Ben Johnston's notation: Difference between revisions

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The odd harmonic series up to 31 starting on C is given by:
The odd harmonic series up to 31 starting on C is given by:


{{dash|C, G, E, B♭<sub>7</sub>, D, F↑, A♭<sup>13</sup>, B, C♯<sup>17</sup>, E♭<sup>19</sup>, F<sup>7+</sup>, F♯<sup>23+</sup>, G♯, A<sup>+</sup>, B♭<sup>29</sup>, B<sup>31</sup>|s=hair|d=long}}.
{{dash|C, G, E, B♭<sup>7</sup>, D, F↑, A♭<sup>13</sup>, B, C♯<sup>17</sup>, E♭<sup>19</sup>, F<sup>7+</sup>, F♯<sup>23+</sup>, G♯, A<sup>+</sup>, B♭<sup>29</sup>, B<sup>31</sup>|s=hair|d=long}}.


Johnston's notation sacrifices some mathematical intuition compared to [[Helmholtz-Ellis notation]], as it bases the natural notes on 4:5:6 chords rather than [[Pythagorean tuning]]. This comes at the possible advantage of fewer accidentals needed for music that emphasizes the 5-limit.
Johnston's notation sacrifices some mathematical intuition compared to [[Helmholtz-Ellis notation]], as it bases the natural notes on 4:5:6 chords rather than [[Pythagorean tuning]]. This comes at the possible advantage of fewer accidentals needed for music that emphasizes the 5-limit.

Revision as of 17:33, 13 May 2024

Ben Johnston's notation is a staff notation system for just intonation. Ben Johnston developed it up to the 31-limit, employed in his String Quartet No. 9, although intervals exceeding the 13-limit are encountered mostly incidentally in his music.

The natural notes (white keys on the piano) are selected so that the chord F – A – C – E – G – B – D consists of three stacked 4:5:6 chords, i.e. F – A – C, C – E – G, and G – B – D are just major triads. Then the following accidentals are used for inflections, all of which denote superparticular ratios or their reciprocals:

Accidentals in Johnston's notation
Symbol Ratio Symbol Ratio
+ 81/80 80/81
25/24 24/25
7 35/36 7 36/35
33/32 32/33
13 65/64 13 64/65
17 51/50 17 50/51
19 95/96 19 96/95
23 46/45 23 45/46
29 145/144 29 144/145
31 31/30 31 30/31

Johnston combines the symbols 7 7 ↑ ↓ with ♯ ♭ if symbols from both categories are present.

A circle of just fifths is given by:

... G♭−− — D♭−− — A♭ — E♭ — B♭ — F — C — G — D — A+ — E+ — B+ — F♯++ — C♯++ ...

with a plus or minus added for every loop around the ends of the core F A C E G B D sequence.

The odd harmonic series up to 31 starting on C is given by:

C — G — E — B♭7 — D — F↑ — A♭13 — B — C♯17 — E♭19 — F7+ — F♯23+ — G♯ — A+ — B♭29 — B31.

Johnston's notation sacrifices some mathematical intuition compared to Helmholtz-Ellis notation, as it bases the natural notes on 4:5:6 chords rather than Pythagorean tuning. This comes at the possible advantage of fewer accidentals needed for music that emphasizes the 5-limit.

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