Free style JI: Difference between revisions
Wikispaces>Omegatron **Imported revision 551461520 - Original comment: better link** |
Wikispaces>Omegatron **Imported revision 551461852 - Original comment: only source I can find** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:Omegatron|Omegatron]] and made on <tt>2015-05-18 22: | : This revision was by author [[User:Omegatron|Omegatron]] and made on <tt>2015-05-18 22:40:59 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>551461852</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt>only source I can find</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[Lou Harrison]] invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. [[David Doty]] realized a midi version of a Symphony in Free Style That Mr. Harrison wrote. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[Lou Harrison]] invented this term from a technique he applied first in the middle section of his piece "[[http://www.cdbaby.com/cd/pitchrecs3|At The Tomb of Charles Ives]] "; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. [[David Doty]] realized a midi version of a Symphony in Free Style That Mr. Harrison wrote. | ||
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Another consideration is that unless an effort is made to restrict the range of tonalities, the numerators and denominators grow with time and become unwieldy and eventually impossible to manage. If no such effort is made, they grow linearly. One possible solution is nanotempering--using an equal temperament so high it cannot be distinguished from JI. | In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Another consideration is that unless an effort is made to restrict the range of tonalities, the numerators and denominators grow with time and become unwieldy and eventually impossible to manage. If no such effort is made, they grow linearly. One possible solution is nanotempering--using an equal temperament so high it cannot be distinguished from JI. | ||
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* http://www.justintonation.net/</pre></div> | * http://www.justintonation.net/</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>FreeStyleJI</title></head><body><a class="wiki_link" href="/Lou%20Harrison">Lou Harrison</a> invented this term from a technique he applied first in the middle section of his piece &quot;At The Tomb of Charles Ives&quot;; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. <a class="wiki_link" href="/David%20Doty">David Doty</a> realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>FreeStyleJI</title></head><body><a class="wiki_link" href="/Lou%20Harrison">Lou Harrison</a> invented this term from a technique he applied first in the middle section of his piece &quot;<a class="wiki_link_ext" href="http://www.cdbaby.com/cd/pitchrecs3" rel="nofollow">At The Tomb of Charles Ives</a> &quot;; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. <a class="wiki_link" href="/David%20Doty">David Doty</a> realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.<br /> | ||
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In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Another consideration is that unless an effort is made to restrict the range of tonalities, the numerators and denominators grow with time and become unwieldy and eventually impossible to manage. If no such effort is made, they grow linearly. One possible solution is nanotempering--using an equal temperament so high it cannot be distinguished from JI.<br /> | In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Another consideration is that unless an effort is made to restrict the range of tonalities, the numerators and denominators grow with time and become unwieldy and eventually impossible to manage. If no such effort is made, they grow linearly. One possible solution is nanotempering--using an equal temperament so high it cannot be distinguished from JI.<br /> | ||
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Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and <a class="wiki_link" href="/jim%20altieri">jim altieri</a>'s <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.<br /> | Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and <a class="wiki_link" href="/jim%20altieri">jim altieri</a>'s <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.<br /> | ||
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<ul><li><!-- ws:start:WikiTextUrlRule: | <ul><li><!-- ws:start:WikiTextUrlRule:23:http://www.justintonation.net/ --><a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow">http://www.justintonation.net/</a><!-- ws:end:WikiTextUrlRule:23 --></li></ul></body></html></pre></div> | ||