7edo: Difference between revisions
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== Theory == | == Theory == | ||
[[File:7edo scale.mp3|thumb|A chromatic 7edo scale on C.]] | [[File:7edo scale.mp3|thumb|A chromatic 7edo scale on C.]] | ||
[[Equiheptatonic]] scales close to 7edo are used in non-western music in some [[African]] cultures<ref>[https://www.britannica.com/art/African-music ''African music'', Encyclopedia Britannica.]</ref> as well as an integral part of early [[Chinese]] music<ref>Robotham, Donald Keith and Gerhard Kubik.</ref>. Also [[Georgian]] music seems to be based on near-equal 7-step scales. It has been speculated in "Indian music:history and structure", that the [[Indian]] three-sruti interval of 165 cents is close enough to be mistaken for 171 cents. (or 1.71 semitones), one step of 7edo. | |||
7edo can be thought of as the result of stacking seven [[11/9]]'s on top of each other, and then tempering to remove the comma {{monzo| -2 -14 0 0 7 }}. As a temperament, [[William Lynch]] gives it the name "Neutron[7]" just as the whole tone scale of [[12edo]] is known as "Hexe[6]". | 7edo can be thought of as the result of stacking seven [[11/9]]'s on top of each other, and then tempering to remove the comma {{monzo| -2 -14 0 0 7 }}. As a temperament, [[William Lynch]] gives it the name "Neutron[7]" just as the whole tone scale of [[12edo]] is known as "Hexe[6]". |