Andrew Milne: Difference between revisions

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* Milne, A. J., Bulger, D., Herff, S. A., and Sethares, W. A. (2015). Perfect balance: A novel principle for the construction of musical scales and meters. In Collins, T., Meredith, D., and Volk, A., editors, ''Mathematics and Computation in Music'', volume 9110 of LNAI, pages 97–108, Berlin. Springer.

* Milne, A. J., Laney, R., and Sharp, D. B. (2015). A spectral pitch class model of the probe tone data and scalic tonality. ''Music Perception'', 32(4):364–393.

* Prechtl, A., Milne, A. J., Holland, S., Laney, R., and Sharp, D. B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. Computer Music Journal, 36(1):42–54.

* Prechtl, A., Milne, A. J., Holland, S., Laney, R., and Sharp, D. B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. ''Computer Music Journal'', 36(1):42–54.

* Milne, A. J., Sethares, W. A., Laney, R., and Sharp, D. B. (2011). Modelling the similarity of pitch collections with expectation tensors. ''Journal of Mathematics and Music'', 5(1):1–20.

* Milne, A. J., Carlé, M., Sethares, W. A., Noll, T., and Holland, S. (2011). Scratching the scale labyrinth. In Agon, C., Amiot, E., Andreatta, M., Assayag, G., Bresson, J., and Mandereau, J., editors, ''Mathematics and Computation in Music'', volume 6726 of LNAI, pages 180–195, Berlin. Springer.

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 * Milne, A. J., Bulger, D., Herff, S. A., and Sethares, W. A. (2015). Perfect balance: A novel principle for the construction of musical scales and meters. In Collins, T., Meredith, D., and Volk, A., editors, ''Mathematics and Computation in Music'', volume 9110 of LNAI, pages 97–108, Berlin. Springer.
 * Milne, A. J., Laney, R., and Sharp, D. B. (2015). A spectral pitch class model of the probe tone data and scalic tonality. ''Music Perception'', 32(4):364–393.
-* Prechtl, A., Milne, A. J., Holland, S., Laney, R., and Sharp, D. B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. Computer Music Journal, 36(1):42–54.
+* Prechtl, A., Milne, A. J., Holland, S., Laney, R., and Sharp, D. B. (2012). A MIDI sequencer that widens access to the compositional possibilities of novel tunings. ''Computer Music Journal'', 36(1):42–54.
 * Milne, A. J., Sethares, W. A., Laney, R., and Sharp, D. B. (2011). Modelling the similarity of pitch collections with expectation tensors. ''Journal of Mathematics and Music'', 5(1):1–20.
 * Milne, A. J., Carlé, M., Sethares, W. A., Noll, T., and Holland, S. (2011). Scratching the scale labyrinth. In Agon, C., Amiot, E., Andreatta, M., Assayag, G., Bresson, J., and Mandereau, J., editors, ''Mathematics and Computation in Music'', volume 6726 of LNAI, pages 180–195, Berlin. Springer.