rel="nofollow">Chromatic piece in magic 16</a></em><br /> | ||
<a class="wiki_link" href="/magic16">magic16</a><br /> | <a class="wiki_link" href="/magic16">magic16</a><br /> | ||
<a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/daily20120128-pauls-magic.mp3" rel="nofollow">A Piece in Paulsmagic</a><br /> | <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/daily20120128-pauls-magic.mp3" rel="nofollow">A Piece in Paulsmagic</a></em><br /> | ||
<a class="wiki_link" href="/paulsmagic">paulsmagic</a><br /> | <a class="wiki_link" href="/paulsmagic">paulsmagic</a><br /> | ||
<a class="wiki_link_ext" href="http://www.chrisvaisvil.com/" rel="nofollow" target="_blank">Chris Vaisvil</a | <a class="wiki_link_ext" href="http://www.chrisvaisvil.com/" rel="nofollow" target="_blank">Chris Vaisvil</a><br /> | ||
<br /> | <br /> | ||
<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3" rel="nofollow">Magical Daydream</a><br /> | <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3" rel="nofollow">Magical Daydream</a></em><br /> | ||
<em>A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together. Cameron Bobro</em><br /> | <em>A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together. Cameron Bobro</em><br /> | ||
<br /> | <br /> | ||
<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3" rel="nofollow">Evening Horizon</a><br /> | <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3" rel="nofollow">Evening Horizon</a></em><br /> | ||
<em>The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament &quot;magic&quot;.. This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a &quot;moment of symmetry&quot;, with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others. Cameron Bobro</em></body></html></pre></div> | <em>The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament &quot;magic&quot;.. This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a &quot;moment of symmetry&quot;, with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others. Cameron Bobro</em></body></html></pre></div> | ||