User:Ganaram inukshuk/Notes/TAMNAMS: Difference between revisions
m →Superdiatonic and armotonic (7L 2s): Spaces, rewording |
m →Suggested changes for mos pattern names (work-in-progress): Clarified that use of "superdiatonic" sometimes doesn't suggest 7L 2s, but examples are needed |
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| Line 1,674: | Line 1,674: | ||
|unchagned | |unchagned | ||
|pelic | |pelic | ||
| rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together if possible. The term "superdiatonic" was misattributed to armodue theorists | | rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together if possible. The use of the term "superdiatonic" to refer to 7L 2s was misattributed to armodue theorists, as the term cannot be found anywhere on the armodue website. The use of the term "superdiatonic" is sometimes used in contexts that do not suggest the mos 7L 2s. (Examples needed) | ||
| rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added. Despite misattribution, the name "superdiatonic" commonly refers to 7L 2s. A possible compromise is to use both names (some mosses already have more than one name). | | rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added. Despite misattribution, the name "superdiatonic" commonly refers to 7L 2s. A possible compromise is to use both names (some mosses already have more than one name). | ||
New names reference pelog tuning and armodue theory. | New names reference pelog tuning and armodue theory. | ||