ET survey: Difference between revisions

Wikispaces>vaisvil
**Imported revision 277419534 - Original comment: **
Wikispaces>vaisvil
**Imported revision 277419844 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2011-11-20 14:56:22 UTC</tt>.<br>
: This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2011-11-20 14:57:41 UTC</tt>.<br>
: The original revision id was <tt>277419534</tt>.<br>
: The original revision id was <tt>277419844</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO|5-]] and [[17EDO|17-EDO]]).
[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO|5-]] and [[17EDO|17-EDO]]).


In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].
In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[@http://www.chrisvaisvil.com|Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].




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&lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt; has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. &lt;a class="wiki_link" href="/Jacob%20Barton"&gt;Jacob Barton&lt;/a&gt;'s &lt;em&gt;Moods&lt;/em&gt; and &lt;em&gt;Xenharmonic Variations on a Theme by &lt;a class="wiki_link" href="/Mozart"&gt;Mozart&lt;/a&gt;&lt;/em&gt; from 2004 progress sequentially in sections (ET's 1-13 and 12-19). &lt;a class="wiki_link" href="/Igliashon%20Jones"&gt;Igliashon Jones&lt;/a&gt;, under the name &amp;quot;City of the Asleep&amp;quot; on his album &lt;em&gt;Map of an Internal Landscape&lt;/em&gt;, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from &lt;a class="wiki_link" href="/Hans%20Straub"&gt;Hans Straub&lt;/a&gt;, who has written such works in &lt;a class="wiki_link" href="/5EDO"&gt;5-&lt;/a&gt; and &lt;a class="wiki_link" href="/17EDO"&gt;17-EDO&lt;/a&gt;).&lt;br /&gt;
&lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt; has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. &lt;a class="wiki_link" href="/Jacob%20Barton"&gt;Jacob Barton&lt;/a&gt;'s &lt;em&gt;Moods&lt;/em&gt; and &lt;em&gt;Xenharmonic Variations on a Theme by &lt;a class="wiki_link" href="/Mozart"&gt;Mozart&lt;/a&gt;&lt;/em&gt; from 2004 progress sequentially in sections (ET's 1-13 and 12-19). &lt;a class="wiki_link" href="/Igliashon%20Jones"&gt;Igliashon Jones&lt;/a&gt;, under the name &amp;quot;City of the Asleep&amp;quot; on his album &lt;em&gt;Map of an Internal Landscape&lt;/em&gt;, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from &lt;a class="wiki_link" href="/Hans%20Straub"&gt;Hans Straub&lt;/a&gt;, who has written such works in &lt;a class="wiki_link" href="/5EDO"&gt;5-&lt;/a&gt; and &lt;a class="wiki_link" href="/17EDO"&gt;17-EDO&lt;/a&gt;).&lt;br /&gt;
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In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &amp;quot;thorough&amp;quot; surveys. &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;, &lt;a class="wiki_link" href="/Marc%20Jones"&gt;Marc Jones&lt;/a&gt;, &lt;a class="wiki_link" href="/Gene%20Ward%20Smith"&gt;Gene Ward Smith&lt;/a&gt;, &lt;a class="wiki_link" href="/X.%20J.%20Scott"&gt;X. J. Scott&lt;/a&gt;, &lt;a class="wiki_link" href="/Andrew%20Heathwaite"&gt;Andrew Heathwaite&lt;/a&gt;, and &lt;a class="wiki_link" href="/Aaron%20Hunt"&gt;Aaron Hunt&lt;/a&gt; come to mind, as well as more music by &lt;a class="wiki_link" href="/Brian%20McLaren"&gt;Brian McLaren&lt;/a&gt; and &lt;a class="wiki_link" href="/Warren%20Burt"&gt;Warren Burt&lt;/a&gt;.&lt;br /&gt;
In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &amp;quot;thorough&amp;quot; surveys. &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt;, &lt;a class="wiki_link" href="/Marc%20Jones"&gt;Marc Jones&lt;/a&gt;, &lt;a class="wiki_link" href="/Gene%20Ward%20Smith"&gt;Gene Ward Smith&lt;/a&gt;, &lt;a class="wiki_link" href="/X.%20J.%20Scott"&gt;X. J. Scott&lt;/a&gt;, &lt;a class="wiki_link" href="/Andrew%20Heathwaite"&gt;Andrew Heathwaite&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt;, and &lt;a class="wiki_link" href="/Aaron%20Hunt"&gt;Aaron Hunt&lt;/a&gt; come to mind, as well as more music by &lt;a class="wiki_link" href="/Brian%20McLaren"&gt;Brian McLaren&lt;/a&gt; and &lt;a class="wiki_link" href="/Warren%20Burt"&gt;Warren Burt&lt;/a&gt;.&lt;br /&gt;
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