Survey of efficient temperaments by subgroup: Difference between revisions

BudjarnLambeth (talk | contribs)
Made subheadings more formal
BudjarnLambeth (talk | contribs)
Line 36: Line 36:




These are not the only possible stances, either: One could imagine a Xenharmonicist C, Xenharmonicist D, etc: Thousands of differing individual perspectives on what traits are important in a temperament.
These are not the only possible stances, either: One could imagine a Xenharmonicist C, Xenharmonicist D, etc. Thousands of differing individual perspectives on what traits are important in a temperament.


To gain more of a grasp on these debates, it may help to compare these temperaments to [[12edo]], a.k.a. the familiar 12-tone equal temperament which most modern music is tuned to by default. 12edo has, of course, 12 notes per equave, which makes it fairly small by temperament standards (but not abnormally so).  
To gain more of a grasp on these debates, it may help to compare these temperaments to [[12edo]], a.k.a. the familiar 12-tone equal temperament which most modern music is tuned to by default. 12edo has, of course, 12 notes per equave, which makes it fairly small by temperament standards (but not abnormally so).