3/11-comma meantone: Difference between revisions
Jump to navigation
Jump to search
Budjarnlambeth please help expand this Tags: Mobile edit Mobile web edit Advanced mobile edit |
Mention connection to meanenneadecal |
||
| Line 1: | Line 1: | ||
{{Novelty}} | {{Novelty}} | ||
'''3/11-comma meantone''' is a tuning of meantone where the [[3/2|fifth]] is flattened by 3/11 of the [[81/80|syntonic comma]], producing a fifth of 696.090 cents. This is approximated well by [[50edo]]. | '''3/11-comma meantone''' is a tuning of [[meantone]] temperament where the [[3/2|fifth]] is flattened by 3/11 of the [[81/80|syntonic comma]], producing a fifth of 696.090 cents. This is approximated well by [[50edo]]. | ||
The fifth of 3/11-comma meantone is a good generator for mainline 5- and 7-limit meantone. The most natural way to extend 3/11-comma meantone into the 11, 13, 17 and 19-limits is [[meanenneadecal]] temperament. | |||
[[Category:Meantone]] | [[Category:Meantone]] | ||
Revision as of 08:56, 27 October 2024
|
This page presents a novelty topic.
It may contain ideas which are less likely to find practical applications in music, or numbers or structures that are arbitrary or exceedingly small, large, or complex. Novelty topics are often developed by a single person or a small group. As such, this page may also contain idiosyncratic terms, notation, or conceptual frameworks. |
3/11-comma meantone is a tuning of meantone temperament where the fifth is flattened by 3/11 of the syntonic comma, producing a fifth of 696.090 cents. This is approximated well by 50edo.
The fifth of 3/11-comma meantone is a good generator for mainline 5- and 7-limit meantone. The most natural way to extend 3/11-comma meantone into the 11, 13, 17 and 19-limits is meanenneadecal temperament.