Carlo Serafini: Difference between revisions
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Wikispaces>seraph57 **Imported revision 13592919 - Original comment: ** |
Wikispaces>seraph57 **Imported revision 13592993 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2007-12-17 15: | : This revision was by author [[User:seraph57|seraph57]] and made on <tt>2007-12-17 15:48:02 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>13592993</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> What was your path to discovering alternate tunings? | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> What was your path to discovering alternate tunings? | ||
it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "Beauty in the Beast" I was (and still are) very impressed by that album. I bought //Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers// by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years when started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy</pre></div> | it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still are) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years when started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carlo Serafini</title></head><body> What was your path to discovering alternate tunings?<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carlo Serafini</title></head><body> What was your path to discovering alternate tunings?<br /> | ||
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it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;Beauty in the Beast&quot; I was (and still are) very impressed by that album. I bought <em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em> by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years when started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy</body></html></pre></div> | it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still are) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years when started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy</body></html></pre></div> | ||
Revision as of 15:48, 17 December 2007
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author seraph57 and made on 2007-12-17 15:48:02 UTC.
- The original revision id was 13592993.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
What was your path to discovering alternate tunings? it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still are) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years when started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy
Original HTML content:
<html><head><title>Carlo Serafini</title></head><body> What was your path to discovering alternate tunings?<br /> <br /> it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "<em>Beauty in the Beast</em>" I was (and still are) very impressed by that album. I bought "<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years when started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy</body></html>