22edo: Difference between revisions

Dave Keenan (talk | contribs)
Notation: Moved the Sagittal notation subsection to before less well-known systems but after conventional, Stein-Zimmermann and ups-and-downs subsections, to be consistent with other EDO Notation sections.
Dave Keenan (talk | contribs)
Sagittal notation: Added staff-notation images
Line 447: Line 447:


=== Sagittal notation ===
=== Sagittal notation ===
This notation uses the same sagittal sequence as EDOs [[15edo#Sagittal notation|15]] and [[29edo#Sagittal notation|29]], is a subset of the notations for EDOs [[44edo#Sagittal notation|44]] and [[66edo#Sagittal notation|66]], and is a superset of the notation for [[11edo#Sagittal notation|11-EDO]].
====Evo flavor====
<imagemap>
File:22-EDO_Evo_Sagittal.svg
desc none
rect 80 0 300 50 [[Sagittal_notation]]
rect 415 0 575 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]
rect 20 80 120 106 [[81/80]]
default [[File:22-EDO_Evo_Sagittal.svg]]
</imagemap>
====Revo flavor====
<imagemap>
File:22-EDO_Revo_Sagittal.svg
desc none
rect 80 0 300 50 [[Sagittal_notation]]
rect 384 0 543 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]
rect 20 80 120 106 [[81/80]]
default [[File:22-EDO_Revo_Sagittal.svg]]
</imagemap>
When 22edo is treated as generated by a cycle of its fifths, the natural notes {{nowrap|F C G D A E B}} represent a chain of those 13\22 fifths; consequently, the whole tone comes out to four degrees and the apotome (Pythagorean sharp/flat) comes out to three degrees. Three pairs of sagittal symbols, dividing that apotome into three parts, are all that is necessary, and offer plenty of enharmonic equivalents:
When 22edo is treated as generated by a cycle of its fifths, the natural notes {{nowrap|F C G D A E B}} represent a chain of those 13\22 fifths; consequently, the whole tone comes out to four degrees and the apotome (Pythagorean sharp/flat) comes out to three degrees. Three pairs of sagittal symbols, dividing that apotome into three parts, are all that is necessary, and offer plenty of enharmonic equivalents: