User:KingHyperio: Difference between revisions

Line 25:

|-

!4ths

|Fuh Fo Fu

|Fuh Fo/Fe Fu

|v4 P4 ^4

|12-14

Line 35:

|-

!5ths

|Su So Si

|Su So/Sa Si

|v5 P5 ^5

|17-19

Line 152:

|-

!Harrison Major

|IS, VIm(^5)

|IS, VIm(^5)*****

|IIm, IV

|IImS6, VS, tVIIs(vb5)

Line 170:

|-

!Greeley[8] 8

|IsM6n7$*****, Is(vb5), VIm(vb5)

|IsM6n7$******, Is(vb5), VIm(vb5)

|dbIII+(#3), tIII<sup>o</sup>

|tVm(vb5), dVIIsM6n7$, dVIIs(vb5)

Line 181:

|IIIm

|}

<nowiki>*:</nowiki> The notation here is a bit strange. no3 says that there's no 3 in the chord, not no 3rd harmonic. This only comes up for the 3rd and 5th harmonics, for the rest the harmonic name matches the position in the chord.

<nowiki>*:</nowiki> The notation here is a bit strange. no3 says that there's no 3 in the chord, not no 3rd harmonic. This only comes up for the 3rd and 5th harmonics, for the rest the harmonic name matches the position in the chord. Also, in many of these extended chords, the super eleven will act as an Odd, not Unstable interval, like a #11.

<nowiki>**:</nowiki> This chord acts sort of like a sus chord, "resolving" to a sub or super chord on the same root.

<nowiki>***:</nowiki> These chords are called Delta Rational chords, and chords of this variety make up a significant portion of Oneirotonic chords. Specifically major v5 chords often have an add2.

<nowiki>***:</nowiki> These chords are called Delta Rational chords, and chords of this variety make up a significant portion of Oneirotonic chords. Specifically major v5 chords often have an add2. The major x5 chord is treated as tonic because the v6 acts as a thirteenth harmonic, mimicking a perfect fifth in a major triad.

<nowiki>****:</nowiki> These sus chords approximate (~~extremely closely~~) 19/17/13 utonal and 13:17:19 otonal chords.

<nowiki>****:</nowiki> These sus chords approximate (within about a cent) 19/17/13 utonal and 13:17:19 otonal chords.

<nowiki>*****:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.

<nowiki>*****:</nowiki> This is a "wolf tonic", with all tonic components but a superfifth in a scale that has mostly perfect fifths, so it prevents tonicization of the sixth, and makes it clear that there's still movement to go to get to the real tonic.

<nowiki>******:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.

== 31edo Keyboard Setup ==

@@ Line 25: / Line 25: @@
 |-
 !4ths
-|Fuh Fo Fu
+|Fuh Fo/Fe Fu
 |v4 P4 ^4
 |12-14
@@ Line 35: / Line 35: @@
 |-
 !5ths
-|Su So Si
+|Su So/Sa Si
 |v5 P5 ^5
 |17-19
@@ Line 152: / Line 152: @@
 |-
 !Harrison Major
-|IS, VIm(^5)
+|IS, VIm(^5)*****
 |IIm, IV
 |IImS6, VS, tVIIs(vb5)
@@ Line 170: / Line 170: @@
 |-
 !Greeley[8] 8
-|IsM6n7$*****, Is(vb5), VIm(vb5)
+|IsM6n7$******, Is(vb5), VIm(vb5)
 |dbIII+(#3), tIII<sup>o</sup>
 |tVm(vb5), dVIIsM6n7$, dVIIs(vb5)
@@ Line 181: / Line 181: @@
 |IIIm
 |}
-<nowiki>*:</nowiki> The notation here is a bit strange. no3 says that there's no 3 in the chord, not no 3rd harmonic. This only comes up for the 3rd and 5th harmonics, for the rest the harmonic name matches the position in the chord.
+<nowiki>*:</nowiki> The notation here is a bit strange. no3 says that there's no 3 in the chord, not no 3rd harmonic. This only comes up for the 3rd and 5th harmonics, for the rest the harmonic name matches the position in the chord. Also, in many of these extended chords, the super eleven will act as an Odd, not Unstable interval, like a #11.
 <nowiki>**:</nowiki> This chord acts sort of like a sus chord, "resolving" to a sub or super chord on the same root.
-<nowiki>***:</nowiki> These chords are called Delta Rational chords, and chords of this variety make up a significant portion of Oneirotonic chords. Specifically major v5 chords often have an add2.
+<nowiki>***:</nowiki> These chords are called Delta Rational chords, and chords of this variety make up a significant portion of Oneirotonic chords. Specifically major v5 chords often have an add2. The major x5 chord is treated as tonic because the v6 acts as a thirteenth harmonic, mimicking a perfect fifth in a major triad.
-<nowiki>****:</nowiki> These sus chords approximate (extremely closely) 19/17/13 utonal and 13:17:19 otonal chords.
+<nowiki>****:</nowiki> These sus chords approximate (within about a cent) 19/17/13 utonal and 13:17:19 otonal chords.
-<nowiki>*****:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.
+<nowiki>*****:</nowiki> This is a "wolf tonic", with all tonic components but a superfifth in a scale that has mostly perfect fifths, so it prevents tonicization of the sixth, and makes it clear that there's still movement to go to get to the real tonic.
+<nowiki>******:</nowiki> $ here signifies a shell voicing. no5 can also be used, though in long chord names like this $ is cleaner. Additionally, in this scale, the b2 acts as a leading tone due to the absence of any remote fifth.
 == 31edo Keyboard Setup ==