Bill Sethares: Difference between revisions

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[http://sethares.engr.wisc.edu/comprog.html His dissonance measure] is based on summing the Plomp-Levelt roughness for every pair of tones in a sound, which produces smooth dissonance curves for dyads of harmonic sounds that are similar to other measures:
[http://sethares.engr.wisc.edu/comprog.html His dissonance measure] is based on summing the Plomp-Levelt roughness for every pair of tones in a sound, which produces smooth dissonance curves for dyads of harmonic sounds that are similar to other measures:


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He then uses this to derive scales for timbres with non-harmonic spectra, such as the [http://en.wikipedia.org/wiki/Bonang bonang]  used in gamelans, which, combined with harmonic spectra, [http://www.musicandmeaning.net/issues/showArticle.php?artID=1.3 maps to the slendro scale used to tune them] .  "In the same way that Western harmonic instruments are related to Western scales, so the nonharmonic spectrum of gamelan instruments are related to the gamelan scales."
He then uses this to derive scales for timbres with non-harmonic spectra, such as the [http://en.wikipedia.org/wiki/Bonang bonang]  used in gamelans, which, combined with harmonic spectra, [http://www.musicandmeaning.net/issues/showArticle.php?artID=1.3 maps to the slendro scale used to tune them] .  "In the same way that Western harmonic instruments are related to Western scales, so the nonharmonic spectrum of gamelan instruments are related to the gamelan scales."