Middle-Eastern music: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 04:38:09 UTC</tt>.

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 04:39:13 UTC</tt>.

: The original revision id was <tt>~~432302742~~</tt>.

: The original revision id was <tt>432302864</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Line 52:

[[Ozan Yarman]] has developed a number of such temperaments, e.g. Yarman24 (24 notes), [[http://launch.groups.yahoo.com/group/tuning/message/78631|Yarman29]] (29 notes) and [[http://www.ozanyarman.com/yarman36.html|Yarman36]] (36 notes).

All these and more are available in the [[http://www.huygens-fokker.org/scala/downloads.html|scala file archive]].

~~[[Tsaharuk]] is a 77 notes per octave linear or planar temperament proposed by [[Jacques Dudon]] based on Julien Jalaleddine Weiss qanun tunings.~~

Unequal temperaments for maqamat were also developed by [[Margo Schulter]] , e.g. [[http://launch.groups.yahoo.com/group/JustIntonation/message/1005|Bamm]] (20 or 24 notes) and [[http://launch.groups.yahoo.com/group/tuning/message/100839|Turquoise17]] (17 notes).

If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by [[Julien Jalaleddine Weiss]], going beyond 100 different pitches per octave. See [[tuning systems for qanun|tuning systems for the qanun]] , or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].

[[Tsaharuk]] is a 77 notes per octave linear or planar temperament proposed by [[Jacques Dudon]] based on Julien Jalaleddine Weiss qanun tunings.

See also;

Line 126:

<a class="wiki_link" href="/Ozan%20Yarman">Ozan Yarman</a> has developed a number of such temperaments, e.g. Yarman24 (24 notes), <a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/78631" rel="nofollow">Yarman29</a> (29 notes) and <a class="wiki_link_ext" href="http://www.ozanyarman.com/yarman36.html" rel="nofollow">Yarman36</a> (36 notes).

All these and more are available in the <a class="wiki_link_ext" href="http://www.huygens-fokker.org/scala/downloads.html" rel="nofollow">scala file archive</a>.

~~ ~~

<a class="wiki_link" href="/Tsaharuk">Tsaharuk</a> is a 77 notes per octave linear or planar temperament proposed by <a class="wiki_link" href="/Jacques%20Dudon">Jacques Dudon</a> based on Julien Jalaleddine Weiss qanun tunings.

Unequal temperaments for maqamat were also developed by <a class="wiki_link" href="/Margo%20Schulter">Margo Schulter</a> , e.g. <a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/JustIntonation/message/1005" rel="nofollow">Bamm</a> (20 or 24 notes) and <a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/100839" rel="nofollow">Turquoise17</a> (17 notes).

If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by <a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss">Julien Jalaleddine Weiss</a>, going beyond 100 different pitches per octave. See <a class="wiki_link" href="/tuning%20systems%20for%20qanun">tuning systems for the qanun</a> , or <a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow">Stefan Pohlit's dissertation</a>.

<a class="wiki_link" href="/Tsaharuk">Tsaharuk</a> is a 77 notes per octave linear or planar temperament proposed by <a class="wiki_link" href="/Jacques%20Dudon">Jacques Dudon</a> based on Julien Jalaleddine Weiss qanun tunings.

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 04:38:09 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 04:39:13 UTC</tt>.<br>
-: The original revision id was <tt>432302742</tt>.<br>
+: The original revision id was <tt>432302864</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 52: / Line 52: @@
 [[Ozan Yarman]] has developed a number of such temperaments, e.g. Yarman24 (24 notes), [[http://launch.groups.yahoo.com/group/tuning/message/78631|Yarman29]] (29 notes) and [[http://www.ozanyarman.com/yarman36.html|Yarman36]] (36 notes).
 All these and more are available in the [[http://www.huygens-fokker.org/scala/downloads.html|scala file archive]].
-[[Tsaharuk]] is a 77 notes per octave linear or planar temperament proposed by [[Jacques Dudon]] based on Julien Jalaleddine Weiss qanun tunings.
 Unequal temperaments for maqamat were also developed by [[Margo Schulter]] , e.g. [[http://launch.groups.yahoo.com/group/JustIntonation/message/1005|Bamm]] (20 or 24 notes) and [[http://launch.groups.yahoo.com/group/tuning/message/100839|Turquoise17]] (17 notes).
 If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by [[Julien Jalaleddine Weiss]], going beyond 100 different pitches per octave. See [[tuning systems for qanun|tuning systems for the qanun]] , or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].
+[[Tsaharuk]] is a 77 notes per octave linear or planar temperament proposed by [[Jacques Dudon]] based on Julien Jalaleddine Weiss qanun tunings.
 See also;
@@ Line 126: / Line 126: @@
 &lt;a class="wiki_link" href="/Ozan%20Yarman"&gt;Ozan Yarman&lt;/a&gt; has developed a number of such temperaments, e.g. Yarman24 (24 notes), &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/78631" rel="nofollow"&gt;Yarman29&lt;/a&gt; (29 notes) and &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/yarman36.html" rel="nofollow"&gt;Yarman36&lt;/a&gt; (36 notes).&lt;br /&gt;
 All these and more are available in the &lt;a class="wiki_link_ext" href="http://www.huygens-fokker.org/scala/downloads.html" rel="nofollow"&gt;scala file archive&lt;/a&gt;.&lt;br /&gt;
-&lt;br /&gt;
-&lt;a class="wiki_link" href="/Tsaharuk"&gt;Tsaharuk&lt;/a&gt; is a 77 notes per octave linear or planar temperament proposed by &lt;a class="wiki_link" href="/Jacques%20Dudon"&gt;Jacques Dudon&lt;/a&gt; based on Julien Jalaleddine Weiss qanun tunings.&lt;br /&gt;
 &lt;br /&gt;
 Unequal temperaments for maqamat were also developed by &lt;a class="wiki_link" href="/Margo%20Schulter"&gt;Margo Schulter&lt;/a&gt; , e.g. &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/JustIntonation/message/1005" rel="nofollow"&gt;Bamm&lt;/a&gt; (20 or 24 notes) and &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/100839" rel="nofollow"&gt;Turquoise17&lt;/a&gt; (17 notes).&lt;br /&gt;
 &lt;br /&gt;
 If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by &lt;a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss"&gt;Julien Jalaleddine Weiss&lt;/a&gt;, going beyond 100 different pitches per octave. See &lt;a class="wiki_link" href="/tuning%20systems%20for%20qanun"&gt;tuning systems for the qanun&lt;/a&gt; , or &lt;a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow"&gt;Stefan Pohlit's dissertation&lt;/a&gt;.&lt;br /&gt;
+&lt;br /&gt;
+&lt;a class="wiki_link" href="/Tsaharuk"&gt;Tsaharuk&lt;/a&gt; is a 77 notes per octave linear or planar temperament proposed by &lt;a class="wiki_link" href="/Jacques%20Dudon"&gt;Jacques Dudon&lt;/a&gt; based on Julien Jalaleddine Weiss qanun tunings.&lt;br /&gt;
 &lt;br /&gt;
 See also;&lt;br /&gt;