User:Ganaram inukshuk/5L 2s: Difference between revisions
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The term ''diatonic'' may also refer to scales produced using [[Tetrachord|tetrachords]], [[just intonation]], or in general have more than one size of whole tone. Such scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are specifically called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate. | The term ''diatonic'' may also refer to scales produced using [[Tetrachord|tetrachords]], [[just intonation]], or in general have more than one size of whole tone. Such scales, such as [[Zarlino]], [[blackdye]] and [[diasem]], are specifically called ''[[Detempering|detempered]] diatonic scales'' (for an RTT-based philosophy) or ''deregularized diatonic scales'' (for an RTT-agnostic philosophy). The terms ''diatonic-like'' or ''diatonic-based'' may also be used to refer such scales, depending on what's contextually the most appropriate. | ||
== | ==Intervals== | ||
:''This article assumes [[TAMNAMS]] for naming mossteps.'' | |||
Intervals are identical to that of standard notation. As such, the usual [[Interval quality|interval qualities]] of major/minor and augmented/perfect/diminished apply here. | Intervals are identical to that of standard notation. As such, the usual [[Interval quality|interval qualities]] of major/minor and augmented/perfect/diminished apply here. | ||
= | {{MOS intervals|Scale Signature=5L 2s}} | ||
==Notation== | |||
==Theory == | :''See [[5L 2s/Notation]]'' | ||
==Theory== | |||
===Introduction to step sizes=== | ===Introduction to step sizes=== | ||
Line 87: | Line 28: | ||
!Step pattern | !Step pattern | ||
!EDO | !EDO | ||
!Selected multiples | ! Selected multiples | ||
|- | |- | ||
|1:1 | |1:1 | ||
Line 95: | Line 36: | ||
|- | |- | ||
|4:3 | |4:3 | ||
|4 4 3 4 4 4 3 | | 4 4 3 4 4 4 3 | ||
|[[26edo]] | |[[26edo]] | ||
| | | | ||
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|[[38edo]] | |[[38edo]] | ||
|- | |- | ||
|5:3 | | 5:3 | ||
| 5 5 3 5 5 5 3 | | 5 5 3 5 5 5 3 | ||
|[[31edo]] | |[[31edo]] | ||
| | | | ||
|- | |- | ||
|2:1 | | 2:1 | ||
| 2 2 1 2 2 2 1 | |2 2 1 2 2 2 1 | ||
|[[12edo]] (standard tuning) | |[[12edo]] (standard tuning) | ||
|[[24edo]], [[36edo]], etc. | |[[24edo]], [[36edo]], etc. | ||
|- | |- | ||
|5:2 | |5:2 | ||
|5 5 2 5 5 5 2 | | 5 5 2 5 5 5 2 | ||
|[[29edo]] | |[[29edo]] | ||
| | | | ||
|- | |- | ||
| 3:1 | |3:1 | ||
|3 3 1 3 3 3 1 | |3 3 1 3 3 3 1 | ||
|[[17edo]] | |[[17edo]] | ||
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|- | |- | ||
|4:1 | |4:1 | ||
| 4 4 1 4 4 4 1 | |4 4 1 4 4 4 1 | ||
|[[22edo]] | |[[22edo]] | ||
| | | | ||
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*[[Archy]], with generators around 709.3¢. This includes: | *[[Archy]], with generators around 709.3¢. This includes: | ||
**Supra, with generators around 707.2¢ | **Supra, with generators around 707.2¢ | ||
** Superpyth, with generators around 710.3¢ | **Superpyth, with generators around 710.3¢ | ||
**Ultrapyth, with generators around 713.7¢. | **Ultrapyth, with generators around 713.7¢. | ||
==Tuning ranges== | ==Tuning ranges== | ||
===Simple tunings=== | ===Simple tunings=== | ||
[[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}} | [[17edo]] and [[19edo]] are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below. | ||
===Parasoft tunings=== | |||
{{MOS degrees|Scale Signature=5L 2s|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7|Notation=NONE}} | |||
===Parasoft tunings === | |||
:''Main article: [[Flattone]]'' | :''Main article: [[Flattone]]'' | ||
Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | ||
Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5}} | Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]]. | ||
=== Hyposoft tunings=== | |||
{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5|Notation=NONE}} | |||
===Hyposoft tunings=== | |||
:''Main article: [[Meantone]]'' | :''Main article: [[Meantone]]'' | ||
Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | ||
Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5}} | Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]]. | ||
{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5|Notation=NONE}} | |||
===Hypohard tunings=== | ===Hypohard tunings=== | ||
:''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | :''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | ||
The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | ||
====Minihard tunings ==== | ====Minihard tunings==== | ||
Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | ||
Edos include [[41edo]] and [[53edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=7/3; 9/4|Genchain Extend=0, 5}} | Edos include [[41edo]] and [[53edo]]. | ||
====Quasihard tunings==== | |||
{{MOS degrees|Scale Signature=5L 2s|Step Ratio=7/3; 9/4|Genchain Extend=0, 5|Notation=NONE}} | |||
==== Quasihard tunings==== | |||
Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | ||
Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}} | Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings. | ||
{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5|Notation=NONE}} | |||
===Parahard and ultrahard tunings=== | ===Parahard and ultrahard tunings=== | ||
:''Main article: [[Archy]]'' | :''Main article: [[Archy]]'' | ||
Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | ||
Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5}} | Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others. | ||
== Modes == | |||
{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5|Notation=NONE}} | |||
==Modes== | |||
Diatonic modes have standard names from classical music theory: | Diatonic modes have standard names from classical music theory: | ||
{{MOS modes|Scale Signature=5L 2s}} | {{MOS modes|Scale Signature=5L 2s}} | ||
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!4th | !4th | ||
!5th | !5th | ||
!6th | ! 6th | ||
!7th | !7th | ||
!8th | !8th | ||
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|LLLsLLs | |LLLsLLs | ||
|Perfect (C) | |Perfect (C) | ||
|Major (D) | | Major (D) | ||
|Major (E) | |Major (E) | ||
|Augmented (F#) | |Augmented (F#) | ||
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|Major (A) | |Major (A) | ||
|Major (B) | |Major (B) | ||
|Perfect (C) | | Perfect (C) | ||
|- | |- | ||
|<nowiki>4|2</nowiki> | |<nowiki>4|2</nowiki> | ||
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|<nowiki>3|3</nowiki> | |<nowiki>3|3</nowiki> | ||
|LsLLLsL | |LsLLLsL | ||
|Perfect (C) | | Perfect (C) | ||
|Major (D) | |Major (D) | ||
|Minor (Eb) | |Minor (Eb) | ||
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|Major (D) | |Major (D) | ||
|Minor (Eb) | |Minor (Eb) | ||
|Perfect (F) | | Perfect (F) | ||
|Perfect (G) | |Perfect (G) | ||
|Minor (Ab) | |Minor (Ab) | ||
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|Perfect (C) | |Perfect (C) | ||
|Minor (Db) | |Minor (Db) | ||
|Minor (Eb) | | Minor (Eb) | ||
|Perfect (F) | |Perfect (F) | ||
|Perfect (G) | |Perfect (G) | ||
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|Diminished (Gb) | |Diminished (Gb) | ||
|Minor (Ab) | |Minor (Ab) | ||
| Minor (Bb) | |Minor (Bb) | ||
| Perfect (C) | |Perfect (C) | ||
|} | |} | ||
==Scales== | ==Scales== | ||
=== Subset and superset scales=== | ===Subset and superset scales=== | ||
5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has the two child scales, which are supersets of 5L 2s: | 5L 2s has a parent scale of [[2L 3s]], a pentatonic scale, meaning 2L 3s is a subset. 5L 2s also has the two child scales, which are supersets of 5L 2s: | ||
* [[7L 5s]], a chromatic scale produced using soft-of-basic step ratios. | *[[7L 5s]], a chromatic scale produced using soft-of-basic step ratios. | ||
* [[5L 7s]], a chromatic scale produced using hard-of-basic step ratios. | *[[5L 7s]], a chromatic scale produced using hard-of-basic step ratios. | ||
12edo contains 5L 2s as the equalized form of both 5L 7s and 7L 5s. | 12edo contains 5L 2s as the equalized form of both 5L 7s and 7L 5s. | ||
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*[[Archy7]] – 472edo tuning | *[[Archy7]] – 472edo tuning | ||
==Scale tree== | ==Scale tree == | ||
{{Scale tree|5L 2s|depth=6|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region|tuning=5L 2s}} | {{Scale tree|5L 2s|depth=6|Comments=7/5:[[Flattone]] is in this region;21/13:[[Golden meantone]] (696.2145¢);5/3:[[Meantone]] is in this region;2/1:(Generators smaller than this are proper);9/4:The generator closest to a just [[3/2]] for EDOs less than 200;16/7:[[Garibaldi]] / [[Cassandra]];21/8:Golden neogothic (704.0956¢);8/3:[[Neogothic]] is in this region;4/1:[[Archy]] is in this region|tuning=5L 2s}} | ||
==See also== | ==See also== | ||
*[[Diatonic functional harmony]] | *[[Diatonic functional harmony]] |