Bill Sethares: Difference between revisions
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[http://sethares.engr.wisc.edu/comprog.html His dissonance measure] is based on summing the Plomp-Levelt roughness for every pair of tones in a sound, which produces smooth dissonance curves for dyads of harmonic sounds that are similar to other measures: | [http://sethares.engr.wisc.edu/comprog.html His dissonance measure] is based on summing the Plomp-Levelt roughness for every pair of tones in a sound, which produces smooth dissonance curves for dyads of harmonic sounds that are similar to other measures: | ||
[[File:Sethares-dissonance-image1.gif]] | |||
He then uses this to derive scales for timbres with non-harmonic spectra, such as the [http://en.wikipedia.org/wiki/Bonang bonang] used in gamelans, which, combined with harmonic spectra, [http://www.musicandmeaning.net/issues/showArticle.php?artID=1.3 maps to the slendro scale used to tune them] . "In the same way that Western harmonic instruments are related to Western scales, so the nonharmonic spectrum of gamelan instruments are related to the gamelan scales." | He then uses this to derive scales for timbres with non-harmonic spectra, such as the [http://en.wikipedia.org/wiki/Bonang bonang] used in gamelans, which, combined with harmonic spectra, [http://www.musicandmeaning.net/issues/showArticle.php?artID=1.3 maps to the slendro scale used to tune them] . "In the same way that Western harmonic instruments are related to Western scales, so the nonharmonic spectrum of gamelan instruments are related to the gamelan scales." |