User:Tremend/WIP: Difference between revisions

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First, responding to Barium Unque on "wibblepoints" and "adaptive harmony":<blockquote>First of all, hello, Barium

Yes, Wibblepoints could parallel how slight pitch adjustments are used in common-practice music, like the third in chords or leading tones in traditional harmony. However, Wibblepoints differ by how I defined it in previous text: they’re intentional, nuanced microtonal reference points that emerge within the ''context of non-standard scales''. Unlike “adaptive harmony” in common practice, where tonal adjustments are largely intuitive ~~or culturally conditioned~~, Wibblepoints are ~~explicitly~~ structured intervals within alternative tunings. S</blockquote>

Yes, Wibblepoints could parallel how slight pitch adjustments are used in common-practice music, like the third in chords or leading tones in traditional harmony. However, Wibblepoints differ by how I defined it in previous text: they’re intentional, nuanced microtonal reference points that emerge within the ''context of non-standard scales''. Unlike “adaptive harmony” in common practice, where tonal adjustments are largely intuitive, Wibblepoints are EXPLICTLY structured intervals within alternative tunings, they're not merely interpretative, they’re designed into the lattice. I named wibblepoints like that, because as silly as it may sound, "wibble" sounds like a silly word for "slight bounce" or "wiggle".</blockquote>

Revision as of 06:13, 31 October 2024 view source Tremend (talk \| contribs) 37 edits WIP Tag: Visual edit		Revision as of 06:21, 31 October 2024 view source Tremend (talk \| contribs) 37 edits No edit summary Tag: Visual edit Newer edit →
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	First, responding to Barium Unque on "wibblepoints" and "adaptive harmony":<blockquote>First of all, hello, Barium		First, responding to Barium Unque on "wibblepoints" and "adaptive harmony":<blockquote>First of all, hello, Barium

	Yes, Wibblepoints could parallel how slight pitch adjustments are used in common-practice music, like the third in chords or leading tones in traditional harmony. However, Wibblepoints differ by how I defined it in previous text: they’re intentional, nuanced microtonal reference points that emerge within the ''context of non-standard scales''. Unlike “adaptive harmony” in common practice, where tonal adjustments are largely intuitive ~~or culturally conditioned~~, Wibblepoints are ~~explicitly~~ structured intervals within alternative tunings. S</blockquote>		Yes, Wibblepoints could parallel how slight pitch adjustments are used in common-practice music, like the third in chords or leading tones in traditional harmony. However, Wibblepoints differ by how I defined it in previous text: they’re intentional, nuanced microtonal reference points that emerge within the ''context of non-standard scales''. Unlike “adaptive harmony” in common practice, where tonal adjustments are largely intuitive, Wibblepoints are EXPLICTLY structured intervals within alternative tunings, they're not merely interpretative, they’re designed into the lattice. I named wibblepoints like that, because as silly as it may sound, "wibble" sounds like a silly word for "slight bounce" or "wiggle".</blockquote>