31edo solfege: Difference between revisions

Line 86:

|-

!1sns

|Do ~~Di/~~Du

|Do Du

|P1 ^1

|0-1

Line 126:

|-

!8ves

|Duh Do (Di)

|Duh Do (Du)

|v8 P8 (^8)

|30-31 (32)

Line 184:

|Do

|}

The system shown preserved vowels in perfect fifths in any scale that only uses notes from meantone[7] modes, mohajira[7] modes, and substitutions of meantone intervals with corresponding septimal subminor or supermajor intervals, allowing for any diatonic type scale to be simple as easy to learn, as the inconsistencies of So-Ra and Te-Fo can be smoothed out by the fact that Ra can also be called Ro, for perfect second, or 9/8, and Fo is also Fe, as it's the "minor fourth", as 4/3 is tempered together with 27/20. These commas being tempered allows the system to preserve a surprising amount of consistency, being extremely easy to learn.

The system shown preserved vowels in perfect fifths in any scale that only uses notes from meantone[7] modes, mohajira[7] modes, and substitutions of meantone intervals with corresponding septimal subminor or supermajor intervals, allowing for any diatonic type scale to be simple as easy to learn, as the inconsistencies of So-Ra and Te-Fo can be smoothed out by the fact that Ra can also be called Ro, for perfect second, or 9/8, and Fo is also Fe, as it's the "minor fourth", as 4/3 is tempered together with 27/20. These commas being tempered allows the system to preserve a surprising amount of consistency, being extremely easy to learn. Du is used for the up unison because it helps consistency, is generally used as a quartertone in scales like Centaurus, and because it allows the also common augmented and upaugmented unisons to be named, with Da and Di.

The system is built on this consistency, and preserves the standard minor intervals names, as well as -a as the standard major from La, and Ti as the strongest leading tone, here being the upmajor seventh. The remaining vowels of -uh for sub and -u for neutral are used because they correspond to the vowel sounds from their respective words.

@@ Line 86: / Line 86: @@
 |-
 !1sns
-|Do Di/Du
+|Do Du
 |P1 ^1
 |0-1
@@ Line 126: / Line 126: @@
 |-
 !8ves
-|Duh Do (Di)
+|Duh Do (Du)
 |v8 P8 (^8)
 |30-31 (32)
@@ Line 184: / Line 184: @@
 |Do
 |}
-The system shown preserved vowels in perfect fifths in any scale that only uses notes from meantone[7] modes, mohajira[7] modes, and substitutions of meantone intervals with corresponding septimal subminor or supermajor intervals, allowing for any diatonic type scale to be simple as easy to learn, as the inconsistencies of So-Ra and Te-Fo can be smoothed out by the fact that Ra can also be called Ro, for perfect second, or 9/8, and Fo is also Fe, as it's the "minor fourth", as 4/3 is tempered together with 27/20. These commas being tempered allows the system to preserve a surprising amount of consistency, being extremely easy to learn.
+The system shown preserved vowels in perfect fifths in any scale that only uses notes from meantone[7] modes, mohajira[7] modes, and substitutions of meantone intervals with corresponding septimal subminor or supermajor intervals, allowing for any diatonic type scale to be simple as easy to learn, as the inconsistencies of So-Ra and Te-Fo can be smoothed out by the fact that Ra can also be called Ro, for perfect second, or 9/8, and Fo is also Fe, as it's the "minor fourth", as 4/3 is tempered together with 27/20. These commas being tempered allows the system to preserve a surprising amount of consistency, being extremely easy to learn. Du is used for the up unison because it helps consistency, is generally used as a quartertone in scales like Centaurus, and because it allows the also common augmented and upaugmented unisons to be named, with Da and Di.
 The system is built on this consistency, and preserves the standard minor intervals names, as well as -a as the standard major from La, and Ti as the strongest leading tone, here being the upmajor seventh. The remaining vowels of -uh for sub and -u for neutral are used because they correspond to the vowel sounds from their respective words.