User:Zhenlige: Difference between revisions
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Zhenlige | The author of [https://github.com/zhenlige/xennote XenNote], a game mod for playing xenharmonic music in [https://minecraft.net Minecraft]. | ||
I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math. | |||
When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. [[81/64]]) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically the semisine wave in Scale Workshop), but vise versa for real instrument samples. | |||
[https://space.bilibili.com/281369461 Bilibili] | |||
== Personal terminology definitions == | |||
* Microtonal: music using finer-than-[[12edo]] tunings (non-12edo [[meantone]] tuning included) | |||
* Xenharmonic: music that cannot be interpreted as [[5-limit]] [[12edo|12et]] without severe damage (12edo music using [[17/1|17]] or [[19/1|19]] included, most 5-limit [[meantone]] music excluded) | |||
== Interval naming (thirds as an example) == | |||
{| class="wikitable" | |||
|+ | |||
| septimal minor || [[7/6]] | |||
|- | |||
| (diatonic) minor || [[32/27]] | |||
|- | |||
| classical minor || [[6/5]] | |||
|- | |||
| neutral || sqrt(3/2) | |||
|- | |||
| classical major || [[5/4]] | |||
|- | |||
| (diatonic) major || [[81/64]] | |||
|- | |||
| septimal major || [[9/7]] | |||
|} | |||
== Useful links == | |||
[[Defactoring algorithms]] | |||
---- | |||
{{Special:Prefixindex|prefix=User:Zhenlige/|hideredirects=1|stripprefix=1}} | |||
[[Category:User zh-N]] | [[Category:User zh-N]] | ||
[[Category:User en- | [[Category:User en-3]] | ||
Latest revision as of 18:49, 15 February 2026
The author of XenNote, a game mod for playing xenharmonic music in Minecraft.
I am more a theorist than a musician. My motivation of studying xen is acturally due to my interest in math.
When acturally work with xen music, I only use softwares, since I cannot play any instruments well — even 12edo ones. When working with different timbres, I feel that consonance and dissonance differs. Complex JI intervals (e.g. 81/64) are more consonant than tempered simple intervals (e.g. a meantone fifth) for synthetic waves (specifically the semisine wave in Scale Workshop), but vise versa for real instrument samples.
Personal terminology definitions
- Microtonal: music using finer-than-12edo tunings (non-12edo meantone tuning included)
- Xenharmonic: music that cannot be interpreted as 5-limit 12et without severe damage (12edo music using 17 or 19 included, most 5-limit meantone music excluded)
Interval naming (thirds as an example)
| septimal minor | 7/6 |
| (diatonic) minor | 32/27 |
| classical minor | 6/5 |
| neutral | sqrt(3/2) |
| classical major | 5/4 |
| (diatonic) major | 81/64 |
| septimal major | 9/7 |
Useful links
- 12neji
- 171edo scales
- Chromatic notation
- Chromatic notation/zh-CN
- Diatonic detemperings
- EDO impressions
- Earth171
- Introduction to Sagittal
- Introduction to Sagittal/zh-CN
- Luma chain demisharp
- Luma chain sharp
- Pentatonic notation
- RTT notes
- Sandbox
- Sandbox/1
- The proportional-beating property of near-JI FDR chords
- common.css