7/5: Difference between revisions
Wikispaces>k9assassin **Imported revision 545214878 - Original comment: ** |
Wikispaces>xenwolf **Imported revision 549283800 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2015-04-30 09:19:55 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>549283800</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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In [[7-limit]] [[Just Intonation]], 7/5 is a narrow [[@http://en.wikipedia.org/wiki/Tritone|tritone]] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7_4|7/4]] and [[5_4|5/4]]. | In [[7-limit]] [[Just Intonation]], 7/5 is a narrow [[@http://en.wikipedia.org/wiki/Tritone|tritone]] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7_4|7/4]] and [[5_4|5/4]]. | ||
7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave. | 7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10_7|10/7]], usually to the 600¢ half-octave. | ||
Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]]. See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]] and [[24_17|24/17]]. | Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]]. See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]] and [[24_17|24/17]]. | ||
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In <a class="wiki_link" href="/7-limit">7-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 7/5 is a narrow <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Tritone" rel="nofollow" target="_blank">tritone</a> measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of <a class="wiki_link" href="/12edo">12edo</a> and every even-numbered <a class="wiki_link" href="/EDO">EDO</a>. It represents the difference between <a class="wiki_link" href="/7_4">7/4</a> and <a class="wiki_link" href="/5_4">5/4</a>.<br /> | In <a class="wiki_link" href="/7-limit">7-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 7/5 is a narrow <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Tritone" rel="nofollow" target="_blank">tritone</a> measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of <a class="wiki_link" href="/12edo">12edo</a> and every even-numbered <a class="wiki_link" href="/EDO">EDO</a>. It represents the difference between <a class="wiki_link" href="/7_4">7/4</a> and <a class="wiki_link" href="/5_4">5/4</a>.<br /> | ||
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7/5 is notable for its low <a class="wiki_link" href="/harmonic%20entropy">harmonic entropy</a>, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is <a class="wiki_link" href="/10_7">10/7</a>, which measures about 617.5¢, and these two septimal tritones differ by the <a class="wiki_link" href="/superparticular">superparticular</a> interval <a class="wiki_link" href="/50_49">50/49</a>, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.<br /> | 7/5 is notable for its low <a class="wiki_link" href="/harmonic%20entropy">harmonic entropy</a>, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is <a class="wiki_link" href="/10_7">10/7</a>, which measures about 617.5¢, and these two septimal tritones differ by the <a class="wiki_link" href="/superparticular">superparticular</a> interval <a class="wiki_link" href="/50_49">50/49</a>, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and <a class="wiki_link" href="/10_7">10/7</a>, usually to the 600¢ half-octave.<br /> | ||
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Another just tritone is the <a class="wiki_link" href="/3-limit">3-limit</a> 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three &quot;whole tones&quot;. Yet another is <a class="wiki_link" href="/45_32">45/32</a>, about 590.2¢, which appears in the <a class="wiki_link" href="/5-limit">5-limit</a>. See also <a class="wiki_link" href="/13_9">13/9</a>, <a class="wiki_link" href="/18_13">18/13</a>, <a class="wiki_link" href="/17_12">17/12</a> and <a class="wiki_link" href="/24_17">24/17</a>.<br /> | Another just tritone is the <a class="wiki_link" href="/3-limit">3-limit</a> 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three &quot;whole tones&quot;. Yet another is <a class="wiki_link" href="/45_32">45/32</a>, about 590.2¢, which appears in the <a class="wiki_link" href="/5-limit">5-limit</a>. See also <a class="wiki_link" href="/13_9">13/9</a>, <a class="wiki_link" href="/18_13">18/13</a>, <a class="wiki_link" href="/17_12">17/12</a> and <a class="wiki_link" href="/24_17">24/17</a>.<br /> | ||
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See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div> | See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div> | ||