Middle-Eastern music: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~keenanpepper~~|~~keenanpepper~~]] and made on <tt>~~2012~~-12-~~09 21~~:58:16 UTC</tt>.<br>

: This revision was by author [[User:guest|guest]] and made on <tt>2013-01-13 10:30:41 UTC</tt>.<br>

: The original revision id was <tt>~~390708084~~</tt>.<br>

: The original revision id was <tt>397996684</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Along with the [[Indian]] tradition, the music of the Middle and Near East (Arabic, Turkish, and Persian) is one of the important microtonal <span class="wiki_link_ext">music</span> traditions.

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Along with the [[Indian]] tradition, the music of the Middle and Near East ([[http://jo3ajil.blogspot.com|Arabic]], Turkish, and Persian) is one of the important microtonal <span class="wiki_link_ext">music</span> traditions.

A central concept is "maqam" (pl. maqamat), which corresponds somewhat (but not exactly) to the Western "mode". An introduction to maqam theory can be found on [[http://www.maqamworld.com/|http://www.maqamworld.com]]. The Arabic maqam and Turkish makam systems differ to some degree from the related Persian system of dastgah.

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=Unequal temperaments for maqamat=

In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. One possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.

In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. [[http://jo3ajil.blogspot.com|One]] possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.

A paper by [[Erv Wilson]], describing a variety of layouts of mideast tunings on generalized keyboards, can be found here: [[http://anaphoria.com/RAST.PDF]].

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[[http://240edo.googlepages.com/persianmusic]] - a list of links related to Persian music, maintained by [[Shaahin Mohajeri]]

<span style="display: block; height: 1px; left: -40px; overflow: hidden; position: absolute; top: 734px; width: 1px;"> [[http://x31eq.com/cgi-bin/rt.cgi?ets=7&limit=2_3_5_11&key=7_11_16_24|7]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=24&limit=2_3_5_11&key=24_38_56_83|24]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=31&limit=2_3_5_11&key=31_49_72_107|31]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=14&limit=2_3_5_11&key=14_22_32_48|14c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=17&limit=2_3_5_11&key=17_27_40_59|17c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=38&limit=2_3_5_11&key=38_60_88_131|38]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=10&limit=2_3_5_11&key=10_16_24_35|10c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=21&limit=2_3_5_11&key=21_33_48_72|21ce]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=45&limit=2_3_5_11&key=45_71_104_155|45e]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=55&limit=2_3_5_11&key=55_87_128_190|55]]</span></pre></div>

<span style="display: block; height: 1px; left: -40px; overflow: hidden; position: absolute; top: 734px; width: 1px;">[[http://x31eq.com/cgi-bin/rt.cgi?ets=7&limit=2_3_5_11&key=7_11_16_24|7]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=24&limit=2_3_5_11&key=24_38_56_83|24]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=31&limit=2_3_5_11&key=31_49_72_107|31]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=14&limit=2_3_5_11&key=14_22_32_48|14c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=17&limit=2_3_5_11&key=17_27_40_59|17c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=38&limit=2_3_5_11&key=38_60_88_131|38]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=10&limit=2_3_5_11&key=10_16_24_35|10c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=21&limit=2_3_5_11&key=21_33_48_72|21ce]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=45&limit=2_3_5_11&key=45_71_104_155|45e]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=55&limit=2_3_5_11&key=55_87_128_190|55]]</span></pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Arabic, Turkish, Persian</title></head><body>Along with the <a class="wiki_link" href="/Indian">Indian</a> tradition, the music of the Middle and Near East (Arabic, Turkish, and Persian) is one of the important microtonal <span class="wiki_link_ext">music</span> traditions.<br />

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Arabic, Turkish, Persian</title></head><body>Along with the <a class="wiki_link" href="/Indian">Indian</a> tradition, the music of the Middle and Near East (<a class="wiki_link_ext" href="http://jo3ajil.blogspot.com" rel="nofollow">Arabic</a>, Turkish, and Persian) is one of the important microtonal <span class="wiki_link_ext">music</span> traditions.<br />

<br />

A central concept is &quot;maqam&quot; (pl. maqamat), which corresponds somewhat (but not exactly) to the Western &quot;mode&quot;. An introduction to maqam theory can be found on <a class="wiki_link_ext" href="http://www.maqamworld.com/" rel="nofollow">http://www.maqamworld.com</a>. The Arabic maqam and Turkish makam systems differ to some degree from the related Persian system of dastgah.<br />

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<h1 id="toc1"><a name="Unequal temperaments for maqamat"></a>Unequal temperaments for maqamat</h1>

<br />

In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. One possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.<br />

In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. <a class="wiki_link_ext" href="http://jo3ajil.blogspot.com" rel="nofollow">One</a> possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.<br />

<br />

A paper by <a class="wiki_link" href="/Erv%20Wilson">Erv Wilson</a>, describing a variety of layouts of mideast tunings on generalized keyboards, can be found here: <a class="wiki_link_ext" href="http://anaphoria.com/RAST.PDF" rel="nofollow">http://anaphoria.com/RAST.PDF</a>.<br />

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<a class="wiki_link_ext" href="http://www.turkishmusicportal.org" rel="nofollow">http://www.turkishmusicportal.org</a> - listening<br />

<a class="wiki_link_ext" href="http://www.turkishmusic.org/index.html" rel="nofollow">http://www.turkishmusic.org</a> - listening<br />

<a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow">http://www.turkishmusic.org/index18.html</a> - listening<br />

<a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow">http://www.turkishmusic.org/index18.html</a> - listening<br />

<br />

<h3 id="toc5"><a name="External links--Persian"></a>Persian</h3>

<a class="wiki_link_ext" href="http://240edo.googlepages.com/persianmusic" rel="nofollow">http://240edo.googlepages.com/persianmusic</a> - a list of links related to Persian music, maintained by <a class="wiki_link" href="/Shaahin%20Mohajeri">Shaahin Mohajeri</a><br />

<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-12-09 21:58:16 UTC</tt>.<br>
+: This revision was by author [[User:guest|guest]] and made on <tt>2013-01-13 10:30:41 UTC</tt>.<br>
-: The original revision id was <tt>390708084</tt>.<br>
+: The original revision id was <tt>397996684</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Along with the [[Indian]] tradition, the music of the Middle and Near East (Arabic, Turkish, and Persian) is one of the important microtonal &lt;span class="wiki_link_ext"&gt;music&lt;/span&gt; traditions.
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Along with the [[Indian]] tradition, the music of the Middle and Near East ([[http://jo3ajil.blogspot.com|Arabic]], Turkish, and Persian) is one of the important microtonal &lt;span class="wiki_link_ext"&gt;music&lt;/span&gt; traditions.
 A central concept is "maqam" (pl. maqamat), which corresponds somewhat (but not exactly) to the Western "mode". An introduction to maqam theory can be found on [[http://www.maqamworld.com/|http://www.maqamworld.com]]. The Arabic maqam and Turkish makam systems differ to some degree from the related Persian system of dastgah.
@@ Line 29: / Line 29: @@
 =Unequal temperaments for maqamat=
-In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. One possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.
+In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. [[http://jo3ajil.blogspot.com|One]] possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.
 A paper by [[Erv Wilson]], describing a variety of layouts of mideast tunings on generalized keyboards, can be found here: [[http://anaphoria.com/RAST.PDF]].
@@ Line 64: / Line 64: @@
 [[http://240edo.googlepages.com/persianmusic]] - a list of links related to Persian music, maintained by [[Shaahin Mohajeri]]
-&lt;span style="display: block; height: 1px; left: -40px; overflow: hidden; position: absolute; top: 734px; width: 1px;"&gt; [[http://x31eq.com/cgi-bin/rt.cgi?ets=7&amp;limit=2_3_5_11&amp;key=7_11_16_24|7]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=24&amp;limit=2_3_5_11&amp;key=24_38_56_83|24]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=31&amp;limit=2_3_5_11&amp;key=31_49_72_107|31]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=14&amp;limit=2_3_5_11&amp;key=14_22_32_48|14c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=17&amp;limit=2_3_5_11&amp;key=17_27_40_59|17c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=38&amp;limit=2_3_5_11&amp;key=38_60_88_131|38]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=10&amp;limit=2_3_5_11&amp;key=10_16_24_35|10c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=21&amp;limit=2_3_5_11&amp;key=21_33_48_72|21ce]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=45&amp;limit=2_3_5_11&amp;key=45_71_104_155|45e]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=55&amp;limit=2_3_5_11&amp;key=55_87_128_190|55]]&lt;/span&gt;</pre></div>
+&lt;span style="display: block; height: 1px; left: -40px; overflow: hidden; position: absolute; top: 734px; width: 1px;"&gt;[[http://x31eq.com/cgi-bin/rt.cgi?ets=7&amp;limit=2_3_5_11&amp;key=7_11_16_24|7]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=24&amp;limit=2_3_5_11&amp;key=24_38_56_83|24]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=31&amp;limit=2_3_5_11&amp;key=31_49_72_107|31]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=14&amp;limit=2_3_5_11&amp;key=14_22_32_48|14c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=17&amp;limit=2_3_5_11&amp;key=17_27_40_59|17c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=38&amp;limit=2_3_5_11&amp;key=38_60_88_131|38]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=10&amp;limit=2_3_5_11&amp;key=10_16_24_35|10c]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=21&amp;limit=2_3_5_11&amp;key=21_33_48_72|21ce]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=45&amp;limit=2_3_5_11&amp;key=45_71_104_155|45e]], [[http://x31eq.com/cgi-bin/rt.cgi?ets=55&amp;limit=2_3_5_11&amp;key=55_87_128_190|55]]&lt;/span&gt;</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Arabic, Turkish, Persian&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Along with the &lt;a class="wiki_link" href="/Indian"&gt;Indian&lt;/a&gt; tradition, the music of the Middle and Near East (Arabic, Turkish, and Persian) is one of the important microtonal &lt;span class="wiki_link_ext"&gt;music&lt;/span&gt; traditions.&lt;br /&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Arabic, Turkish, Persian&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Along with the &lt;a class="wiki_link" href="/Indian"&gt;Indian&lt;/a&gt; tradition, the music of the Middle and Near East (&lt;a class="wiki_link_ext" href="http://jo3ajil.blogspot.com" rel="nofollow"&gt;Arabic&lt;/a&gt;, Turkish, and Persian) is one of the important microtonal &lt;span class="wiki_link_ext"&gt;music&lt;/span&gt; traditions.&lt;br /&gt;
 &lt;br /&gt;
 A central concept is &amp;quot;maqam&amp;quot; (pl. maqamat), which corresponds somewhat (but not exactly) to the Western &amp;quot;mode&amp;quot;. An introduction to maqam theory can be found on &lt;a class="wiki_link_ext" href="http://www.maqamworld.com/" rel="nofollow"&gt;http://www.maqamworld.com&lt;/a&gt;. The Arabic maqam and Turkish makam systems differ to some degree from the related Persian system of dastgah.&lt;br /&gt;
@@ Line 89: / Line 89: @@
 &lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Unequal temperaments for maqamat"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Unequal temperaments for maqamat&lt;/h1&gt;
   &lt;br /&gt;
-In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. One possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.&lt;br /&gt;
+In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and a manageable pitch count. &lt;a class="wiki_link_ext" href="http://jo3ajil.blogspot.com" rel="nofollow"&gt;One&lt;/a&gt; possible way out of this dilemma is use of unequal temperaments. These allow for playing of multiple maqamat with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.&lt;br /&gt;
 &lt;br /&gt;
 A paper by &lt;a class="wiki_link" href="/Erv%20Wilson"&gt;Erv Wilson&lt;/a&gt;, describing a variety of layouts of mideast tunings on generalized keyboards, can be found here: &lt;a class="wiki_link_ext" href="http://anaphoria.com/RAST.PDF" rel="nofollow"&gt;http://anaphoria.com/RAST.PDF&lt;/a&gt;.&lt;br /&gt;
@@ Line 119: / Line 119: @@
 &lt;a class="wiki_link_ext" href="http://www.turkishmusicportal.org" rel="nofollow"&gt;http://www.turkishmusicportal.org&lt;/a&gt; - listening&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index.html" rel="nofollow"&gt;http://www.turkishmusic.org&lt;/a&gt; - listening&lt;br /&gt;
-&lt;!-- ws:start:WikiTextUrlRule:140:http://www.turkishmusic.org/index18.html --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow"&gt;http://www.turkishmusic.org/index18.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:140 --&gt; - listening&lt;br /&gt;
+&lt;!-- ws:start:WikiTextUrlRule:142:http://www.turkishmusic.org/index18.html --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow"&gt;http://www.turkishmusic.org/index18.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:142 --&gt; - listening&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="External links--Persian"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Persian&lt;/h3&gt;
   &lt;a class="wiki_link_ext" href="http://240edo.googlepages.com/persianmusic" rel="nofollow"&gt;http://240edo.googlepages.com/persianmusic&lt;/a&gt; - a list of links related to Persian music, maintained by &lt;a class="wiki_link" href="/Shaahin%20Mohajeri"&gt;Shaahin Mohajeri&lt;/a&gt;&lt;br /&gt;
 &lt;br /&gt;
-&lt;span style="display: block; height: 1px; left: -40px; overflow: hidden; position: absolute; top: 734px; width: 1px;"&gt; &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=7&amp;amp;limit=2_3_5_11&amp;amp;key=7_11_16_24" rel="nofollow"&gt;7&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=24&amp;amp;limit=2_3_5_11&amp;amp;key=24_38_56_83" rel="nofollow"&gt;24&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=31&amp;amp;limit=2_3_5_11&amp;amp;key=31_49_72_107" rel="nofollow"&gt;31&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=14&amp;amp;limit=2_3_5_11&amp;amp;key=14_22_32_48" rel="nofollow"&gt;14c&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=17&amp;amp;limit=2_3_5_11&amp;amp;key=17_27_40_59" rel="nofollow"&gt;17c&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=38&amp;amp;limit=2_3_5_11&amp;amp;key=38_60_88_131" rel="nofollow"&gt;38&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=10&amp;amp;limit=2_3_5_11&amp;amp;key=10_16_24_35" rel="nofollow"&gt;10c&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=21&amp;amp;limit=2_3_5_11&amp;amp;key=21_33_48_72" rel="nofollow"&gt;21ce&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=45&amp;amp;limit=2_3_5_11&amp;amp;key=45_71_104_155" rel="nofollow"&gt;45e&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=55&amp;amp;limit=2_3_5_11&amp;amp;key=55_87_128_190" rel="nofollow"&gt;55&lt;/a&gt;&lt;/span&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
+&lt;span style="display: block; height: 1px; left: -40px; overflow: hidden; position: absolute; top: 734px; width: 1px;"&gt;&lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=7&amp;amp;limit=2_3_5_11&amp;amp;key=7_11_16_24" rel="nofollow"&gt;7&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=24&amp;amp;limit=2_3_5_11&amp;amp;key=24_38_56_83" rel="nofollow"&gt;24&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=31&amp;amp;limit=2_3_5_11&amp;amp;key=31_49_72_107" rel="nofollow"&gt;31&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=14&amp;amp;limit=2_3_5_11&amp;amp;key=14_22_32_48" rel="nofollow"&gt;14c&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=17&amp;amp;limit=2_3_5_11&amp;amp;key=17_27_40_59" rel="nofollow"&gt;17c&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=38&amp;amp;limit=2_3_5_11&amp;amp;key=38_60_88_131" rel="nofollow"&gt;38&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=10&amp;amp;limit=2_3_5_11&amp;amp;key=10_16_24_35" rel="nofollow"&gt;10c&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=21&amp;amp;limit=2_3_5_11&amp;amp;key=21_33_48_72" rel="nofollow"&gt;21ce&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=45&amp;amp;limit=2_3_5_11&amp;amp;key=45_71_104_155" rel="nofollow"&gt;45e&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://x31eq.com/cgi-bin/rt.cgi?ets=55&amp;amp;limit=2_3_5_11&amp;amp;key=55_87_128_190" rel="nofollow"&gt;55&lt;/a&gt;&lt;/span&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>