Magic: Difference between revisions

Wikispaces>x31eq
**Imported revision 520239044 - Original comment: **
Wikispaces>x31eq
**Imported revision 520240530 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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: This revision was by author [[User:x31eq|x31eq]] and made on <tt>2014-08-31 07:04:23 UTC</tt>.<br>
: This revision was by author [[User:x31eq|x31eq]] and made on <tt>2014-08-31 07:47:09 UTC</tt>.<br>
: The original revision id was <tt>520239044</tt>.<br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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EDOs that contain good magic scales include [[19edo]], [[22edo]], [[41edo]], [[60edo]] and [[104edo]].
EDOs that contain good magic scales include [[19edo]], [[22edo]], [[41edo]], [[60edo]] and [[104edo]].


Magic has certain properties required for an accurate step up in complexity from traditional harmony:
Magic has certain properties that commend it as a step up in complexity from traditional harmony:
   * Every non-trivial 9-limit interval is better tuned than in [[12edo]].
   * Every non-trivial 9-limit interval is better tuned than in [[12edo]].
   * It is the simplest mapping with the above property.
   * It is the simplest mapping with the above property.
   * It is only slightly higher in complexity then meantone (both work well with a 19 note gamut).
   * It is only slightly more complex than meantone (both work well with a 19 note gamut).
   * 5-limit intervals are simpler than other 7-limit intervals.
   * 5-limit intervals are simpler than other 7-limit intervals.
It fails to be a panacea because:
  * It has no proper MOS scales of between 3 and 16 notes.
  * It is more complex than meantone
  * The 3/2 approximation is 5 times as complex as the 5/4 approximation (the generator) so modulation by fifths is more constrained than you may be used to.


Because the generator is so close to 1\3 of an octave, and the interval left over (which represents both 128/125 and 25/24) is accordingly so small, all small magic MOSes consist of three large intervals alternating with three groups of this small interval. Specifically, there are the following MOSes, where s always represents the characteristic small interval of 128/125~25/24.
Because the generator is so close to 1\3 of an octave, and the interval left over (which represents both 128/125 and 25/24) is accordingly so small, all small magic MOSes consist of three large intervals alternating with three groups of this small interval. Specifically, there are the following MOSes, where s always represents the characteristic small interval of 128/125~25/24.
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EDOs that contain good magic scales include &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;, &lt;a class="wiki_link" href="/41edo"&gt;41edo&lt;/a&gt;, &lt;a class="wiki_link" href="/60edo"&gt;60edo&lt;/a&gt; and &lt;a class="wiki_link" href="/104edo"&gt;104edo&lt;/a&gt;.&lt;br /&gt;
EDOs that contain good magic scales include &lt;a class="wiki_link" href="/19edo"&gt;19edo&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;, &lt;a class="wiki_link" href="/41edo"&gt;41edo&lt;/a&gt;, &lt;a class="wiki_link" href="/60edo"&gt;60edo&lt;/a&gt; and &lt;a class="wiki_link" href="/104edo"&gt;104edo&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Magic has certain properties required for an accurate step up in complexity from traditional harmony:&lt;br /&gt;
Magic has certain properties that commend it as a step up in complexity from traditional harmony:&lt;br /&gt;
   * Every non-trivial 9-limit interval is better tuned than in &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;.&lt;br /&gt;
   * Every non-trivial 9-limit interval is better tuned than in &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;.&lt;br /&gt;
   * It is the simplest mapping with the above property.&lt;br /&gt;
   * It is the simplest mapping with the above property.&lt;br /&gt;
   * It is only slightly higher in complexity then meantone (both work well with a 19 note gamut).&lt;br /&gt;
   * It is only slightly more complex than meantone (both work well with a 19 note gamut).&lt;br /&gt;
   * 5-limit intervals are simpler than other 7-limit intervals.&lt;br /&gt;
   * 5-limit intervals are simpler than other 7-limit intervals.&lt;br /&gt;
&lt;br /&gt;
It fails to be a panacea because:&lt;br /&gt;
  * It has no proper MOS scales of between 3 and 16 notes.&lt;br /&gt;
  * It is more complex than meantone&lt;br /&gt;
  * The 3/2 approximation is 5 times as complex as the 5/4 approximation (the generator) so modulation by fifths is more constrained than you may be used to.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because the generator is so close to 1\3 of an octave, and the interval left over (which represents both 128/125 and 25/24) is accordingly so small, all small magic MOSes consist of three large intervals alternating with three groups of this small interval. Specifically, there are the following MOSes, where s always represents the characteristic small interval of 128/125~25/24.&lt;br /&gt;
Because the generator is so close to 1\3 of an octave, and the interval left over (which represents both 128/125 and 25/24) is accordingly so small, all small magic MOSes consist of three large intervals alternating with three groups of this small interval. Specifically, there are the following MOSes, where s always represents the characteristic small interval of 128/125~25/24.&lt;br /&gt;