Middle-Eastern music: Difference between revisions
Wikispaces>hstraub **Imported revision 6654823 - Original comment: Link to Ozan Yarman's dissertation added** |
Wikispaces>hstraub **Imported revision 6666365 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2007-08-08 | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2007-08-08 13:58:46 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>6666365</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
| Line 12: | Line 12: | ||
There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in [[http://www.ozanyarman.com/misc/Doctorate%20Thesis.pdf|Ozan Yarman's dissertation]]. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). [[24edo]] has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. | There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in [[http://www.ozanyarman.com/misc/Doctorate%20Thesis.pdf|Ozan Yarman's dissertation]]. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). [[24edo]] has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. | ||
Ozan Yarman's proposal for a new tuning standard for maqam music is a 79-tone [[MOSScales|MOS]] subset of [[159edo]]. It is described | Ozan Yarman's proposal for a new tuning standard for maqam music is a 79-tone [[MOSScales|MOS]] subset of [[159edo]]. It is described in detail in his dissertation. A short description (quote of a posting on the yahoo tuning list) is [[79MOS 159edo|here]].</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Arabic, Turkish, Persian</title></head><body>The music of the middle-eastern (arabic/turkish/persian) cultural area is one of the important microtonal music traditions (along with the <a class="wiki_link" href="/Indian">indian</a> tradition).<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Arabic, Turkish, Persian</title></head><body>The music of the middle-eastern (arabic/turkish/persian) cultural area is one of the important microtonal music traditions (along with the <a class="wiki_link" href="/Indian">indian</a> tradition).<br /> | ||
| Line 20: | Line 20: | ||
There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in <a class="wiki_link_ext" href="http://www.ozanyarman.com/misc/Doctorate%20Thesis.pdf" rel="nofollow">Ozan Yarman's dissertation</a>. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). <a class="wiki_link" href="/24edo">24edo</a> has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise.<br /> | There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in <a class="wiki_link_ext" href="http://www.ozanyarman.com/misc/Doctorate%20Thesis.pdf" rel="nofollow">Ozan Yarman's dissertation</a>. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). <a class="wiki_link" href="/24edo">24edo</a> has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise.<br /> | ||
<br /> | <br /> | ||
Ozan Yarman's proposal for a new tuning standard for maqam music is a 79-tone <a class="wiki_link" href="/MOSScales">MOS</a> subset of <a class="wiki_link" href="/159edo">159edo</a>. It is described | Ozan Yarman's proposal for a new tuning standard for maqam music is a 79-tone <a class="wiki_link" href="/MOSScales">MOS</a> subset of <a class="wiki_link" href="/159edo">159edo</a>. It is described in detail in his dissertation. A short description (quote of a posting on the yahoo tuning list) is <a class="wiki_link" href="/79MOS%20159edo">here</a>.</body></html></pre></div> | ||