User:BudjarnLambeth/12edo as a 2.3.5.17.19 tuning: Difference between revisions
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As long as you name and briefly explain your notation system at the start of your score, use whatever system you want. Use whichever one works in practice for you and the musicians collaborating with you. Invent one, if the existing ones don’t work. It’s fine. Not everything has to be standardized and homogenized. | As long as you name and briefly explain your notation system at the start of your score, use whatever system you want. Use whichever one works in practice for you and the musicians collaborating with you. Invent one, if the existing ones don’t work. It’s fine. Not everything has to be standardized and homogenized. | ||
Because I’m personally a fan of mixing and matching multiple temperaments, and other things that aren’t temperaments like approximated JI scales, MOS | Because I’m personally a fan of mixing and matching multiple temperaments, and other things that aren’t temperaments like approximated [[JI]] scales, [[MOS scale]]s, [[MODMOS]] & [[inflected MOS]] scales and even randomly generated scales, I usually like to go with the first option: ups and downs notation, in particular using whichever 3 is closest to just for its chain of fifths, and the other 3 being treated as just another available prime like 5, 7 or 11. | ||
== Interpreting 12edo as a 2.3.5.17.19 system== | == Interpreting 12edo as a 2.3.5.17.19 system== | ||