Extended meantone notation: Difference between revisions
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C – C{{demisharp2}} – C♯ – D♭ – D{{demiflat2}} – D – D{{demisharp2}} – D♯ – E♭ – E{{demiflat2}} – E – E{{demisharp2}} – F{{demiflat2}} – F – F{{demisharp2}} – F♯ – G♭ – G{{demiflat2}} – G – G{{demisharp2}} – G♯ – A♭ – A{{demiflat2}} – A – A{{demisharp2}} – A♯ – B♭ – B{{demiflat2}} – B – B{{demisharp2}} – C{{demiflat2}} – C | C – C{{demisharp2}} – C♯ – D♭ – D{{demiflat2}} – D – D{{demisharp2}} – D♯ – E♭ – E{{demiflat2}} – E – E{{demisharp2}} – F{{demiflat2}} – F – F{{demisharp2}} – F♯ – G♭ – G{{demiflat2}} – G – G{{demisharp2}} – G♯ – A♭ – A{{demiflat2}} – A – A{{demisharp2}} – A♯ – B♭ – B{{demiflat2}} – B – B{{demisharp2}} – C{{demiflat2}} – C | ||
The generalized | The generalized chain of fifths, however, does not have a single semisharp or semiflat. In a general meantone tuning, a sharp is split into 2 different parts, the diesis and the kleisma. | ||
== Generalizing accidentals == | == Generalizing accidentals == | ||