Extraclassical tonality: Difference between revisions

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Assuming the normal major and minor thirds are roughly 12edo or pythagorean, a tendo triad may be notated {{nowrap|{{dash|C, E{{demisharp2}}, G}}}} or {{nowrap|{{dash|A, C{{sesquisharp2}}, E}}}}, and an arto triad may be notated {{nowrap|{{dash|C, E{{sesquiflat2}}, G}}}} or {{nowrap|{{dash|A, C{{demiflat2}}, E}}}}.   
Assuming the normal major and minor thirds are roughly 12edo or pythagorean, a tendo triad may be notated {{nowrap|{{dash|C, E{{demisharp2}}, G}}}} or {{nowrap|{{dash|A, C{{sesquisharp2}}, E}}}}, and an arto triad may be notated {{nowrap|{{dash|C, E{{sesquiflat2}}, G}}}} or {{nowrap|{{dash|A, C{{demiflat2}}, E}}}}.   


For tunings of meantone such as quarter-comma or flatter, or for just intonation, arto and tendo may be treated as augmented and diminished intervals, such as {{nowrap|{{dash|C, E♯, G}}}} or {{nowrap|{{dash|C, E𝄫, G}}}}.     
For meantone tunings flatter than [[quarter-comma meantone|{{frac|1|4}}-comma]] (e.g. [[19edo]], which represents {{frac|1|3}}-comma meantone), or in just intonation, arto and tendo may be treated as diminished and augmented intervals, such as {{nowrap|{{dash|C, E𝄫, G}}}} or {{nowrap|{{dash|C, E♯, G}}}}.     


An arto chord may be notated with the lowercase letter r, such as Cr or Dr. This is to avoid clashing with the use of A for Augmented.     
An arto chord may be notated with the lowercase letter r, such as Cr or Dr. This is to avoid clashing with the use of A for Augmented.