Consistency: Difference between revisions

Wikispaces>MasonGreen1
**Imported revision 570782573 - Original comment: **
Wikispaces>TallKite
**Imported revision 603954266 - Original comment: I cleaned up the examples section, which confused odd limit with prime limit. I also added some links.**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2015-12-26 02:20:16 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-01-12 16:51:59 UTC</tt>.<br>
: The original revision id was <tt>570782573</tt>.<br>
: The original revision id was <tt>603954266</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>I cleaned up the examples section, which confused odd limit with prime limit. I also added some links.</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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<h4>Original Wikitext content:</h4>
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If N-edo is an [[edo|equal division of the octave]], and if for any interval r, N(r) is the best N-edo approximation to r, then N is //consistent// with respect to a set of intervals S if for any two intervals a and b in S where ab is also in S, N(ab) = N(a) + N(b). Normally this is considered when S is the set of [[Odd limit|q odd limit intervals]], consisting of everything of the form 2^n u/v, where u and v are odd integers less than or equal to q. N is then said to be //q limit consistent//. If each interval in the q-limit is mapped to a unique value by N, then it said to be //uniquely q limit consistent//.
If N-edo is an [[edo|equal division of the octave]], and if for any interval r, N(r) is the best N-edo approximation to r, then N is //consistent// with respect to a set of intervals S if for any two intervals a and b in S where ab is also in S, N(ab) = N(a) + N(b). Normally this is considered when S is the set of [[Odd limit|q odd limit intervals]], consisting of everything of the form 2^n u/v, where u and v are odd integers less than or equal to q. N is then said to be //q limit consistent//. If each interval in the q-limit is mapped to a unique value by N, then it said to be //uniquely q limit consistent//.
See also [[Minimal consistent EDOs|this list]] of odd limits, with the smallest edo that is consistent or uniquely consistent in that odd limit. And [[Consistency levels of small EDOs|this list]] of edos, with the largest odd limit that this edo is consistent or uniquely consistent in.


==Examples==  
==Examples==  
An example for a system that is //not// consistent in a particular odd limit is [[25edo]]:
An example for a system that is //not// consistent in a particular odd limit is [[25edo]]:


The best approximation for the interval of [[7_6|7/6]] (the septimal subminor third) in 25edo is 6 steps, the best approximation for the [[3_2|perfect fifth 3/2]] is 15 steps.
The best approximation for the interval of [[7_6|7/6]] (the septimal subminor third) in 25edo is 6 steps, and the best approximation for the [[3_2|perfect fifth 3/2]] is 15 steps. Adding the two just intervals gives 3/2 * 7/6 = [[7_4|7/4]], the harmonic seventh, for which the best approximation in 25edo is 20 steps. Adding the two approximated intervals, however, gives 21 steps. This means that 25edo is not consistent in 7 odd-limit. The 4:6:7 triad cannot be mapped to 25edo without one of its three component intervals being inaccurately mapped.
Adding the two just intervals gives 3/2 * 7/6 = [[7_4|7/4]], the harmonic seventh, for which the best approximation in 25edo is 20 steps. Adding the two approximated intervals, however, gives 21 steps. This means that 25edo is not consistent in [[7-limit]].


An example for a system that //is// consistent in the 3-limit is [[12edo]]: the (up to 12) multiples of the just fifth ([[3_2|3:2]]) are consistently approximated by the 12-edo steps.
An example for a system that //is// consistent in the 7 odd-limit is [[12edo]]: 3/2 maps to 7\12, 7/6 maps to 3\12, and 7/4 maps to 10\12, which equals 7\12 plus 3\12. 12edo is also consistent in the 9 odd-limit, but not in the 11 odd-limit.


==Generalization==  
One notable example: [[xenharmonic/46edo|46edo]] is not consistent in the 15 odd limit. The 15:13 interval is very closer slightly closer to 9 degrees of 46edo than to 10 degrees, but the //functional// 15:13 (the difference between 46edo's versions of 15:8 and 13:8) is 10 degrees. However, if we compress the octave slightly (by about a cent), this discrepancy no longer occurs, and we end up with an 18-//integer//-limit consistent system, which makes it ideal for approximating mode 8 of the harmonic series.
 
==Generalization to non-octave scales==  


It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &lt;= q &gt;= v.
It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &lt;= q &gt;= v.


This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.
This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.
One notable example: [[46edo]] is not consistent in the 15 odd limit. The 15:13 interval is very closer slightly closer to 9 degrees of 46edo than to 10 degrees, but the //functional// 15:13 (the difference between 46edo's versions of 15:8 and 13:8) is 10 degrees. However, if we compress the octave slightly (by about a cent), this discrepancy no longer occurs, and we end up with an 18-//integer//-limit consistent system, which makes it ideal for approximating mode 8 of the harmonic series.
==Links==  
==Links==  
[[http://www.tonalsoft.com/enc/c/consistent.aspx|consistent (TonalSoft encyclopedia)]]</pre></div>
[[http://www.tonalsoft.com/enc/c/consistent.aspx|consistent (TonalSoft encyclopedia)]]</pre></div>
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If N-edo is an &lt;a class="wiki_link" href="/edo"&gt;equal division of the octave&lt;/a&gt;, and if for any interval r, N(r) is the best N-edo approximation to r, then N is &lt;em&gt;consistent&lt;/em&gt; with respect to a set of intervals S if for any two intervals a and b in S where ab is also in S, N(ab) = N(a) + N(b). Normally this is considered when S is the set of &lt;a class="wiki_link" href="/Odd%20limit"&gt;q odd limit intervals&lt;/a&gt;, consisting of everything of the form 2^n u/v, where u and v are odd integers less than or equal to q. N is then said to be &lt;em&gt;q limit consistent&lt;/em&gt;. If each interval in the q-limit is mapped to a unique value by N, then it said to be &lt;em&gt;uniquely q limit consistent&lt;/em&gt;.&lt;br /&gt;
If N-edo is an &lt;a class="wiki_link" href="/edo"&gt;equal division of the octave&lt;/a&gt;, and if for any interval r, N(r) is the best N-edo approximation to r, then N is &lt;em&gt;consistent&lt;/em&gt; with respect to a set of intervals S if for any two intervals a and b in S where ab is also in S, N(ab) = N(a) + N(b). Normally this is considered when S is the set of &lt;a class="wiki_link" href="/Odd%20limit"&gt;q odd limit intervals&lt;/a&gt;, consisting of everything of the form 2^n u/v, where u and v are odd integers less than or equal to q. N is then said to be &lt;em&gt;q limit consistent&lt;/em&gt;. If each interval in the q-limit is mapped to a unique value by N, then it said to be &lt;em&gt;uniquely q limit consistent&lt;/em&gt;.&lt;br /&gt;
&lt;br /&gt;
See also &lt;a class="wiki_link" href="/Minimal%20consistent%20EDOs"&gt;this list&lt;/a&gt; of odd limits, with the smallest edo that is consistent or uniquely consistent in that odd limit. And &lt;a class="wiki_link" href="/Consistency%20levels%20of%20small%20EDOs"&gt;this list&lt;/a&gt; of edos, with the largest odd limit that this edo is consistent or uniquely consistent in.&lt;br /&gt;
&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Examples"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Examples&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Examples"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Examples&lt;/h2&gt;
  An example for a system that is &lt;em&gt;not&lt;/em&gt; consistent in a particular odd limit is &lt;a class="wiki_link" href="/25edo"&gt;25edo&lt;/a&gt;:&lt;br /&gt;
  &lt;br /&gt;
An example for a system that is &lt;em&gt;not&lt;/em&gt; consistent in a particular odd limit is &lt;a class="wiki_link" href="/25edo"&gt;25edo&lt;/a&gt;:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The best approximation for the interval of &lt;a class="wiki_link" href="/7_6"&gt;7/6&lt;/a&gt; (the septimal subminor third) in 25edo is 6 steps, the best approximation for the &lt;a class="wiki_link" href="/3_2"&gt;perfect fifth 3/2&lt;/a&gt; is 15 steps.&lt;br /&gt;
The best approximation for the interval of &lt;a class="wiki_link" href="/7_6"&gt;7/6&lt;/a&gt; (the septimal subminor third) in 25edo is 6 steps, and the best approximation for the &lt;a class="wiki_link" href="/3_2"&gt;perfect fifth 3/2&lt;/a&gt; is 15 steps. Adding the two just intervals gives 3/2 * 7/6 = &lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt;, the harmonic seventh, for which the best approximation in 25edo is 20 steps. Adding the two approximated intervals, however, gives 21 steps. This means that 25edo is not consistent in 7 odd-limit. The 4:6:7 triad cannot be mapped to 25edo without one of its three component intervals being inaccurately mapped.&lt;br /&gt;
Adding the two just intervals gives 3/2 * 7/6 = &lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt;, the harmonic seventh, for which the best approximation in 25edo is 20 steps. Adding the two approximated intervals, however, gives 21 steps. This means that 25edo is not consistent in &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
An example for a system that &lt;em&gt;is&lt;/em&gt; consistent in the 3-limit is &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;: the (up to 12) multiples of the just fifth (&lt;a class="wiki_link" href="/3_2"&gt;3:2&lt;/a&gt;) are consistently approximated by the 12-edo steps.&lt;br /&gt;
An example for a system that &lt;em&gt;is&lt;/em&gt; consistent in the 7 odd-limit is &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;: 3/2 maps to 7\12, 7/6 maps to 3\12, and 7/4 maps to 10\12, which equals 7\12 plus 3\12. 12edo is also consistent in the 9 odd-limit, but not in the 11 odd-limit.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Generalization"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Generalization&lt;/h2&gt;
One notable example: &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/46edo"&gt;46edo&lt;/a&gt; is not consistent in the 15 odd limit. The 15:13 interval is very closer slightly closer to 9 degrees of 46edo than to 10 degrees, but the &lt;em&gt;functional&lt;/em&gt; 15:13 (the difference between 46edo's versions of 15:8 and 13:8) is 10 degrees. However, if we compress the octave slightly (by about a cent), this discrepancy no longer occurs, and we end up with an 18-&lt;em&gt;integer&lt;/em&gt;-limit consistent system, which makes it ideal for approximating mode 8 of the harmonic series.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Generalization to non-octave scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Generalization to non-octave scales&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &amp;lt;= q &amp;gt;= v.&lt;br /&gt;
It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &amp;lt;= q &amp;gt;= v.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.&lt;br /&gt;
This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.&lt;br /&gt;
&lt;br /&gt;
One notable example: &lt;a class="wiki_link" href="/46edo"&gt;46edo&lt;/a&gt; is not consistent in the 15 odd limit. The 15:13 interval is very closer slightly closer to 9 degrees of 46edo than to 10 degrees, but the &lt;em&gt;functional&lt;/em&gt; 15:13 (the difference between 46edo's versions of 15:8 and 13:8) is 10 degrees. However, if we compress the octave slightly (by about a cent), this discrepancy no longer occurs, and we end up with an 18-&lt;em&gt;integer&lt;/em&gt;-limit consistent system, which makes it ideal for approximating mode 8 of the harmonic series.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Links&lt;/h2&gt;
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  &lt;a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/c/consistent.aspx" rel="nofollow"&gt;consistent (TonalSoft encyclopedia)&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
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