Historical temperaments: Difference between revisions
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** [[Golden meantone|Golden]] (''Kornerup 1930'')<ref name="Monzo" />* | ** [[Golden meantone|Golden]] (''Kornerup 1930'')<ref name="Monzo" />* | ||
** [[Quarter-comma meantone|1/4 comma]] (''Aron 1523'')<ref>''Toscanello de la Musica'' - Pietro Aron, 1523</ref> | ** [[Quarter-comma meantone|1/4 comma]] (''Aron 1523'')<ref>''Toscanello de la Musica'' - Pietro Aron, 1523</ref> | ||
** [[31edo]] (''Vicentino 1555<ref>''L'Antica musica ridotta alla moderna prattica'' - Nicola Vicentino, 1555</ref> (possibly)<ref>''Theories of chromatic and Enharmonic Music in Late 16th Century Italy - Chromatic systems (or non-systems) from Vicentino to Monteverdi'' - Karol Berger, 1980</ref> & | ** [[31edo]] (''Vicentino 1555<ref>''L'Antica musica ridotta alla moderna prattica'' - Nicola Vicentino, 1555</ref> (possibly)<ref>''Theories of chromatic and Enharmonic Music in Late 16th Century Italy - Chromatic systems (or non-systems) from Vicentino to Monteverdi'' - Karol Berger, 1980</ref> & Huygens 1691''<ref>''Lettre touchant le cycle harmonique'' - Christiaan Huygens, 1691''</ref>) | ||
** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>Über musikalische Tonbestimmung und Temperatur - Moritz Wilhelm Drobisch, 1852</ref>) | ** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>Über musikalische Tonbestimmung und Temperatur - Moritz Wilhelm Drobisch, 1852</ref>) | ||
** [[74edo]] (''Riccati 1762'')[2]<ref name="Monzo" />* | ** [[74edo]] (''Riccati 1762'')[2]<ref name="Monzo" />* |