Just intonation: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~hstraub~~|~~hstraub~~]] and made on <tt>2007-10-~~08 06~~:15:52 UTC</tt>.<br>

: This revision was by author [[User:guest|guest]] and made on <tt>2007-10-10 05:39:20 UTC</tt>.<br>

: The original revision id was <tt>~~9120421~~</tt>.<br>

: The original revision id was <tt>9236813</tt>.<br>

: The revision comment was: <tt>~~Pages for compositions in JI~~</tt><br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

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==[[OverToneSeries|Compositions]]==

=Freestyle Just/Adaptive Just Intonation=

=Freestyle Just=

= =

=Adaptive Just Intonation=

Compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers. Daunting!

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=Constraints=

Create subsets of the infinitely large pool of ratios.

Create subsets of the infinitely large pool of ratios by setting constraints. Here are six ways (from Jacques Dudon, "Differential Coherence", //1/1// vol. 11, no. 2: p.1):

(~~insert Jacques Dudon article quote here~~)

//1. The principle of "[[harmonic limits]]," which sets a threshold in order to place a limit on the largest prime number in any ratio (cf: Tanner's "psycharithmes" and his ordering by complexity; Gioseffe Zarlino's five-limit "senario," and the like; Helmholtz's theory of consonance with its "blending of partials," which, like the others, results in giving priority to the lowest prime numbers).

~~==JI theory==~~

2. Restrictions on the combinations of numbers that make up the numerator and denominator of the ratios under consideration, such as the "monophonic" system of Harry Partch's [[tonality diamond]]. This, incidentially, is an eleven-limit system that only makes use of ratios of the form n:d, where n and d are drawn only from harmonics 1,3 5 7 9, 11, or their octaves.

~~Links~~ to JI theory pages on [[http://moinmoin.riters.com/microtonal|another microtonal wiki]], ~~pending~~ transfer to this wiki:

3. Other theorists who, in contrast to the above, advocate the use of the products of a given set of prime numbers, such as Robert Dussaut, Ervin Wilson, and others.

4. Restrictions on the variety of prime numbers used within a system, for example, 3 used with only one other prime (7, 11, or 13...). This is quite common practice with Ptolemy, Ibn-Sina, Al-Farabi, and Saf-al-Din, and with numerous contemporary composers working in Just Intonation.

5. Restricting the denominator to one or very few values (the [[OverToneSeries|harmonic series]]).

6. Restricting the numerator to one or a very few values (the [[subharmonic series]] or [[aliquot scales]]).//

**Broken** links to JI theory pages on [[http://moinmoin.riters.com/microtonal|another microtonal wiki]], which await transfer to this wiki:

[[http://moinmoin.riters.com/microtonal/index.cgi/58Note11LimitJI|58 note 11 limit JI]] - hyper-Partchian!

[[http://moinmoin.riters.com/microtonal/index.cgi/Reduction|Reduction]]

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[[http://moinmoin.riters.com/microtonal/index.cgi/Hahn_20distance|Hahn distance]]

==~~Scales~~==

==Scalesmith's gallery of Just Intonation scales==

[[boogiewoogiescale|Boogie woogie scale]]

[[Arnold Dreyblatt]]

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<h2 id="toc2"><a name="Overtone Series-Compositions"></a><a class="wiki_link" href="/OverToneSeries">Compositions</a></h2>

<br />

<h1 id="toc3"><a name="Freestyle Just/Adaptive Just Intonation"></a>~~Freestyle Just/~~Adaptive Just Intonation</h1>

<h1 id="toc3"><a name="Freestyle Just"></a>Freestyle Just</h1>

<h1 id="toc4"> </h1>

<h1 id="toc5"><a name="Adaptive Just Intonation"></a>Adaptive Just Intonation</h1>

Compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers. Daunting!<br />

<br />

<h2 id="~~toc4~~"><a name="~~Freestyle Just/~~Adaptive Just Intonation-Software"></a>Software</h2>

<h2 id="toc6"><a name="Adaptive Just Intonation-Software"></a>Software</h2>

<ul><li>Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/jisequencer.html" rel="nofollow">No-scale JI Sequencer</a></li><li><a class="wiki_link_ext" href="http://www.math.tu-dresden.de/%7Emutabor/" rel="nofollow">Mutabor</a></li></ul><br />

<h2 id="~~toc5~~"> </h2>

<h2 id="toc7"> </h2>

<h2 id="~~toc6~~"><a name="~~Freestyle Just/~~Adaptive Just Intonation-Compositions"></a><a class="wiki_link" href="/AdaptiveJI">Compositions</a></h2>

<h2 id="toc8"><a name="Adaptive Just Intonation-Compositions"></a><a class="wiki_link" href="/AdaptiveJI">Compositions</a></h2>

<br />

<h1 id="~~toc7~~"><a name="Constraints"></a>Constraints</h1>

<h1 id="toc9"><a name="Constraints"></a>Constraints</h1>

Create subsets of the infinitely large pool of ratios.<br />

Create subsets of the infinitely large pool of ratios by setting constraints. Here are six ways (from Jacques Dudon, &quot;Differential Coherence&quot;, <em>1/1</em> vol. 11, no. 2: p.1):<br />

<br />

<em>1. The principle of &quot;<a class="wiki_link" href="/harmonic%20limits">harmonic limits</a>,&quot; which sets a threshold in order to place a limit on the largest prime number in any ratio (cf: Tanner's &quot;psycharithmes&quot; and his ordering by complexity; Gioseffe Zarlino's five-limit &quot;senario,&quot; and the like; Helmholtz's theory of consonance with its &quot;blending of partials,&quot; which, like the others, results in giving priority to the lowest prime numbers).<br />

<br />

2. Restrictions on the combinations of numbers that make up the numerator and denominator of the ratios under consideration, such as the &quot;monophonic&quot; system of Harry Partch's <a class="wiki_link" href="/tonality%20diamond">tonality diamond</a>. This, incidentially, is an eleven-limit system that only makes use of ratios of the form n:d, where n and d are drawn only from harmonics 1,3 5 7 9, 11, or their octaves.<br />

<br />

3. Other theorists who, in contrast to the above, advocate the use of the products of a given set of prime numbers, such as Robert Dussaut, Ervin Wilson, and others.<br />

<br />

4. Restrictions on the variety of prime numbers used within a system, for example, 3 used with only one other prime (7, 11, or 13...). This is quite common practice with Ptolemy, Ibn-Sina, Al-Farabi, and Saf-al-Din, and with numerous contemporary composers working in Just Intonation.<br />

<br />

5. Restricting the denominator to one or very few values (the <a class="wiki_link" href="/OverToneSeries">harmonic series</a>).<br />

<br />

(~~insert Jacques Dudon article quote here~~)<br />

6. Restricting the numerator to one or a very few values (the <a class="wiki_link" href="/subharmonic%20series">subharmonic series</a> or <a class="wiki_link" href="/aliquot%20scales">aliquot scales</a>).</em><br />

<br />

<~~!-- ws:start:WikiTextHeadingRule:16:&lt;h2&gt; --><h2 id="toc8"><a name="Constraints-JI theory"></a~~>~~JI theory~~</h2>

<strong>Broken</strong> links to JI theory pages on <a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal" rel="nofollow">another microtonal wiki</a>, which await transfer to this wiki:<br />

~~Links~~ to JI theory pages on <a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal" rel="nofollow">another microtonal wiki</a>, ~~pending~~ transfer to this wiki:<br />

<a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal/index.cgi/58Note11LimitJI" rel="nofollow">58 note 11 limit JI</a> - hyper-Partchian!<br />

<a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal/index.cgi/Reduction" rel="nofollow">Reduction</a><br />

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<a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal/index.cgi/Hahn_20distance" rel="nofollow">Hahn distance</a><br />

<br />

<h2 id="~~toc9~~"><a name="Constraints-~~Scales~~"></a>~~Scales~~</h2>

<h2 id="toc10"><a name="Constraints-Scalesmith's gallery of Just Intonation scales"></a>Scalesmith's gallery of Just Intonation scales</h2>

<a class="wiki_link" href="/boogiewoogiescale">Boogie woogie scale</a><br />

<a class="wiki_link" href="/Arnold%20Dreyblatt">Arnold Dreyblatt</a><br />

Gallery of pentatonics<br />

<br />

<h2 id="~~toc10~~"><a name="Constraints-Compositions"></a><a class="wiki_link" href="/FiniteSubsetJI">Compositions</a></h2>

<h2 id="toc11"><a name="Constraints-Compositions"></a><a class="wiki_link" href="/FiniteSubsetJI">Compositions</a></h2>

</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2007-10-08 06:15:52 UTC</tt>.<br>
+: This revision was by author [[User:guest|guest]] and made on <tt>2007-10-10 05:39:20 UTC</tt>.<br>
-: The original revision id was <tt>9120421</tt>.<br>
+: The original revision id was <tt>9236813</tt>.<br>
-: The revision comment was: <tt>Pages for compositions in JI</tt><br>
+: The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
@@ Line 14: / Line 14: @@
 ==[[OverToneSeries|Compositions]]==
-=Freestyle Just/Adaptive Just Intonation=
+=Freestyle Just=
+= =
+=Adaptive Just Intonation=
 Compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers. Daunting!
@@ Line 25: / Line 27: @@
 =Constraints=
-Create subsets of the infinitely large pool of ratios.
+Create subsets of the infinitely large pool of ratios by setting constraints. Here are six ways (from Jacques Dudon, "Differential Coherence", //1/1// vol. 11, no. 2: p.1):
-(insert Jacques Dudon article quote here)
+//1. The principle of "[[harmonic limits]]," which sets a threshold in order to place a limit on the largest prime number in any ratio (cf: Tanner's "psycharithmes" and his ordering by complexity; Gioseffe Zarlino's five-limit "senario," and the like; Helmholtz's theory of consonance with its "blending of partials," which, like the others, results in giving priority to the lowest prime numbers).
-==JI theory==
+. Restrictions on the combinations of numbers that make up the numerator and denominator of the ratios under consideration, such as the "monophonic" system of Harry Partch's [[tonality diamond]]. This, incidentially, is an eleven-limit system that only makes use of ratios of the form n:d, where n and d are drawn only from harmonics 1,3 5 7 9, 11, or their octaves.
-Links to JI theory pages on [[http://moinmoin.riters.com/microtonal|another microtonal wiki]], pending transfer to this wiki:
+. Other theorists who, in contrast to the above, advocate the use of the products of a given set of prime numbers, such as Robert Dussaut, Ervin Wilson, and others.
+. Restrictions on the variety of prime numbers used within a system, for example, 3 used with only one other prime (7, 11, or 13...). This is quite common practice with Ptolemy, Ibn-Sina, Al-Farabi, and Saf-al-Din, and with numerous contemporary composers working in Just Intonation.
+. Restricting the denominator to one or very few values (the [[OverToneSeries|harmonic series]]).
+. Restricting the numerator to one or a very few values (the [[subharmonic series]] or [[aliquot scales]]).//
+**Broken** links to JI theory pages on [[http://moinmoin.riters.com/microtonal|another microtonal wiki]], which await transfer to this wiki:
 [[http://moinmoin.riters.com/microtonal/index.cgi/58Note11LimitJI|58 note 11 limit JI]] - hyper-Partchian!
 [[http://moinmoin.riters.com/microtonal/index.cgi/Reduction|Reduction]]
@@ Line 36: / Line 47: @@
 [[http://moinmoin.riters.com/microtonal/index.cgi/Hahn_20distance|Hahn distance]]
-==Scales==
+==Scalesmith's gallery of Just Intonation scales==
 [[boogiewoogiescale|Boogie woogie scale]]
 [[Arnold Dreyblatt]]
@@ Line 51: / Line 62: @@
 &lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="Overtone Series-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;&lt;a class="wiki_link" href="/OverToneSeries"&gt;Compositions&lt;/a&gt;&lt;/h2&gt;
   &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Freestyle Just/Adaptive Just Intonation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Freestyle Just/Adaptive Just Intonation&lt;/h1&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Freestyle Just"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Freestyle Just&lt;/h1&gt;
+ &lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt; &lt;/h1&gt;
+ &lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Adaptive Just Intonation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Adaptive Just Intonation&lt;/h1&gt;
   Compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers. Daunting!&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Freestyle Just/Adaptive Just Intonation-Software"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Software&lt;/h2&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Adaptive Just Intonation-Software"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Software&lt;/h2&gt;
   &lt;ul&gt;&lt;li&gt;Chuckk Hubbard's &lt;a class="wiki_link_ext" href="http://www.badmuthahubbard.com/jisequencer.html" rel="nofollow"&gt;No-scale JI Sequencer&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.math.tu-dresden.de/%7Emutabor/" rel="nofollow"&gt;Mutabor&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt; &lt;/h2&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt; &lt;/h2&gt;
-  &lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Freestyle Just/Adaptive Just Intonation-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;a class="wiki_link" href="/AdaptiveJI"&gt;Compositions&lt;/a&gt;&lt;/h2&gt;
+  &lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Adaptive Just Intonation-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;&lt;a class="wiki_link" href="/AdaptiveJI"&gt;Compositions&lt;/a&gt;&lt;/h2&gt;
   &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Constraints"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Constraints&lt;/h1&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc9"&gt;&lt;a name="Constraints"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Constraints&lt;/h1&gt;
-  Create subsets of the infinitely large pool of ratios.&lt;br /&gt;
+  Create subsets of the infinitely large pool of ratios by setting constraints. Here are six ways (from Jacques Dudon, &amp;quot;Differential Coherence&amp;quot;, &lt;em&gt;1/1&lt;/em&gt; vol. 11, no. 2: p.1):&lt;br /&gt;
+&lt;br /&gt;
+&lt;em&gt;1. The principle of &amp;quot;&lt;a class="wiki_link" href="/harmonic%20limits"&gt;harmonic limits&lt;/a&gt;,&amp;quot; which sets a threshold in order to place a limit on the largest prime number in any ratio (cf: Tanner's &amp;quot;psycharithmes&amp;quot; and his ordering by complexity; Gioseffe Zarlino's five-limit &amp;quot;senario,&amp;quot; and the like; Helmholtz's theory of consonance with its &amp;quot;blending of partials,&amp;quot; which, like the others, results in giving priority to the lowest prime numbers).&lt;br /&gt;
+&lt;br /&gt;
+. Restrictions on the combinations of numbers that make up the numerator and denominator of the ratios under consideration, such as the &amp;quot;monophonic&amp;quot; system of Harry Partch's &lt;a class="wiki_link" href="/tonality%20diamond"&gt;tonality diamond&lt;/a&gt;. This, incidentially, is an eleven-limit system that only makes use of ratios of the form n:d, where n and d are drawn only from harmonics 1,3 5 7 9, 11, or their octaves.&lt;br /&gt;
+&lt;br /&gt;
+. Other theorists who, in contrast to the above, advocate the use of the products of a given set of prime numbers, such as Robert Dussaut, Ervin Wilson, and others.&lt;br /&gt;
+&lt;br /&gt;
+. Restrictions on the variety of prime numbers used within a system, for example, 3 used with only one other prime (7, 11, or 13...). This is quite common practice with Ptolemy, Ibn-Sina, Al-Farabi, and Saf-al-Din, and with numerous contemporary composers working in Just Intonation.&lt;br /&gt;
+&lt;br /&gt;
+. Restricting the denominator to one or very few values (the &lt;a class="wiki_link" href="/OverToneSeries"&gt;harmonic series&lt;/a&gt;).&lt;br /&gt;
 &lt;br /&gt;
-(insert Jacques Dudon article quote here)&lt;br /&gt;
+. Restricting the numerator to one or a very few values (the &lt;a class="wiki_link" href="/subharmonic%20series"&gt;subharmonic series&lt;/a&gt; or &lt;a class="wiki_link" href="/aliquot%20scales"&gt;aliquot scales&lt;/a&gt;).&lt;/em&gt;&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Constraints-JI theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;JI theory&lt;/h2&gt;
+&lt;strong&gt;Broken&lt;/strong&gt; links to JI theory pages on &lt;a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal" rel="nofollow"&gt;another microtonal wiki&lt;/a&gt;, which await transfer to this wiki:&lt;br /&gt;
- Links to JI theory pages on &lt;a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal" rel="nofollow"&gt;another microtonal wiki&lt;/a&gt;, pending transfer to this wiki:&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal/index.cgi/58Note11LimitJI" rel="nofollow"&gt;58 note 11 limit JI&lt;/a&gt; - hyper-Partchian!&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal/index.cgi/Reduction" rel="nofollow"&gt;Reduction&lt;/a&gt;&lt;br /&gt;
@@ Line 71: / Line 93: @@
 &lt;a class="wiki_link_ext" href="http://moinmoin.riters.com/microtonal/index.cgi/Hahn_20distance" rel="nofollow"&gt;Hahn distance&lt;/a&gt;&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="Constraints-Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Scales&lt;/h2&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="Constraints-Scalesmith's gallery of Just Intonation scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Scalesmith's gallery of Just Intonation scales&lt;/h2&gt;
   &lt;a class="wiki_link" href="/boogiewoogiescale"&gt;Boogie woogie scale&lt;/a&gt;&lt;br /&gt;
 &lt;a class="wiki_link" href="/Arnold%20Dreyblatt"&gt;Arnold Dreyblatt&lt;/a&gt;&lt;br /&gt;
 Gallery of pentatonics&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="Constraints-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;&lt;a class="wiki_link" href="/FiniteSubsetJI"&gt;Compositions&lt;/a&gt;&lt;/h2&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc11"&gt;&lt;a name="Constraints-Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;&lt;a class="wiki_link" href="/FiniteSubsetJI"&gt;Compositions&lt;/a&gt;&lt;/h2&gt;
 &lt;/body&gt;&lt;/html&gt;</pre></div>