Cassandra triads: Difference between revisions
Wikispaces>MasonGreen1 **Imported revision 568515307 - Original comment: ** |
Wikispaces>MasonGreen1 **Imported revision 568515431 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2015-12-01 17:48: | : This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2015-12-01 17:48:49 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>568515431</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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This, in fact, could be how the Cassandra minor chord is perceived and why it is so consonant, even though the individual thirds that make it up are not consonant as dyads. These chords could be called "Borromean" in that sense, and this gives them a certain "indivisible" quality. This makes them sound more cohesive to me. | This, in fact, could be how the Cassandra minor chord is perceived and why it is so consonant, even though the individual thirds that make it up are not consonant as dyads. These chords could be called "Borromean" in that sense, and this gives them a certain "indivisible" quality. This makes them sound more cohesive to me. | ||
In 29edo, the Cassandra triads are actually not even the closest approximations for either minor or subminor; you need to use a non-[[patent val]] approximations to use them in this manner, yet despite being non-patent they are reasonably convincing and this makes "val-switching" in compositions a reasonable option. Val-switching adds a great deal of flexibility and new [[comma pump]] options. Also, it means that 12edo melodies can be transferred to 29edo easily if in certain circumstances we use the cassandra chords in place of the //patent// minor and major triads.</pre></div> | In 29edo, the Cassandra triads are actually not even the closest approximations for either minor or subminor; you need to use a non-[[patent val]] approximations to use them in this manner, yet despite being non-patent they are reasonably convincing and this makes "val-switching" in compositions a reasonable option. Val-switching adds a great deal of flexibility and new [[comma pump]] options. Also, it means that 12edo melodies and chord progressions can be transferred to 29edo easily if in certain circumstances we use the cassandra chords in place of the //patent// minor and major triads.</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Cassandra triads</title></head><body>The <strong>cassandra triads</strong> are triads in which the two step sizes are (tempered versions of) 13:11 and 14:11 and the total span is a tempered perfect fifth. There are two of them, one of which is intermediate between major and supermajor, and the other intermediate between minor and subminor.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Cassandra triads</title></head><body>The <strong>cassandra triads</strong> are triads in which the two step sizes are (tempered versions of) 13:11 and 14:11 and the total span is a tempered perfect fifth. There are two of them, one of which is intermediate between major and supermajor, and the other intermediate between minor and subminor.<br /> | ||
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This, in fact, could be how the Cassandra minor chord is perceived and why it is so consonant, even though the individual thirds that make it up are not consonant as dyads. These chords could be called &quot;Borromean&quot; in that sense, and this gives them a certain &quot;indivisible&quot; quality. This makes them sound more cohesive to me.<br /> | This, in fact, could be how the Cassandra minor chord is perceived and why it is so consonant, even though the individual thirds that make it up are not consonant as dyads. These chords could be called &quot;Borromean&quot; in that sense, and this gives them a certain &quot;indivisible&quot; quality. This makes them sound more cohesive to me.<br /> | ||
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In 29edo, the Cassandra triads are actually not even the closest approximations for either minor or subminor; you need to use a non-<a class="wiki_link" href="/patent%20val">patent val</a> approximations to use them in this manner, yet despite being non-patent they are reasonably convincing and this makes &quot;val-switching&quot; in compositions a reasonable option. Val-switching adds a great deal of flexibility and new <a class="wiki_link" href="/comma%20pump">comma pump</a> options. Also, it means that 12edo melodies can be transferred to 29edo easily if in certain circumstances we use the cassandra chords in place of the <em>patent</em> minor and major triads.</body></html></pre></div> | In 29edo, the Cassandra triads are actually not even the closest approximations for either minor or subminor; you need to use a non-<a class="wiki_link" href="/patent%20val">patent val</a> approximations to use them in this manner, yet despite being non-patent they are reasonably convincing and this makes &quot;val-switching&quot; in compositions a reasonable option. Val-switching adds a great deal of flexibility and new <a class="wiki_link" href="/comma%20pump">comma pump</a> options. Also, it means that 12edo melodies and chord progressions can be transferred to 29edo easily if in certain circumstances we use the cassandra chords in place of the <em>patent</em> minor and major triads.</body></html></pre></div> | ||