User:Ganaram inukshuk/5L 2s: Difference between revisions
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"Tuning ranges" was more common than "step ratio ranges" |
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**Ultrapyth, with generators around 713.7¢. | **Ultrapyth, with generators around 713.7¢. | ||
== | ==Tuning ranges== | ||
===Simple | ===Simple tunings=== | ||
17edo and 19edo, produced using step ratios of 3:1 and 3:2 respectively, are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}} | 17edo and 19edo, produced using step ratios of 3:1 and 3:2 respectively, are the smallest edos that offer a greater variety of pitches than 12edo. Note that any enharmonic equivalences that 12edo has no longer hold for either 17edo or 19edo, as shown in the table below.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=2/1; 3/1; 3/2|Genchain Extend=7}} | ||
===Parasoft | ===Parasoft tunings=== | ||
:''Main article: [[Flattone]]'' | :''Main article: [[Flattone]]'' | ||
Parasoft | Parasoft tunings (4:3 to 3:2) correspond to flattone temperaments, characterized by flattened perfect 5ths ([[3/2]], flat of 702¢) to produce major 3rds that are flatter than [[5/4]] (386¢). | ||
=== Hyposoft | |||
Edos include [[19edo]], [[26edo]], [[45edo]], and [[64edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 4/3; 7/5; 10/7|Genchain Extend=0, 5}} | |||
=== Hyposoft tunings=== | |||
:''Main article: [[Meantone]]'' | :''Main article: [[Meantone]]'' | ||
Hyposoft | Hyposoft tunings (3:2 to 2:1) correspond to meantone temperaments, characterized by flattened perfect 5ths (flat of 702¢) to produce diatonic major 3rds that approximate 5/4 (386¢). | ||
===Hypohard | |||
Edos include [[19edo]], [[31edo]], [[43edo]], and [[50edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/2; 5/3; 7/4; 8/5|Genchain Extend=0, 5}} | |||
===Hypohard tunings=== | |||
:''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | :''Main article: [[Pythagorean tuning]] and [[Schismatic family#Schismatic aka Helmholtz|schismatic temperament]]'' | ||
The range of hypohard | The range of hypohard tunings can be divided into a minihard range (2:1 to 5:2) and quasihard range (5:2 to 3:1). | ||
====Minihard | ====Minihard tunings ==== | ||
Minihard | Minihard tunings correspond to Pythagorean tuning and schismatic temperament, characterized by having a perfect 5th that is as close to just (701.96¢) as possible, resulting in a major 3rd of [[81/64]] (407¢). | ||
====Quasihard | |||
Quasihard | Edos include [[41edo]] and [[53edo]].{{MOS degrees|Scale Signature=5L 2s|Step Ratio=7/3; 9/4|Genchain Extend=0, 5}} | ||
====Quasihard tunings==== | |||
Quasihard tunings correspond to "neogothic" or "parapyth" systems whose perfect 5th is slightly sharper than just, resulting in major 3rds that are sharper than 81/64 and minor 3rds that are slightly flat of [[32/27]] (294¢). | |||
17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}} | Edos include [[17edo]], [[29edo]], and [[46edo]]. 17edo is considered to be on the sharper end of the neogothic spectrum, with a major 3rd that is more discordant than flatter neogothic tunings.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 5/2; 8/3|Genchain Extend=0, 5}} | ||
===Parahard and ultrahard | ===Parahard and ultrahard tunings=== | ||
:''Main article: [[Archy]]'' | :''Main article: [[Archy]]'' | ||
Parahard (3:1 to 4:1) and ultrahard tunings (4:1 to 1:0) correspond to archy systems, with perfect 5ths that are significantly sharper than than 702¢. | |||
Edos include [[17edo]], [[22edo]], [[27edo]], and [[32edo]], among others.{{MOS degrees|Scale Signature=5L 2s|Step Ratio=3/1; 4/1; 5/1; 6/1|Genchain Extend=0, 5}} | |||
== Modes == | == Modes == | ||
Diatonic modes have standard names from classical music theory: | Diatonic modes have standard names from classical music theory: |