9/7: Difference between revisions
Wikispaces>xenwolf **Imported revision 460616292 - Original comment: ** |
Wikispaces>spt3125 **Imported revision 513184554 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-06-07 12:26:33 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>513184554</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**9/7** | ||
|0 2 0 -1> | |||
435.08410 cents | |||
[[media type="file" key="jid_9_7_pluck_adu_dr220.mp3"]] | |||
In [[Just Intonation]], 9/7 is a supermajor third of approximately 435.1¢, characteristic of [[7-limit]] and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad 4:5:6:7:8:9 includes a septimal supermajor third between the 7th and the 9th. | |||
See also | A just chord can be built with this wide third in place of the more traditional [[5_4|5/4]]. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the [[9-limit]] hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant. | ||
See also: | |||
[[Gallery of Just Intervals]] | |||
[[http://en.wikipedia.org/wiki/Septimal_major_third|Septimal major third]] (Wikipedia)</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>9_7</title></head><body>In <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 9/7 is a supermajor third of approximately 435.1¢, characteristic of <a class="wiki_link" href="/7-limit">7-limit</a> and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>9_7</title></head><body><strong>9/7</strong><br /> | ||
|0 2 0 -1&gt;<br /> | |||
435.08410 cents<br /> | |||
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<br /> | |||
In <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 9/7 is a supermajor third of approximately 435.1¢, characteristic of <a class="wiki_link" href="/7-limit">7-limit</a> and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad 4:5:6:7:8:9 includes a septimal supermajor third between the 7th and the 9th.<br /> | |||
<br /> | <br /> | ||
A just chord can be built with this wide third in place of the more traditional <a class="wiki_link" href="/5_4">5/4</a>. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear | A just chord can be built with this wide third in place of the more traditional <a class="wiki_link" href="/5_4">5/4</a>. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the <a class="wiki_link" href="/9-limit">9-limit</a> hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.<br /> | ||
<br /> | <br /> | ||
See also | See also:<br /> | ||
<a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a><br /> | |||
<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_major_third" rel="nofollow">Septimal major third</a> (Wikipedia)</body></html></pre></div> | |||