List of approaches to musical tuning: Difference between revisions

BudjarnLambeth (talk | contribs)
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BudjarnLambeth (talk | contribs)
m Moved just intonation higher on the list again. Removed "frequency integer ratios" from the list of just intonation examples because isn't that what all just intonation is by definition anyway?
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* [[Regular temperament]]s (including linear temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which just intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires
* [[Regular temperament]]s (including linear temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which just intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires
*[[MOS scale|Moment of symmetry (MOS)]]: Tunings (or better, scales) that use iterations of a generating interval, modulo a period interval, to produce scales of two step-sizes.
*[[MOS scale|Moment of symmetry (MOS)]]: Tunings (or better, scales) that use iterations of a generating interval, modulo a period interval, to produce scales of two step-sizes.
*[[Historical temperaments|Historical western temperaments]]: The (somewhat forgotten) use of [[Pythagorean]] and [[meantone]] tunings and [[well temperament]]s in Western common practice music.
*[[Just intonation]]: The tuning of pitches so that their fundamental frequencies are related by ratios of whole numbers. An infinite world of numerous models:
**[[Combination product sets]]
** The [[harmonic series]]
**[[Fokker blocks]]
**[[Overtone scale]]s & [[primodality]]
**[[Tonality diamond]]s
** etc.
*[[Timbral tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g. the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series.
* Musical traditions of indigenous, ancient, and/or non-Western cultures:
* Musical traditions of indigenous, ancient, and/or non-Western cultures:
**[[African]]
**[[African]]
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**[[Pre-Columbian South American Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)
**[[Pre-Columbian South American Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)
**[[Wikipedia:Music of Thailand|Thai]]
**[[Wikipedia:Music of Thailand|Thai]]
*[[Historical temperaments|Historical western temperaments]]: The (somewhat forgotten) use of [[Pythagorean]] and [[meantone]] tunings and [[well temperament]]s in Western common practice music.
*[[Tetrachord|Tetrachordal scales]]: the use of divided fourths as building blocks for composition.
*[[Tetrachord|Tetrachordal scales]]: the use of divided fourths as building blocks for composition.
*[[Isoharmonic chords]]: the use of chords with an equal harmonic difference between the pitches as building blocks for scales.
*[[Isoharmonic chords]]: the use of chords with an equal harmonic difference between the pitches as building blocks for scales.
* [[Just intonation]]: The tuning of pitches so that their fundamental frequencies are related by ratios of whole numbers. An infinite world of numerous models:
**[[Combination product sets]]
** The [[harmonic series]]
** [[Fokker blocks]]
** Integer frequency ratios
** [[Overtone scale]]s & [[primodality]]
** [[Tonality diamond]]s
** etc.
* [[Timbral tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g. the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series.


== Subjective processes ==
== Subjective processes ==