Pinetone: Difference between revisions
m →Pinetone diminished heptatonic: typo |
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Starting with the 5-limit diminished tetrad 6/5 36/25 5/3 2/1, putting 10/9 above each note takes us to the Pinetone diminished octatonic 10/9 6/5 4/3 36/25 8/5 5/3 50/27 2/1. The 5-limit diminished tetrad has 3 large steps of 6/5, and one small step of 125/108. If we only put 10/9 above the large steps, we get the scale 10/9 6/5 4/3 36/25 5/3 50/27 2/1, with step pattern msmsLms, comprising 3 small steps of 27/25, 3 medium steps of 10/9, and one large step of 125/108. | Starting with the 5-limit diminished tetrad 6/5 36/25 5/3 2/1, putting 10/9 above each note takes us to the Pinetone diminished octatonic 10/9 6/5 4/3 36/25 8/5 5/3 50/27 2/1. The 5-limit diminished tetrad has 3 large steps of 6/5, and one small step of 125/108. If we only put 10/9 above the large steps, we get the scale 10/9 6/5 4/3 36/25 5/3 50/27 2/1, with step pattern msmsLms, comprising 3 small steps of 27/25, 3 medium steps of 10/9, and one large step of 125/108. | ||
Tempering the small and medium steps together gives us the scale | Tempering the small and medium steps together gives us the scale ssssLss, Porcupine[7]. Tempering L=m gives us LsLsLLs, Dicot[7], and tempering s=L gives us sLsLLsL as Sixix[7]. Tempering out 100/99 leads to simplest JI pre-image 10/9 6/5 4/3 16/11 5/3 11/6 2/1, and additionally tempering out 144/143 to 10/9 6/5 4/3 13/9 5/3 11/6 2/1. The Pinetone diminished heptatonic's large step tempers to 55/48 under 2.3.5.11 Ptolemismic, and to 15/13 under 2.3.5.11.13 Ptolemismic. The scale is chiral, with inverse msmLsms, approximating 12/11 6/5 11/8 3/2 5/3 9/5 2/1, or in other modes, Lmsmsms and smsmsmL, the brightest and darkest modes of the pair of scales, approximating 15/13 33/26 11/8 20/13 5/3 11/6 2/1 and 12/11 6/5 13/10 13/9 39/25 26/15 2/1. The scales, like the Pinetone diatonic, are also trivalent. There's only one major triad and one minor triad available in the scale. | ||
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