31edo: Difference between revisions
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| Line 419: | Line 419: | ||
| 6:7:9 | | 6:7:9 | ||
| 0–7–18 | | 0–7–18 | ||
| C–E | | C–E{{sesquiflat2}}–G | ||
| Cvm | | Cvm | ||
| C subminor | | C subminor | ||
| Line 433: | Line 433: | ||
| 18:22:27 | | 18:22:27 | ||
| 0-9-18 | | 0-9-18 | ||
| C–E | | C–E{{demiflat2}}–G | ||
| C~ | | C~ | ||
| C neutral | | C neutral | ||
| Line 447: | Line 447: | ||
| 14:18:21 | | 14:18:21 | ||
| 0–11–18 | | 0–11–18 | ||
| C–E | | C–E{{demisharp2}}–G | ||
| C^ | | C^ | ||
| C supermajor | | C supermajor | ||
| Line 469: | Line 469: | ||
|- | |- | ||
| 1 | | 1 | ||
| C | | C{{demisharp2}} | ||
| do | | do {{demisharp2}} | ||
| C half-sharp | | C half-sharp | ||
|- | |- | ||
| 2 | | 2 | ||
| | | C♯ | ||
| do | | do ♯ | ||
| C sharp | | C sharp | ||
|- | |- | ||
| 3 | | 3 | ||
| | | D♭ | ||
| re | | re ♭ | ||
| D flat | | D flat | ||
|- | |- | ||
| 4 | | 4 | ||
| | | D{{demiflat2}} | ||
| re | | re {{demiflat2}} | ||
| D half-flat | | D half-flat | ||
|- | |- | ||
| Line 509: | Line 509: | ||
|- | |- | ||
| 1 | | 1 | ||
| | | D𝄫 | ||
| re | | re 𝄫 | ||
| D double flat | | D double flat | ||
|- | |- | ||
| 2 | | 2 | ||
| | | C♯ | ||
| do | | do ♯ | ||
| C sharp | | C sharp | ||
|- | |- | ||
| 3 | | 3 | ||
| | | D♭ | ||
| re | | re ♭ | ||
| D flat | | D flat | ||
|- | |- | ||
| 4 | | 4 | ||
| | | C𝄪 | ||
| do | | do 𝄪 | ||
| C double sharp | | C double sharp | ||
|- | |- | ||
| Line 535: | Line 535: | ||
While using double sharp and double flat may seem confusing because it alternates between C and D, it provides a way of writing chords that is consistent with traditional notation. For example, the subminor7 chord 12:14:18:21 is written like so: | While using double sharp and double flat may seem confusing because it alternates between C and D, it provides a way of writing chords that is consistent with traditional notation. For example, the subminor7 chord 12:14:18:21 is written like so: | ||
* C / | * C / D♯ / G / A♯ | ||
* | * C♯ / D𝄪 / G♯ / A𝄪 | ||
* | * D♭ / E / A♭ / B | ||
* D / | * D / E♯ / A / B♯ | ||
In 12edo, | In 12edo, the enharmonic equivalences include C♯ = D♭, E♯ = F, and E = F♭. But in 31edo we have: | ||
* | * C𝄪 = D{{demiflat2}} | ||
* C | * C{{demisharp2}} = D𝄫 | ||
* | * E♯ = F{{demiflat2}} | ||
* E | * E{{demisharp2}} = F♭ | ||
* | * E𝄪 = F{{demisharp2}} | ||
* | * E{{demiflat2}} = F𝄫 | ||
=== Sagittal notation === | === Sagittal notation === | ||