Free style JI: Difference between revisions

Wikispaces>xenjacob
**Imported revision 9237157 - Original comment: **
 
Wikispaces>guest
**Imported revision 25255443 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2007-10-10 06:00:34 UTC</tt>.<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2008-05-27 00:54:10 UTC</tt>.<br>
: The original revision id was <tt>9237157</tt>.<br>
: The original revision id was <tt>25255443</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Lou Harrison used this term; it means that you compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Lou Harrison invented this term from a technique he applied first in middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept instead was one to a set of fixed intervals regardless where this lead one. David Doty Realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.


In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.
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Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].</pre></div>
Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;FreeStyleJI&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Lou Harrison used this term; it means that you compose music such that each pitch you choose is chosen from the infinitely large pool of rational numbers.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;FreeStyleJI&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Lou Harrison invented this term from a technique he applied first in middle section of his piece &amp;quot;At The Tomb of Charles Ives&amp;quot;; Instead of working with a set of fixed pitches, his concept instead was one to a set of fixed intervals regardless where this lead one. David Doty Realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.&lt;br /&gt;
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.&lt;br /&gt;