24edo: Difference between revisions
Dave Keenan (talk | contribs) Undo revision 174298 by ArrowHead294 (talk) Tag: Undo |
Dave Keenan (talk | contribs) Combined two disconnected Sagittal sections. Moved subsections that are purely about interval and chord naming out of the Notation section and gave them their own section. |
||
Line 319: | Line 319: | ||
In many other edos, 5/4 is downmajor and 11/9 is mid. To agree with this, the term mid is generally preferred over down or downmajor. | In many other edos, 5/4 is downmajor and 11/9 is mid. To agree with this, the term mid is generally preferred over down or downmajor. | ||
==== Interval | === Sagittal notation === | ||
This notation uses the same sagittal sequence as EDOs [[17edo#Sagittal notation|17]], [[31edo#Sagittal notation|31]], and [[38edo#Sagittal notation|38]], is a subset of the notations for EDOs [[48edo#Sagittal notation|48]] and [[72edo#Sagittal notation|72]], and is a superset of the notations for EDOs [[12edo#Sagittal notation|12]], [[8edo#Sagittal notation|8]], and [[6edo#Sagittal notation|6]]. | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:24-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 447 0 607 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 130 106 [[33/32]] | |||
default [[File:24-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:24-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 463 0 623 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 130 106 [[33/32]] | |||
default [[File:24-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:24-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 407 0 567 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 130 106 [[33/32]] | |||
default [[File:24-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
Because it contains no Sagittal symbols, this Evo-SZ Sagittal notation is also a Stein-Zimmerman notation. | |||
==== Pros and cons ==== | |||
Revo [[Sagittal notation]] works extremely well for 24edo notation as well as other systems. | |||
It is easy on the eyes, easy to recognize the various symbols and keeps a score looking tidy and neat. | |||
A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them with Sagittal signs for sharp and flat. | |||
[[File:sagittal_24.PNG|alt=sagittal 24.PNG|sagittal 24.PNG]] | |||
'''Pros:''' Easy to read, and less likely to clutter the score | |||
'''Cons:''' Not as familiar as traditional notation, and thus not immediately accessible to many traditional musicians who are just starting out with microtonality | |||
We also have, from the appendix to [[The Sagittal Songbook]] by [[Jacob Barton|Jacob A. Barton]], a diagram of how to notate 24edo in the Revo flavor of Sagittal: | |||
[[File:24edo Sagittal.png|800px]] | |||
=== Other quartertone notations === | |||
Besides the above, there are various systems for notating quarter tones. Here are some of them, along with their pros and cons. | |||
==== Mainstream quartertone accidentals ==== | |||
[[Category:IMPORTDEBUG - Change External Images]] | |||
{{Sharpness-sharp2|24}} | |||
{| class="wikitable center-1" | |||
|- | |||
| style="width: 40px;" | [[File:HeQu1.svg|21px|center]] | |||
| A "semisharp" or "half-sharp" accidental comprising one half of a regular musical sharp symbol. | |||
|- | |||
| style="width: 40px;" | [[File:HeQu3.svg|32px|center]] | |||
| A "sharp and a half" or "sesquisharp" accidental, comprising the above half-sharp symbol connected to the right side of a normal sharp. | |||
|- | |||
| style="width: 40px;" | [[File:HeQd1.svg|22px|center]] | |||
| A "semiflat" or "half-flat" accidental, comprising a flat symbol mirrored horizontally so that the lobe is facing left. | |||
|- | |||
| style="width: 40px;" | [[File:HeQd3.svg|36px|center]] | |||
| A "flat and a half" or "sesquiflat" accidental, comprising a half-flat symbol and a regular flat symbol placed back to back. | |||
|} | |||
'''Pros:''' Familiar, fairly easy to learn | |||
[[Category:IMPORTDEBUG - Change External Images]] | |||
'''Cons:''' Clutters a score easily, can get confusing when sight read at faster paces | |||
==== Persian quartertone accidentals ==== | |||
{| class="wikitable" | |||
|- | |||
| width="40px" |[[File:Koron_sign.svg|39px|center]] | |||
| '''Koron''' ([[Wikipedia: Koron (music)|Wikipedia]]) = Quarter-tone flat | |||
|- | |||
| width="40px" |[[File:Sori_sign.svg|39px|center]] | |||
| '''Sori''' ([[Wikipedia: Sori (music)|Wikipedia]]) = Quarter-tone sharp | |||
|} | |||
'''Pros:''' Easy to read | |||
'''Cons:''' Hard to write on a computer, doesn't fit with standard notation well | |||
== Interval and chord naming == | |||
==== Using Ups and downs with Color notation ==== | |||
Combining ups and downs notation with [[color notation]], qualities can be loosely associated with colors: | Combining ups and downs notation with [[color notation]], qualities can be loosely associated with colors: | ||
Line 369: | Line 463: | ||
Ups and downs notation can be used to name chords. See [[24edo Chord Names]] and [[Ups and Downs Notation #Chords and Chord Progressions]]. | Ups and downs notation can be used to name chords. See [[24edo Chord Names]] and [[Ups and Downs Notation #Chords and Chord Progressions]]. | ||
=== William Lynch's interval and chord names === | |||
=== William Lynch's | |||
24edo breaks intervals into two sets of five categories. {{dash|Infra, Minor, Neutral, Major, Ultra|space|med}} for seconds, thirds, sixths, and sevenths; and {{dash|diminished, narrow, perfect, wide, augmented|space|med}} for fourths, fifths, unison, and octave. | 24edo breaks intervals into two sets of five categories. {{dash|Infra, Minor, Neutral, Major, Ultra|space|med}} for seconds, thirds, sixths, and sevenths; and {{dash|diminished, narrow, perfect, wide, augmented|space|med}} for fourths, fifths, unison, and octave. | ||
Line 453: | Line 512: | ||
|} | |} | ||
=== Interval alterations === | ==== Interval alterations ==== | ||
The special alterations of the intervals and chords of 12edo can be notated like this: | The special alterations of the intervals and chords of 12edo can be notated like this: | ||
Line 480: | Line 539: | ||
* Arto Sub Seventh Tendo Thirteenth or artsub7^13 = Arto tetrad with an arto seventh and a tendo thirteenth on top Minor Seventh Flat Five Arto Ninth Super Eleventh or m7b5^9^11 | * Arto Sub Seventh Tendo Thirteenth or artsub7^13 = Arto tetrad with an arto seventh and a tendo thirteenth on top Minor Seventh Flat Five Arto Ninth Super Eleventh or m7b5^9^11 | ||
=== Further discussion of interval and chord naming === | |||
=== Further discussion of | |||
* [[24edo interval names and harmonies]] | * [[24edo interval names and harmonies]] | ||
* [[24edo Chord Names]] | * [[24edo Chord Names]] |