Xenharmonic Wiki:MOS page style guide: Difference between revisions
No edit summary |
Other sections |
||
Line 17: | Line 17: | ||
{{MOS intro|Scale Signature=5L 2s}} | {{MOS intro|Scale Signature=5L 2s}} | ||
Other important info can include the following: | Other important info can include the following: | ||
* Whether the mos can be thought of a warping of another, more familiar mos or edo. Examples: | *Whether the mos can be thought of a warping of another, more familiar mos or edo. Examples: | ||
**4L 3s can be seen as a warped diatonic scale (5L 2s), where one large step is replaced with a small step. | **4L 3s can be seen as a warped diatonic scale (5L 2s), where one large step is replaced with a small step. | ||
**5L 1s can be seen as the equal-tempered whole-tone scale (6edo) but with one step that is larger than the others. | **5L 1s can be seen as the equal-tempered whole-tone scale (6edo) but with one step that is larger than the others. | ||
*Usage, discovery, and noteworthy temperaments the mos corresponds to. | *Usage, discovery, and noteworthy temperaments the mos corresponds to. | ||
*Under what conditions is the mos proper. This is only recommended for mosses with notable near-mos forms, as this information is included in the intro already. | *Under what conditions is the mos proper. This is only recommended for mosses with notable near-mos forms, as this information is included in the intro already. | ||
Sections that would be otherwise too short, specifically temperament-related information, can be added in the lead section instead. | |||
==Name(s)== | ==Name(s)== | ||
Line 34: | Line 34: | ||
</pre>{{MOS intervals|Scale Signature=5L 2s}} | </pre>{{MOS intervals|Scale Signature=5L 2s}} | ||
==Theory == | ==Theory== | ||
Subsections include: | Subsections include: | ||
Line 41: | Line 41: | ||
Other subsections include: | Other subsections include: | ||
* Any theory described by musicians/theorists | *Any theory described by musicians/theorists | ||
* Tetrachordal analysis or similar | *Tetrachordal analysis or similar | ||
==Tuning ranges== | ==Tuning ranges== | ||
Line 49: | Line 49: | ||
Tuning ranges include: | Tuning ranges include: | ||
*'''Simple tunings''' - Step ratios 2:1, 3:1, and 3:2 | *'''Simple tunings''' - Step ratios 2:1, 3:1, and 3:2 | ||
*'''Soft-of-basic''' '''tunings''' - Step ratios | *'''Soft-of-basic''' '''tunings''' - Step ratios softer than 2:1 | ||
*'''Hard-of-basic''' '''tunings''' - Step ratios | *'''Hard-of-basic''' '''tunings''' - Step ratios harder than 2:1 | ||
Sections for smaller ranges can be used instead. Such ranges include: | Sections for smaller ranges can be used instead. Such ranges include: | ||
Line 87: | Line 87: | ||
Links to outside-wiki resources regarding the mos and/or its tunings can be added here. | Links to outside-wiki resources regarding the mos and/or its tunings can be added here. | ||
== References == | ==References== | ||
If any works are cited, add them here. | If any works are cited, add them here. | ||
== ''Categories'' (succeeds the last section) == | ==''Categories'' (succeeds the last section)== | ||
The mos infobox automatically categorizes the mos by note count and under the category of abstract mos patterns. Any other categories can be added here. | The mos infobox automatically categorizes the mos by note count and under the category of abstract mos patterns. Any other categories can be added here. | ||
==''Other sections not discussed here''== | |||
*Gallery | |||
*Notation | |||
*Approaches (distinct from theory in that it's more about practice) |