User:Hkm/19edo: Difference between revisions
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Because it includes no Sagittal symbols, this Evo Sagittal notation is also a conventional notation. | |||
==== Revo flavor ==== | |||
== Approximation to JI == | == Approximation to JI == | ||
=== Interval mappings === | === Interval mappings === | ||
{{Q-odd-limit intervals|19}} | {{Q-odd-limit intervals|19}} | ||
Revision as of 16:14, 11 April 2025
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute | +0.0 | -7.2 | -7.4 | -21.5 | +17.1 | -19.5 | +21.4 | +18.3 | +3.3 |
| Relative | you | get | the | gist | ||||||
| Steps | Expanded | i'm | not | filling | the | entire | table | manu | ally | |
| Reduced | ||||||||||
| Degree | Cents | Interval | Approximated JI[note 1] | Solfege |
|---|---|---|---|---|
| 0 | 0.00 | P1 | 1/1 | Do |
| 1 | 63.16 | A1 | 25/24, 26/25, 28/27 | Di/Ro |
| 2 | 126.32 | m2 | 13/12, 14/13, 15/14, 16/15 | Ra |
| 3 | 189.47 | M2 | 9/8, 10/9 | Re |
| 4 | 252.63 | A2/d3 | 7/6, 8/7, 15/13 | Ri/Ma |
| 5 | 315.79 | m3 | 6/5 | Me |
| 6 | 378.95 | M3 | 5/4, 16/13, 56/45 | Mi |
| 7 | 442.11 | A3/d4 | 9/7, 13/10, 32/25 | Mo/Fe |
| 8 | 505.26 | P4 | 4/3, 75/56 | Fa |
| 9 | 568.42 | A4 | 7/5, 18/13, 25/18 | Fi |
| 10 | 631.58 | d5 | 10/7, 13/9, 36/25 | Se |
| 11 | 694.74 | P5 | 3/2, 112/75 | So |
| 12 | 757.89 | A5 | 14/9, 20/13, 25/16 | Si/Lo |
| 13 | 821.05 | m6 | 8/5, 13/8, 45/28 | Le |
| 14 | 884.21 | M6 | 5/3 | La |
| 15 | 947.37 | A6/d7 | 7/4, 12/7, 26/15 | Li/Ta |
| 16 | 1010.53 | m7 | 9/5, 16/9 | Te |
| 17 | 1073.68 | M7 | 13/7, 15/8, 24/13, 28/15 | Ti |
| 18 | 1136.84 | A7/d8 | 25/13, 27/14, 48/25 | To/Da |
| 19 | 1200.00 | P8 | 2/1 | Do |
|
Because it includes no Sagittal symbols, this Evo Sagittal notation is also a conventional notation.
Revo flavor
Approximation to JI
Interval mappings
The following tables show how 15-odd-limit intervals are represented in 19edo. Prime harmonics are in bold; inconsistent intervals are in italics.
| Interval and complement | Error (abs, ¢) | Error (rel, %) |
|---|---|---|
| 1/1, 2/1 | 0.000 | 0.0 |
| 5/3, 6/5 | 0.148 | 0.2 |
| 13/7, 14/13 | 1.982 | 3.1 |
| 15/13, 26/15 | 4.891 | 7.7 |
| 13/9, 18/13 | 5.039 | 8.0 |
| 15/14, 28/15 | 6.873 | 10.9 |
| 9/7, 14/9 | 7.021 | 11.1 |
| 9/5, 10/9 | 7.070 | 11.2 |
| 3/2, 4/3 | 7.218 | 11.4 |
| 5/4, 8/5 | 7.366 | 11.7 |
| 13/10, 20/13 | 12.109 | 19.2 |
| 13/12, 24/13 | 12.257 | 19.4 |
| 7/5, 10/7 | 14.091 | 22.3 |
| 7/6, 12/7 | 14.239 | 22.5 |
| 9/8, 16/9 | 14.436 | 22.9 |
| 15/8, 16/15 | 14.585 | 23.1 |
| 11/8, 16/11 | 17.103 | 27.1 |
| 13/8, 16/13 | 19.475 | 30.8 |
| 7/4, 8/7 | 21.457 | 34.0 |
| 11/6, 12/11 | 24.321 | 38.5 |
| 11/10, 20/11 | 24.469 | 38.7 |
| 11/7, 14/11 | 24.597 | 38.9 |
| 13/11, 22/13 | 26.580 | 42.1 |
| 15/11, 22/15 | 31.470 | 49.8 |
| 11/9, 18/11 | 31.539 | 49.9 |
| Interval and complement | Error (abs, ¢) | Error (rel, %) |
|---|---|---|
| 1/1, 2/1 | 0.000 | 0.0 |
| 5/3, 6/5 | 0.148 | 0.2 |
| 13/7, 14/13 | 1.982 | 3.1 |
| 15/13, 26/15 | 4.891 | 7.7 |
| 13/9, 18/13 | 5.039 | 8.0 |
| 15/14, 28/15 | 6.873 | 10.9 |
| 9/7, 14/9 | 7.021 | 11.1 |
| 9/5, 10/9 | 7.070 | 11.2 |
| 3/2, 4/3 | 7.218 | 11.4 |
| 5/4, 8/5 | 7.366 | 11.7 |
| 13/10, 20/13 | 12.109 | 19.2 |
| 13/12, 24/13 | 12.257 | 19.4 |
| 7/5, 10/7 | 14.091 | 22.3 |
| 7/6, 12/7 | 14.239 | 22.5 |
| 9/8, 16/9 | 14.436 | 22.9 |
| 15/8, 16/15 | 14.585 | 23.1 |
| 11/8, 16/11 | 17.103 | 27.1 |
| 13/8, 16/13 | 19.475 | 30.8 |
| 7/4, 8/7 | 21.457 | 34.0 |
| 11/6, 12/11 | 24.321 | 38.5 |
| 11/10, 20/11 | 24.469 | 38.7 |
| 11/9, 18/11 | 31.539 | 49.9 |
| 15/11, 22/15 | 31.688 | 50.2 |
| 13/11, 22/13 | 36.578 | 57.9 |
| 11/7, 14/11 | 38.561 | 61.1 |
Zeta peak index
| Tuning | Strength | Octave (cents) | Integer limit | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| ZPI | Steps per 8ve |
Step size (cents) |
Height | Integral | Gap | Size | Stretch | Consistent | Distinct | |
| Tempered | Pure | |||||||||
| 65zpi | 18.948 | 63.33 | 5.98 | 5.214 | 1.313 | 16.699 | 1203.287 | 3.287 | 10 | 7 |
Regular temperament properties
| Subgroup | Comma list | Mapping | Optimal 8ve stretch (¢) |
Tuning error | |
|---|---|---|---|---|---|
| Absolute (¢) | Relative (%) | ||||
| 2.3 | [-30 19⟩ | [⟨19 30]] | +2.28 | 2.28 | 3.61 |
| 2.3.5 | 81/80, 3125/3072 | [⟨19 30 44]] | +2.58 | 1.91 | 3.02 |
| 2.3.5.7 | 49/48, 81/80, 126/125 | [⟨19 30 44 53]] | +3.85 | 2.76 | 4.35 |
| 2.3.5.7.13 | 49/48, 65/64, 81/80, 91/90 | [⟨19 30 44 53 70]] | +4.14 | 2.53 | 3.99 |
| 2.3.5.7.13.23 | 49/48, 65/64, 70/69, 81/80, 91/90 | [⟨19 30 44 53 70 86]] | +3.32 | 2.93 | 4.64 |
- 19et is lower in relative error than any previous equal temperaments in the 5-, 7-, 13-, 17-, and 19-limit—both 19 and 19e val achieve this in the case of 13-limit, 19eg val in the 17-limit, and 19egh val in the 19-limit. The next equal temperaments doing better in those subgroups are 34, 31, 27e, 22, and 26, respectively.
- 19et is best in the 2.3.5.7.13 subgroup, and the next equal temperament that does better in this is 53.
Uniform maps
| Min. size | Max. size | Wart notation | Map |
|---|---|---|---|
| 18.7816 | 18.9337 | 19e | ⟨19 30 44 53 65 70] |
| 18.9337 | 19.0518 | 19 | ⟨19 30 44 53 66 70] |
| 19.0518 | 19.0571 | 19f | ⟨19 30 44 53 66 71] |
| 19.0571 | 19.1651 | 19df | ⟨19 30 44 54 66 71] |
| 19.1651 | 19.2228 | 19cdf | ⟨19 30 45 54 66 71] |
Commas
19et tempers out the following commas. (Note: This assumes the val ⟨19 30 44 53 66 70].)
| Prime limit |
Ratio[note 2] | Monzo | Cents | Color name | Name |
|---|---|---|---|---|---|
| 3 | (20 digits) | [-30 19⟩ | 137.14 | Trilawa | 19-comma |
| 5 | 16875/16384 | [-14 3 4⟩ | 51.12 | Laquadyo | Negri comma |
| 5 | (14 digits) | [-2 13 -8⟩ | 34.91 | Laquadbigu | Unicorn comma |
| 5 | 3125/3072 | [-10 -1 5⟩ | 29.61 | Laquinyo | Magic comma |
| 5 | 81/80 | [-4 4 -1⟩ | 21.51 | Gu | Syntonic comma |
| 5 | 78732/78125 | [2 9 -7⟩ | 13.40 | Sepgu | Sensipent comma |
| 5 | 15625/15552 | [-6 -5 6⟩ | 8.11 | Tribiyo | Kleisma |
| 5 | (20 digits) | [8 14 -13⟩ | 5.29 | Thegu | Parakleisma |
| 5 | (28 digits) | [-14 -19 19⟩ | 2.82 | Neyo | Enneadeca |
| 7 | 59049/57344 | [-13 10 0 -1⟩ | 50.72 | Laru | Harrison's comma |
| 7 | 1029/1000 | [-3 1 -3 3⟩ | 49.49 | Trizogu | Keega |
| 7 | 525/512 | [-9 1 2 1⟩ | 43.41 | Lazoyoyo | Avicennma |
| 7 | 49/48 | [-4 -1 0 2⟩ | 35.70 | Zozo | Semaphoresma, slendro diesis |
| 7 | 3645/3584 | [-9 6 1 -1⟩ | 29.22 | Laruyo | Schismean comma |
| 7 | 686/675 | [1 -3 -2 3⟩ | 27.99 | Trizo-agugu | Senga |
| 7 | 875/864 | [-5 -3 3 1⟩ | 21.90 | Zotrigu | Keema |
| 7 | 245/243 | [0 -5 1 2⟩ | 14.19 | Zozoyo | Sensamagic comma |
| 7 | 126/125 | [1 2 -3 1⟩ | 13.79 | Zotrigu | Starling comma |
| 7 | 225/224 | [-5 2 2 -1⟩ | 7.71 | Ruyoyo | Marvel comma |
| 7 | 19683/19600 | [-4 9 -2 -2⟩ | 7.32 | Labirugu | Cataharry comma |
| 7 | 10976/10935 | [5 -7 -1 3⟩ | 6.48 | Satrizo-agu | Hemimage comma |
| 7 | 3136/3125 | [6 0 -5 2⟩ | 6.08 | Zozoquingu | Hemimean comma |
| 7 | (12 digits) | [-11 2 7 -3⟩ | 1.63 | Latriru-asepyo | Metric comma |
| 7 | 4375/4374 | [-1 -7 4 1⟩ | 0.40 | Zoquadyo | Ragisma |
| 11 | 45/44 | [-2 2 1 0 -1⟩ | 38.91 | Luyo | Undecimal fifth tone |
| 11 | 56/55 | [3 0 -1 1 -1⟩ | 31.19 | Luzogu | Undecimal tritonic comma |
| 11 | 100/99 | [2 -2 2 0 -1⟩ | 17.40 | Luyoyo | Ptolemisma |
| 11 | 896/891 | [7 -4 0 1 -1⟩ | 9.69 | Saluzo | Pentacircle comma |
| 11 | 65536/65219 | [16 0 0 -2 -3⟩ | 8.39 | Satrilu-aruru | Orgonisma |
| 11 | 385/384 | [-7 -1 1 1 1⟩ | 4.50 | Lozoyo | Keenanisma |
| 11 | 540/539 | [2 3 1 -2 -1⟩ | 3.21 | Lururuyo | Swetisma |
| 13 | 39/38 | [-1 1 0 0 0 1 0 -1⟩ | 44.97 | Nutho | Undevicesimal two-ninth tone |
| 13 | 65/64 | [-6 0 1 0 0 1⟩ | 26.84 | Thoyo | Wilsorma |
| 13 | 343/338 | [-1 0 0 3 0 -2⟩ | 25.42 | Thuthutrizo | |
| 13 | 91/90 | [-1 -2 -1 1 0 1⟩ | 19.13 | Thozogu | Superleap comma, biome comma |
| 13 | 676/675 | [2 -3 -2 0 0 2⟩ | 2.56 | Bithogu | Island comma |
| 13 | 1001/1000 | [-3 0 -3 1 1 1⟩ | 1.73 | Tholozotrigu | Fairytale comma, sinbadma |
| 23 | 2187/2116 | [-2 7 0 0 0 0 0 0 -2⟩ | 57.14 | Labitwethu | Lipsett comma |
| 23 | 70/69 | [1 -1 1 1 0 0 0 0 -⟩ | 24.91 | Twethuzoyo | Small vicesimotertial eighth tone |
| 23 | 256/253 | [8 0 0 0 -1 0 0 0 -1⟩ | 20.41 | Twethulu | 253rd subharmonic |
| 23 | 161/160 | [-5 0 -1 1 0 0 0 0 1⟩ | 10.79 | Twethozogu | Major kirnbergisma |
| 23 | 208/207 | [4 -2 0 0 0 1 0 0 -1⟩ | 8.34 | Twethutho | Vicetone comma |
| 23 | 529/528 | [-4 -1 0 0 -1 0 0 0 2⟩ | 3.28 | Bitwetho-alu | Preziosisma |
| 23 | 576/575 | [6 2 -2 0 0 0 0 0 -1⟩ | 3.01 | Twethugugu | Worcester comma |
| 23 | 1288/1287 | [3 -2 0 1 -1 -1 0 0 1⟩ | 1.34 | Twethothuluzo | Triaphonisma |
Linear temperaments
- List of 19et rank two temperaments by badness
- List of 19et rank two temperaments by complexity
- List of edo-distinct 19et rank two temperaments
- Syntonic–kleismic equivalence continuum
Since 19 is prime, all rank-2 temperaments in 19edo have one period per octave (i.e. are linear). Therefore you can make a correspondence between intervals and the linear temperaments they generate.
| Degree | Cents | Interval | Mos scales | Temperaments |
|---|---|---|---|---|
| 1 | 63.16 | A1, d2 | Unicorn / Rhinoceros | |
| 2 | 126.32 | m2 | 1L 8s, 9L 1s | Negri |
| 3 | 189.47 | M2 | 1L 5s, 6L 1s, 6L 7s | Deutone Spell |
| 4 | 252.63 | A2, d3 | 1L 3s, 4L 1s, 5L 4s, 5L 9s |
Godzilla |
| 5 | 315.79 | m3 | 3L 1s, 4L 3s, 4L 7s, 4L 11s |
Cata / keemun |
| 6 | 378.95 | M3 | 3L 1s, 3L 4s, 3L 7s, 3L 10s, 3L 13s |
Magic / muggles |
| 7 | 442.11 | A3, d4 | 3L 2s, 3L 5s, 8L 3s | Sensi |
| 8 | 505.26 | P4 | 2L 3s, 5L 2s, 7L 5s | Meantone / flattone |
| 9 | 568.42 | A4 | 2L 3s, 2L 5s, 2L 7s, 2L 9s, 2L 11s, 2L 13s, 2L 15s |
Liese / pycnic Triton |
Scales
MOS scales
Octave-equivalent mosses
- meantone pentatonic, 2L 3s (gen = 11\19): 3 3 5 3 5
- meantone diatonic, 5L 2s (gen = 11\19): 3 3 2 3 3 3 2
- meantone chromatic, 7L 5s (gen = 11\19): 2 1 2 1 2 2 1 2 1 2 1 2
- semaphore[5], 4L 1s (gen = 4\19): 4 4 3 4 4
- semaphore[9], 5L 4s (gen = 4\19): 3 1 3 1 3 3 1 3 1
- semaphore[14], 5L 9s (gen = 4\19): 2 1 2 1 1 2 1 1 2 1 1 2 1 1
- sensi[5], 2L 3s (gen = 7\19): 5 2 5 2 5
- sensi[8], 3L 5s (gen = 7\19): 2 3 2 2 3 2 2 3
- sensi[11], 8L 3s (gen = 7\19): 2 2 1 2 2 2 1 2 2 2 1
- negri[9], 1L 8s (gen = 2\19): 2 2 2 2 3 2 2 2 2
- negri[10], 9L 1s (gen = 2\19): 2 2 2 2 2 1 2 2 2 2
- kleismic[7], 4L 3s (gen = 5\19): 1 4 1 4 1 4 4
- kleismic[11], 4L 7s (gen = 5\19): 1 3 1 1 3 1 1 3 1 3 1
- kleismic[15], 4L 11s (gen = 5\19): 1 2 1 1 1 2 1 1 1 2 1 1 2 1 1
- magic[7], 3L 4s (gen = 6\19): 5 1 5 1 5 1 1
- magic[10], 3L 7s (gen = 6\19): 4 1 1 4 1 1 4 1 1 1
- magic[13], 3L 10s (gen = 6\19): 3 1 1 1 3 1 1 1 3 1 1 1 1
- magic[16], 3L 13s (gen = 6\19): 2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 1
- liese[17], 2L 15s (gen = 9\19): 2 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1
Other scales
- Meantone harmonic minor: 3 2 3 3 2 4 2
- Meantone melodic minor: 3 2 3 3 3 3 2
- Meantone harmonic major: 3 3 2 3 2 4 2
- chromatic octave species - Meantone / marvel double harmonic major (subset of Negri[9]): 2 4 2 3 2 4 2
- chromatic octave species (subset of Negri[9]): 2 2 4 3 2 2 4
- chromatic octave species - Sahara septatonic (subset of Negri[9]): 4 2 2 3 4 2 2
- Marvel hexatonic (subset of Negri[9]): 4 2 5 2 4 2
- enharmonic pentatonic: 2 6 3 2 6
- enharmonic pentatonic: 6 2 3 6 2
- enharmonic octave species: 1 1 6 3 1 1 6
- enharmonic octave species: 6 1 1 3 6 1 1
- enharmonic octave species: 1 6 1 3 1 6 1
- Pinetone major-harmonic octatonic: 3 2 3 1 2 3 2 3 (subset of Meantone[12])
- Pinetone minor-harmonic octatonic: 3 2 1 3 2 3 3 2 (subset of Meantone[12])
- Pinetone diminished octatonic / Porcusmine: 2 3 1 3 2 3 2 3
- Pinetone harmonic diminished: 2 3 1 4 1 3 2 3
- Blackville / 5-limit dipentatonic (superset of Meantone[7]): 1 2 3 2 1 2 3 2 1 2
- Antipental blues: 4 4 1 2 4 4
- Semiquartal 3|5 b2: 1 3 3 1 3 1 3 3 1
- 5-odd-limit tonality diamond: 5 1 2 3 2 1 5
- 7-odd-limit tonality diamond: 4 1 1 2 1 1 1 2 1 1 4
- 9-odd-limit tonality diamond: 3 1 1 1 1 1 1 1 1 1 1 1 1 1 3
Instruments


Music
- See also: Category:19edo tracks
- XA 19-ET Index
- A number of compositions that were perfomed at the midwestmicrofest concert in 2007[dead link]
See also
- 19edo modes
- 19edo chords
- Strictly proper 19edo scales
- How to tune a 19edo guitar by ear
- Primer for 19edo
- Mason Green's New Common Practice Notation
- Extraclassical tonality
- Lumatone mapping for 19edo
Further reading
- Darreg, Ivor. A Case for Nineteen. 1982.
- Darreg, Ivor. Nineteen for the Nineties[dead link]. (Unknown date of publication).
- Howe, Hubert S., Jr. 19-Tone Theory and Applications. c. 2004.
- Sethares, William A. Tunings for 19 Tone Equal Tempered Guitar. 1991.
- Sword, Ron. Enneadecaphonic Scales for Guitar: A Repository of Scales, Chord-Scales, Notations and Techniques for Nineteen Equal Divisions of the Octave. 2010.
- Yasser, Joseph. Theory of Evolving Tonality. 1932.
External links
- 19-tone equal-temperament and 1/3-comma meantone / 19-edo / 19-ed2 on the Tonalsoft Encyclopedia
- Microtonalism by Ingrid Pearson, Graham Hair, Dougie McGilvray, Nick Bailey, Amanda Morrison and Richard Parncutt (from n-ISM, the Network for Interdisciplinary Studies in Science, Technology, and Music)
- Forum Discussion with some 19-EDO xenharmonic scales Hanson (Keemun), Liese, Negri, Magic, Semaphore, Sensi played on guitar.
- Bostjan Zupancic's 19-EDO pages
- Catalog of all 19edo heptatonic scales
Notes
References
- Bucht, Saku and Huovinen, Erkki, Perceived consonance of harmonic intervals in 19-tone equal temperament, CIM04_proceedings.
- Levy, Kenneth J., Costeley's Chromatic Chanson, Annales Musicologues: Moyen-Age et Renaissance, Tome III (1955), pp. 213-261.






