User:CompactStar/Ed12/5: Difference between revisions

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	Incidentally, one way to treat 12/5 as an equivalence is the use of the 3:4:5 chord as the fundamental complete sonority in a very similar way to the 4:5:6 chord in [[meantone]]. Whereas in meantone it takes 4 [[3/2]] to get to [[5/4]], here it takes 4 [[5/3]] to get [[4/3]] (tempering out the comma [[15625/15552]] in the 12/5.3.4 fractional subgroup). This temperament yields 5, 7, 12, 19, and 31 note MOS (coincidentally similar to meantone).		Incidentally, one way to treat 12/5 as an equivalence is the use of the 3:4:5 chord as the fundamental complete sonority in a very similar way to the 4:5:6 chord in [[meantone]]. Whereas in meantone it takes 4 [[3/2]] to get to [[5/4]], here it takes 4 [[5/3]] to get [[4/3]] (tempering out the comma [[15625/15552]] in the 12/5.3.4 fractional subgroup). This temperament yields 5, 7, 12, 19, and 31 note MOS (coincidentally similar to meantone).
			[[Category:Edonoi]]