81/80: Difference between revisions

Wikispaces>PiotrGrochowski
**Imported revision 589239734 - Original comment: **
Wikispaces>PiotrGrochowski
**Imported revision 589239746 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:PiotrGrochowski|PiotrGrochowski]] and made on <tt>2016-08-12 04:26:04 UTC</tt>.<br>
: This revision was by author [[User:PiotrGrochowski|PiotrGrochowski]] and made on <tt>2016-08-12 04:26:56 UTC</tt>.<br>
: The original revision id was <tt>589239734</tt>.<br>
: The original revision id was <tt>589239746</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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21.506290 cents
21.506290 cents


The **syntonic** or **Didymus comma** (frequency ratio **81/80**) is the smallest [[superparticular|superparticular interval]] which belongs to the [[5-limit]]. Like [[16_15|16/15]], [[625_624|625/624]], [[2401_2400|2401/2400]] and [[4096_4095|4096/4095]] it has a fourth power as a numerator. Fourth powers are squares, and any comma with a square numerator is the ratio between two larger successive superparticular intervals; it is in fact the difference between [[10_9|10/9]] and [[9_8|9/8]], the product of which is the just major third, [[5_4|5/4]]. That the numerator is a fourth power entails that the larger of these two intervals itself has a square numerator; 9/8 is the interval between the successive superparticulars 4/3 and 3/2. [[55edo]] tempers it out, while [[15edo]] does not.
The **syntonic** or **Didymus comma** (frequency ratio **81/80**) is the smallest [[superparticular|superparticular interval]] which belongs to the [[5-limit]]. Like [[16_15|16/15]], [[625_624|625/624]], [[2401_2400|2401/2400]] and [[4096_4095|4096/4095]] it has a fourth power as a numerator. Fourth powers are squares, and any comma with a square numerator is the ratio between two larger successive superparticular intervals; it is in fact the difference between [[10_9|10/9]] and [[9_8|9/8]], the product of which is the just major third, [[5_4|5/4]]. That the numerator is a fourth power entails that the larger of these two intervals itself has a square numerator; 9/8 is the interval between the successive superparticulars 4/3 and 3/2. [[55edo]] tempers it out, while [[15edo|3edo]] does not.


Tempering out 81/80 gives a tuning for the [[tone|whole tone]] which is intermediate between 10/9 and 9/8, and leads to [[Meantone family|meantone temperament]].
Tempering out 81/80 gives a tuning for the [[tone|whole tone]] which is intermediate between 10/9 and 9/8, and leads to [[Meantone family|meantone temperament]].
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21.506290 cents&lt;br /&gt;
21.506290 cents&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The &lt;strong&gt;syntonic&lt;/strong&gt; or &lt;strong&gt;Didymus comma&lt;/strong&gt; (frequency ratio &lt;strong&gt;81/80&lt;/strong&gt;) is the smallest &lt;a class="wiki_link" href="/superparticular"&gt;superparticular interval&lt;/a&gt; which belongs to the &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt;. Like &lt;a class="wiki_link" href="/16_15"&gt;16/15&lt;/a&gt;, &lt;a class="wiki_link" href="/625_624"&gt;625/624&lt;/a&gt;, &lt;a class="wiki_link" href="/2401_2400"&gt;2401/2400&lt;/a&gt; and &lt;a class="wiki_link" href="/4096_4095"&gt;4096/4095&lt;/a&gt; it has a fourth power as a numerator. Fourth powers are squares, and any comma with a square numerator is the ratio between two larger successive superparticular intervals; it is in fact the difference between &lt;a class="wiki_link" href="/10_9"&gt;10/9&lt;/a&gt; and &lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt;, the product of which is the just major third, &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;. That the numerator is a fourth power entails that the larger of these two intervals itself has a square numerator; 9/8 is the interval between the successive superparticulars 4/3 and 3/2. &lt;a class="wiki_link" href="/55edo"&gt;55edo&lt;/a&gt; tempers it out, while &lt;a class="wiki_link" href="/15edo"&gt;15edo&lt;/a&gt; does not.&lt;br /&gt;
The &lt;strong&gt;syntonic&lt;/strong&gt; or &lt;strong&gt;Didymus comma&lt;/strong&gt; (frequency ratio &lt;strong&gt;81/80&lt;/strong&gt;) is the smallest &lt;a class="wiki_link" href="/superparticular"&gt;superparticular interval&lt;/a&gt; which belongs to the &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt;. Like &lt;a class="wiki_link" href="/16_15"&gt;16/15&lt;/a&gt;, &lt;a class="wiki_link" href="/625_624"&gt;625/624&lt;/a&gt;, &lt;a class="wiki_link" href="/2401_2400"&gt;2401/2400&lt;/a&gt; and &lt;a class="wiki_link" href="/4096_4095"&gt;4096/4095&lt;/a&gt; it has a fourth power as a numerator. Fourth powers are squares, and any comma with a square numerator is the ratio between two larger successive superparticular intervals; it is in fact the difference between &lt;a class="wiki_link" href="/10_9"&gt;10/9&lt;/a&gt; and &lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt;, the product of which is the just major third, &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;. That the numerator is a fourth power entails that the larger of these two intervals itself has a square numerator; 9/8 is the interval between the successive superparticulars 4/3 and 3/2. &lt;a class="wiki_link" href="/55edo"&gt;55edo&lt;/a&gt; tempers it out, while &lt;a class="wiki_link" href="/15edo"&gt;3edo&lt;/a&gt; does not.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Tempering out 81/80 gives a tuning for the &lt;a class="wiki_link" href="/tone"&gt;whole tone&lt;/a&gt; which is intermediate between 10/9 and 9/8, and leads to &lt;a class="wiki_link" href="/Meantone%20family"&gt;meantone temperament&lt;/a&gt;.&lt;br /&gt;
Tempering out 81/80 gives a tuning for the &lt;a class="wiki_link" href="/tone"&gt;whole tone&lt;/a&gt; which is intermediate between 10/9 and 9/8, and leads to &lt;a class="wiki_link" href="/Meantone%20family"&gt;meantone temperament&lt;/a&gt;.&lt;br /&gt;