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An '''EPD''', or '''equal pitch division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Monotonic tunings|monotonic]] tuning.
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An '''EPD''', or '''equal pitch division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Harmonotonic tunings|harmonotonic]] tuning.  


n-EDp: n equal (pitch) divisions of interval p (e.g. 12-EDO) (equivalent to rank-1 temperament of p/n)
Because pitch is the overwhelmingly most common musical resource to divide equally, this may be abbreviated to '''ED''', or '''equal division'''.
 
== Specification ==
 
Its full specification is n-EPDp: n equal (pitch) divisions of interval p.  
 
== Formula ==
 
To find the step size for an n-EPDp, take the nth root of p. For example, the step of 12-EDO is <span><math>2^{\frac{1}{12}}</math></span>. So the formula for the kth step of an n-EPDp is:
 
<math>
c(k) = p^{\frac{k}{n}}
</math>
 
This way, when <span><math>k</math></span> is <span><math>0</math></span>, <span><math>c(k)</math></span> is simply <span><math>1</math></span>, because any number to the 0th power is 1. And when <span><math>k</math></span> is <span><math>n</math></span>, <span><math>c(k)</math></span> is simply <span><math>p</math></span>, because any number to the 1st power is itself.
 
== Relationship to other tunings ==
 
=== Vs. rank-1 temperaments & equal multiplications ===
 
An n-EPDp is equivalent to a [[Tour_of_Regular_Temperaments#Equal_temperaments_.28Rank-1_temperaments.29|rank-1 temperament]] of p/n, or an [[Equal-step_tuning#Equal_multiplications|equal multiplication]] of p/n.
 
=== Vs. APS ===
 
One period of an EPD will be equivalent to some [[APS|APS, or arithmetic pitch sequence]], which has had its count of pitches specified by prefixing "n-". Specifically, n-EPDx = n-APS(x/n), for example 12-EPD1200¢ = 12-APS(1200¢/12=100¢).
 
== Examples ==


The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal '''pitch''' divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name).
The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal '''pitch''' divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name).
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! 4
! 4
|-
|-
! frequency (f)
! frequency (''f'', ratio)
|(1)
|(1)
|1.19
|1.19
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|2
|2
|-
|-
! pitch (log₂f)
! pitch (log₂''f'', octaves)
|(2⁰⸍⁴)
|(2⁰⸍⁴)
|2¹⸍⁴
|2¹⸍⁴
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|2⁴⸍⁴
|2⁴⸍⁴
|-
|-
! length (1/f)
! length (1/''f'', ratio)
|(1)
|(1)
|0.84
|0.84