Collection of EDO impressions: Difference between revisions

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== [[12edo]] ==

: '''ArrowHead''': It's the smallest one that does 5-limit well, which is precisely why it's the most popular around the world today. Admittedly, it's by far the easiest tuning to get into, and is the best tuning to get started with in music. Though, I still feel that other meantone tunings should be mentioned and touched upon to a decent degree after Western musicians get familiar with 12 so that they don't think 12 is somehow the be-all/end-all of tuning.

: '''Aura''': Finally! The EDO I have the most extensive experience with. All my direct, first-hand experience with 1edo, 2edo, 3edo, 4edo and 6edo prior to me finishing this page came about because I have access to a 12edo instrument- my grandmother's piano. It is also from here that I've taken the bulk of my ideas on tonality- including my idea for Treble-Down tonality. I still use this EDO as a basis for forming harmonic and melodic ideas.

: '''Bozu''': Honestly, the best edo. Not too many notes, not too few. What notes are there sound great. It's the lowest composite hypopent, as well as the lowest composite of augmented and diminished. You can use it to affect major, minor, augmented, and diminished tonalities very well. The only place it truly falls short is anything beyond that. It's not too great at approximating higher order harmonics, nor does it offer any neutral intervals. It'd be sort of silly to think of a beginner musician starting with anything other than this or some form of meantone or JI that 12edo approximates.

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: '''Yourmusic Productions''': The more I study it, the more it's flaws and limitations irritate me.

: '''Carmen14edo/Bragtime''': For all the hate others have for 12edo, I have love and respect. I believe we microtonal musicians take it for granted, and while it's not the best edo to be the western standard regarding sheer possibilities in this tuning, it's very far from the worst choice imo, and I'd personally choose it as western culture's standard tuning over most all other edos of a similar size.

: '''Deja Igliashon:''' why is no one talking about how good the 8:9:10:12:15:17:19 chords are in this tuning? You can even sneak a 14th harmonic in there at 1000¢ and it won't harsh the sound very noticeably.

== [[13edo]] ==

@@ Line 117: / Line 117: @@
 == [[12edo]] ==
+: '''ArrowHead''': It's the smallest one that does 5-limit well, which is precisely why it's the most popular around the world today. Admittedly, it's by far the easiest tuning to get into, and is the best tuning to get started with in music. Though, I still feel that other meantone tunings should be mentioned and touched upon to a decent degree after Western musicians get familiar with 12 so that they don't think 12 is somehow the be-all/end-all of tuning.
 : '''Aura''': Finally! The EDO I have the most extensive experience with. All my direct, first-hand experience with 1edo, 2edo, 3edo, 4edo and 6edo prior to me finishing this page came about because I have access to a 12edo instrument- my grandmother's piano. It is also from here that I've taken the bulk of my ideas on tonality- including my idea for Treble-Down tonality. I still use this EDO as a basis for forming harmonic and melodic ideas.
 : '''Bozu''': Honestly, the best edo. Not too many notes, not too few. What notes are there sound great. It's the lowest composite hypopent, as well as the lowest composite of augmented and diminished. You can use it to affect major, minor, augmented, and diminished tonalities very well. The only place it truly falls short is anything beyond that. It's not too great at approximating higher order harmonics, nor does it offer any neutral intervals. It'd be sort of silly to think of a beginner musician starting with anything other than this or some form of meantone or JI that 12edo approximates.
@@ Line 125: / Line 126: @@
 : '''Yourmusic Productions''': The more I study it, the more it's flaws and limitations irritate me.
 : '''Carmen14edo/Bragtime''': For all the hate others have for 12edo, I have love and respect. I believe we microtonal musicians take it for granted, and while it's not the best edo to be the western standard regarding sheer possibilities in this tuning, it's very far from the worst choice imo, and I'd personally choose it as western culture's standard tuning over most all other edos of a similar size.
 : '''Deja Igliashon:''' why is no one talking about how good the 8:9:10:12:15:17:19 chords are in this tuning? You can even sneak a 14th harmonic in there at 1000¢ and it won't harsh the sound very noticeably.
 == [[13edo]] ==