Composing with tablets: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-28 20:55:22 UTC</tt>.<br>

: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-28 20:57:16 UTC</tt>.<br>

: The original revision id was <tt>~~259427566~~</tt>.<br>

: The original revision id was <tt>259428054</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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This is not, of course, the only way to transform the original tonality diamond piece into one in the stellated hexany. More or less at random we could try converting the chord identifier [a b c] to [-a -c -b]; this sort of transformation will send two related chords to another pair of related chords. Doing this leads to the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/rella.mp3|piece]]. But we have perfect freedom to choose our chord identifiers however we like; we could for example use [0 0 0], [0 1 -1], [0 2 -1], [0 2 -2], [0 3 -2], [0 3 -3], [1 3 -3], [2 3 -3]. This modulates upwards by 2401/2400, and leads to the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/stella.mp3|piece]].

Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, we obtain the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3|piece]]. This in theory transposes up 2401/2400 again, but it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.

Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, a chord progressing where each chord shares a triad with each preceeding and following, we obtain the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3|piece]]. This in theory transposes up 2401/2400 again, but it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.

</pre></div>

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This is not, of course, the only way to transform the original tonality diamond piece into one in the stellated hexany. More or less at random we could try converting the chord identifier [a b c] to [-a -c -b]; this sort of transformation will send two related chords to another pair of related chords. Doing this leads to the following <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/rella.mp3" rel="nofollow">piece</a>. But we have perfect freedom to choose our chord identifiers however we like; we could for example use [0 0 0], [0 1 -1], [0 2 -1], [0 2 -2], [0 3 -2], [0 3 -3], [1 3 -3], [2 3 -3]. This modulates upwards by 2401/2400, and leads to the following <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/stella.mp3" rel="nofollow">piece</a>.<br />

<br />

Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, we obtain the following <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3" rel="nofollow">piece</a>. This in theory transposes up 2401/2400 again, but it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.</body></html></pre></div>

Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, a chord progressing where each chord shares a triad with each preceeding and following, we obtain the following <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3" rel="nofollow">piece</a>. This in theory transposes up 2401/2400 again, but it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-28 20:55:22 UTC</tt>.<br>
+: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-28 20:57:16 UTC</tt>.<br>
-: The original revision id was <tt>259427566</tt>.<br>
+: The original revision id was <tt>259428054</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 81: / Line 81: @@
 This is not, of course, the only way to transform the original tonality diamond piece into one in the stellated hexany. More or less at random we could try converting the chord identifier [a b c] to [-a -c -b]; this sort of transformation will send two related chords to another pair of related chords. Doing this leads to the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/rella.mp3|piece]]. But we have perfect freedom to choose our chord identifiers however we like; we could for example use [0 0 0], [0 1 -1], [0 2 -1], [0 2 -2], [0 3 -2], [0 3 -3], [1 3 -3], [2 3 -3]. This modulates upwards by 2401/2400, and leads to the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/stella.mp3|piece]].
-Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, we obtain the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3|piece]]. This in theory transposes up 2401/2400 again, but  it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.
+Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, a chord progressing where each chord shares a triad with each preceeding and following, we obtain the following [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3|piece]]. This in theory transposes up 2401/2400 again, but  it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.
 </pre></div>
@@ Line 160: / Line 160: @@
 This is not, of course, the only way to transform the original tonality diamond piece into one in the stellated hexany. More or less at random we could try converting the chord identifier [a b c] to [-a -c -b]; this sort of transformation will send two related chords to another pair of related chords. Doing this leads to the following &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/rella.mp3" rel="nofollow"&gt;piece&lt;/a&gt;. But we have perfect freedom to choose our chord identifiers however we like; we could for example use [0 0 0], [0 1 -1], [0 2 -1], [0 2 -2], [0 3 -2], [0 3 -3], [1 3 -3], [2 3 -3]. This modulates upwards by 2401/2400, and leads to the following &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/stella.mp3" rel="nofollow"&gt;piece&lt;/a&gt;.&lt;br /&gt;
 &lt;br /&gt;
-Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, we obtain the following &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3" rel="nofollow"&gt;piece&lt;/a&gt;. This in theory transposes up 2401/2400 again, but  it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.&lt;/body&gt;&lt;/html&gt;</pre></div>
+Because the keenanismic tablet also makes use of 4et, we can take the same 4et melodic skeleton we started with and add chords for a progression of keenanismic tablets. If we use [1 1 1], [1 1 1], [0 3 1], [1 4 0], [0 5 -1], [1 5 -3], [3 4 -4], [4 4 -6], [5 4 -8], [4 5 -9], [5 5 -11], [4 7 -11], [5 8 -12], [4 9 -13], [5 9 -15], [5 9 -15] as the sixteen keenanismic tetrads for the sixteen measures of the 4et piece, a chord progressing where each chord shares a triad with each preceeding and following, we obtain the following &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/keenm.mp3" rel="nofollow"&gt;piece&lt;/a&gt;. This in theory transposes up 2401/2400 again, but  it does very little tuning damage to temper it out, leading to agni temperament. The tuning used here, 284et, tempers out both 2401/2400 and 385/384.&lt;/body&gt;&lt;/html&gt;</pre></div>