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< | {{Interwiki | ||
This is | | en = Porcupine | ||
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The | }} | ||
< | {{Infobox regtemp | ||
| Title = Porcupine | |||
< | | Subgroups = 2.3.5, 2.3.5.11, 2.3.5.7.11 | ||
| Comma basis = [[250/243]] (2.3.5);<br>[[55/54]], [[100/99]] (2.3.5.11);<br>[[55/54]], [[64/63]], [[100/99]] (2.3.5.7.11) | |||
| Mapping = 1; -3 -5 6 -4 | |||
| Edo join 1 = 15 | Edo join 2 = 22 | |||
| Generators = 10/9 | |||
| Generators tuning = 163 | |||
| Optimization method = CWE | |||
| MOS scales = [[1L 6s]], [[7L 1s]], [[7L 8s]] | |||
| Pergen = (P8, P4/3) | |||
| Color name = Triyoti | |||
| Odd limit 1 = 5 | Mistuning 1 = 9.8 | Complexity 1 = 7 | |||
| Odd limit 2 = 11-limit 15 | Mistuning 2 = 19.9 | Complexity 2 = 15 | |||
}} | |||
[[File:porcupine.png|thumb|Porcupine equates three minor thirds (6/5, in red) with two perfect fourths (4/3, in green). To do so, it tempers out 250/243, which implies a generator of a flat 10/9.|600x600px]] | |||
[[File:porcupinesymmetricminor22edo.mp3|thumb|Symmetric minor mode of the Porcupine[7] scale, containing two equal tetrachords with a major wholetone between them, in [[22edo]] tuning.]] | |||
'''Porcupine''' is a [[regular temperament|temperament]] that is [[generator|generated]] by a [[10/9|minor whole tone]] which is tuned flat to around 160–165 [[cent]]s. Two generators (stacked) represent [[6/5]], and three represent [[4/3]], so that the [[250/243|porcupine comma (250/243)]] is [[tempering out|tempered out]]; from this, the generator itself represents a very flat 10/9. This is in stark contrast to [[meantone]] temperaments, including [[12edo]], where 10/9 is tuned sharp and equated with [[9/8]] so that two of them reach a ''major'' third of [[5/4]]. The "equal tetrachord" formed by dividing 4/3 into 3 equal parts is a characteristic feature of many of porcupine's scales. | |||
One may also note that in [[just intonation]], a stack of three 6/5's is flat of the classical minor seventh [[9/5]] by [[25/24]], and a stack of two 4/3's is the Pythagorean minor seventh [[16/9]], which is flat of 9/5 by [[81/80]]. Thus, it can be determined that porcupine equates the syntonic comma 81/80 with the 5-limit chromatic semitone [[25/24]], which simplifies the 5-limit to a rank-2 structure in a simple way distinct from temperaments that reduce it to a strong extension of [[pythagorean]] (such as [[meantone]] and [[schismic]]). | |||
Porcupine can be thought of as a [[2.3.5.11 subgroup|2.3.5.11-subgroup]] temperament (sometimes called ''porkypine'') without much additional damage compared to the 5-limit; the generator here represents not only 10/9, but also [[11/10]] and [[12/11]] (equivalently, [[55/54]], [[100/99]], and [[121/120]] are tempered out), with the consequence that the [[11/9]] interval, usually considered a neutral third, is in porcupine identical to the 6/5 minor third, due to the extreme flatness of 10/9. This also means that [[27/20]], the 5-limit "acute fourth", is equivalent to [[11/8]] (rather than becoming 4/3 as in meantone), found at −4 generators (tuned to about 540–560 cents). This is because as the syntonic comma has been expanded, sharpening a fourth by a comma now leads to a significantly sharp interval close to the 11th harmonic. Porcupine is one of the most efficient temperaments in the 2.3.5.11 subgroup at a certain standard of accuracy. | |||
It is also very easy to extend porcupine to prime 7, because the 16/9, found at +6 generators (tuned to about 960–990{{c}}), has already been flattened to merge it with (6/5)<sup>3</sup>, and therefore can be equated to [[7/4]]. This makes porcupine a weak extension of [[archy]], splitting its generator into three parts; its Pythagorean major third is mapped to [[9/7]], and its fifth is tuned sharp, ranging from around 705–720{{c}}, with the best tunings around 711–712{{c}}, which roughly splits the damage on 7/4 and 9/7. This extension sets [[7/6]], 6/5, 5/4, and 9/7 equidistant, thus tempering out [[875/864]], making porcupine a [[keemic temperaments|keemic temperament]]. | |||
See [[Porcupine family #Porcupine]] for technical data and alternative 7-limit extensions. See [[Porcupine extensions]] for a discussion on [[13-limit]] [[extension]]s. | |||
== Interval chain == | |||
{{Main| Porcupine intervals }} | |||
In the following table, odd harmonics 1–11 are in '''bold'''. | |||
{| class="wikitable center-all right-2 left-3 right-7 left-8" | |||
|- | |||
! colspan="5" | Up from the tonic, and fourthward | |||
! colspan="5" | Down from the octave, and fifthward | |||
|- | |||
! # | |||
! Cents* | |||
! Ratios | |||
! Porcupine<br>notation | |||
! Ups and downs<br>notation | |||
! # | |||
! Cents* | |||
! Ratios | |||
! Porcupine<br>notation | |||
! Ups and downs<br>notation | |||
|- | |||
| 0 | |||
| 0.0 | |||
| '''1/1''' | |||
| P1 | |||
| P1 | |||
| 0 | |||
| 1200.0 | |||
| '''2/1''' | |||
| P8 | |||
| P8 | |||
|- | |||
| 1 | |||
| 162.8 | |||
| 10/9, 11/10, 12/11 | |||
| P2 | |||
| vM2 = ^^m2 | |||
| −1 | |||
| 1037.2 | |||
| 9/5, 11/6, 20/11 | |||
| P7 | |||
| ^m7 = vvM7 | |||
|- | |||
| 2 | |||
| 325.6 | |||
| 6/5, 11/9 | |||
| m3 | |||
| ^m3 = vvM3 | |||
| −2 | |||
| 874.4 | |||
| 5/3, 18/11 | |||
| M6 | |||
| vM6 = ^^m6 | |||
|- | |||
| 3 | |||
| 488.4 | |||
| 4/3 | |||
| m4 | |||
| P4 | |||
| −3 | |||
| 711.6 | |||
| '''3/2''' | |||
| M5 | |||
| P5 | |||
|- | |||
| 4 | |||
| 651.3 | |||
| 16/11, 22/15 | |||
| m5 | |||
| v5 = ^^d5 | |||
| −4 | |||
| 548.7 | |||
| '''11/8''', 15/11 | |||
| M4 | |||
| ^4 = vvA4 | |||
|- | |||
| 5 | |||
| 814.1 | |||
| 8/5 | |||
| m6 | |||
| ^m6 = vvM6 | |||
| −5 | |||
| 385.9 | |||
| '''5/4''' | |||
| M3 | |||
| vM3 = ^^m3 | |||
|- | |||
| 6 | |||
| 976.9 | |||
| '''7/4''', 16/9 | |||
| d7 | |||
| m7 | |||
| −6 | |||
| 223.1 | |||
| 8/7, '''9/8''' | |||
| A2 | |||
| M2 | |||
|- | |||
| 7 | |||
| 1139.7 | |||
| 35/18, 48/25, 64/33 | |||
| d8 | |||
| v8 = ^^d8 | |||
| −7 | |||
| 60.3 | |||
| 25/24, 33/32, 36/35 | |||
| A1 | |||
| ^1 = vvA1 | |||
|- | |||
| 8 | |||
| 102.5 | |||
| 16/15, 21/20 | |||
| d2 | |||
| ^m2 = vvM2 | |||
| −8 | |||
| 1097.5 | |||
| 15/8, 40/21 | |||
| A7 | |||
| vM7 = ^^m7 | |||
|- | |||
| 9 | |||
| 265.3 | |||
| 7/6 | |||
| d3 | |||
| m3 | |||
| −9 | |||
| 934.7 | |||
| 12/7 | |||
| A6 | |||
| M6 | |||
|- | |||
| 10 | |||
| 428.2 | |||
| 14/11 | |||
| d4 | |||
| v4 = ^^d4 | |||
| −10 | |||
| 771.8 | |||
| 11/7 | |||
| A5 | |||
| ^5 = vvA5 | |||
|- | |||
| 11 | |||
| 591.0 | |||
| 7/5 | |||
| d5 | |||
| ^d5 = vv5 | |||
| −11 | |||
| 609.0 | |||
| 10/7 | |||
| A4 | |||
| vA4 = ^^4 | |||
|- | |||
| 12 | |||
| 753.8 | |||
| 14/9 | |||
| d6 | |||
| m6 | |||
| −12 | |||
| 446.2 | |||
| 9/7 | |||
| A3 | |||
| M3 | |||
|} | |||
<nowiki/>* In 11-limit [[CWE tuning]], octave reduced | |||
In the ups and downs notation, the [[enharmonic unison]] is the trudsharp, the triple-down augmented unison. The porcupine notation does not have an enharmonic unison. | |||
Besides the specific tuning shown here, there is a range of acceptable porcupine tunings that includes generators as small as 160{{c}} ([[15edo]]) and as large as 165.5{{c}} ([[29edo]]). However, the 29edo patent val does not support full 11-limit porcupine proper, since it does not temper out [[64/63]]. | |||
== Chords and harmony == | |||
{{Main| Chords of porcupine }} | |||
[[12/11]], [[11/10]], and [[10/9]] are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find. | |||
{| class="wikitable" | |||
|- | |||
| [[File:OtonalPentad_JI.mp3]] | |||
| [[File:OtonalPentad_22edo.mp3]] | |||
| [[File:OtonalPentad_29edo.mp3]] | |||
|- | |||
| 8:9:10:11:12 chord, in just intonation.<br>All intervals are slightly different. | |||
| Porcupine-tempered 8:9:10:11:12 chord, in [[22edo]].<br>Except the first, the intervals are the same. | |||
| Porcupine-tempered 8:9:10:11:12 chord, in [[29edo]].<br>Except the first, the intervals are the same. | |||
|} | |||
The interval representing both [[25/24]] and [[81/80]] can be found in this interval chain at −7 steps, and ranges from about 45 to 80{{c}} depending on the tuning. This can be considered the "chroma" of porcupine temperament. | |||
== Scales == | |||
[[File:porcupine8.jpg|thumb|Porcupine[8]]] | |||
{{Main| Porcupine scales }} | |||
; Mos scales, tuning optimized on the 2.3.5.11 subgroup | |||
* [[Porkypine7]] | |||
* [[Porkypine8]] | |||
* [[Porkypine15]] | |||
; Mos scales, 8/5.12/7 [[Eigenmonzo|eigenmonzo (unchanged interval)]] tuning: | |||
* [[Porcupinewoo15]] | |||
* [[Porcupinewoo22]] | |||
== Tunings == | |||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+ style="font-size: 105%; white-space: nowrap;" | 5-limit norm-based tunings | |||
|- | |||
! rowspan="2" | | |||
! colspan="3" | Euclidean | |||
|- | |||
! Constrained !! Constrained & skewed !! Destretched | |||
|- | |||
! Equilateral | |||
| CEE: ~10/9 = 163.6049{{c}} | |||
| CSEE: ~10/9 = 163.2835{{c}} | |||
| POEE: ~10/9 = 163.9280{{c}} | |||
|- | |||
! Tenney | |||
| CTE: ~10/9 = 164.1659{{c}} | |||
| CWE: ~10/9 = 164.0621{{c}} | |||
| POTE: ~10/9 = 163.9504{{c}} | |||
|- | |||
! Benedetti, <br>Wilson | |||
| CBE: ~10/9 = 164.3761{{c}} | |||
| CSBE: ~10/9 = 164.3761{{c}} | |||
| POBE: ~10/9 = 164.1610{{c}} | |||
|} | |||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+ style="font-size: 105%; white-space: nowrap;" | 2.3.5.11-subgroup norm-based tunings | |||
|- | |||
! rowspan="2" | | |||
! colspan="3" | Euclidean | |||
|- | |||
! Constrained !! Constrained & skewed !! Destretched | |||
|- | |||
! Equilateral | |||
| CEE: ~11/10 = 163.1459{{c}} | |||
| CSEE: ~11/10 = 162.8445{{c}} | |||
| POEE: ~11/10 = 164.1867{{c}} | |||
|- | |||
! Tenney | |||
| CTE: ~11/10 = 163.8867{{c}} | |||
| CWE: ~11/10 = 163.9951{{c}} | |||
| POTE: ~11/10 = 164.0777{{c}} | |||
|- | |||
! Benedetti, <br>Wilson | |||
| CBE: ~11/10 = 164.2393{{c}} | |||
| CSBE: ~11/10 = 164.4623{{c}} | |||
| POBE: ~11/10 = 164.2221{{c}} | |||
|} | |||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+ style="font-size: 105%; white-space: nowrap;" | 11-limit norm-based tunings | |||
|- | |||
! rowspan="2" | | |||
! colspan="3" | Euclidean | |||
|- | |||
! Constrained !! Constrained & skewed !! Destretched | |||
|- | |||
! Equilateral | |||
| CEE: ~11/10 = 162.4448{{c}} | |||
| CSEE: ~11/10 = 162.2333{{c}} | |||
| POEE: ~11/10 = 162.2522{{c}} | |||
|- | |||
! Tenney | |||
| CTE: ~11/10 = 163.1055{{c}} | |||
| CWE: ~11/10 = 162.8156{{c}} | |||
| POTE: ~11/10 = 162.7474{{c}} | |||
|- | |||
! Benedetti, <br>Wilson | |||
| CBE: ~11/10 = 163.5299{{c}} | |||
| CSBE: ~11/10 = 163.2310{{c}} | |||
| POBE: ~11/10 = 163.0304{{c}} | |||
|} | |||
=== Tuning spectrum === | |||
{| class="wikitable center-all left-4" | |||
|- | |||
! EDO<br>generator | |||
! [[Eigenmonzo|Unchanged interval<br>(eigenmonzo)]]* | |||
! Generator (¢) | |||
! Comments | |||
|- | |||
| '''[[8edo|1\8]]''' | |||
| | |||
| '''150.000''' | |||
| '''Lower bound of 5-odd-limit diamond monotone''' | |||
|- | |||
| | |||
| [[12/11]] | |||
| 150.637 | |||
| Lower bound of 11-odd-limit and 11-limit 15-odd-limit diamond tradeoff | |||
|- | |||
| | |||
| [[6/5]] | |||
| 157.821 | |||
| 1/2-comma; lower bound of 5-, 7-, and 9-odd-limit diamond tradeoff | |||
|- | |||
| '''[[15edo|2\15]]''' | |||
| | |||
| '''160.000''' | |||
| '''Lower bound of 7-odd-limit to 11-limit 15-odd-limit diamond monotone''' | |||
|- | |||
| | |||
| [[7/4]] | |||
| 161.471 | |||
| | |||
|- | |||
| [[52edo|7\52]] | |||
| | |||
| 161.538 | |||
| 52b val | |||
|- | |||
| | |||
| [[14/11]] | |||
| 161.751 | |||
| | |||
|- | |||
| | |||
| [[7/5]] | |||
| 162.047 | |||
| | |||
|- | |||
| [[37edo|5\37]] | |||
| | |||
| 162.162 | |||
| | |||
|- | |||
| | |||
| [[16/11]] | |||
| 162.171 | |||
| | |||
|- | |||
| [[96edo|13\96]] | |||
| | |||
| 162.500 | |||
| 96b val | |||
|- | |||
| [[59edo|8\59]] | |||
| | |||
| 162.712 | |||
| | |||
|- | |||
| | |||
| [[8/5]] | |||
| 162.737 | |||
| 2/5-comma, 5- and 7-odd-limit minimax | |||
|- | |||
| | |||
| [[28/15]] | |||
| 162.897 | |||
| | |||
|- | |||
| | |||
| [[7/6]] | |||
| 162.986 | |||
| | |||
|- | |||
| '''[[22edo|3\22]]''' | |||
| | |||
| '''163.636''' | |||
| '''Upper bound of 7-odd-limit to 11-limit 15-odd-limit diamond monotone''' | |||
|- | |||
| | |||
| [[14/9]] | |||
| 163.743 | |||
| 9-, 11-, and 11-limit 15-odd-limit minimax | |||
|- | |||
| | |||
| [[16/15]] | |||
| 163.966 | |||
| 3/8-comma | |||
|- | |||
| [[51edo|7\51]] | |||
| | |||
| 164.706 | |||
| 51d val | |||
|- | |||
| | |||
| [[11/10]] | |||
| 165.004 | |||
| | |||
|- | |||
| [[29edo|4\29]] | |||
| | |||
| 165.517 | |||
| 29d val | |||
|- | |||
| | |||
| [[22/15]] | |||
| 165.762 | |||
| | |||
|- | |||
| | |||
| [[4/3]] | |||
| 166.015 | |||
| 1/3-comma; upper bound of 5- and 7-odd-limit diamond tradeoff | |||
|- | |||
| [[36edo|5\36]] | |||
| | |||
| 166.667 | |||
| 36cde val | |||
|- | |||
| '''[[7edo|1\7]]''' | |||
| | |||
| '''171.429''' | |||
| '''Upper bound of 5-odd-limit diamond monotone''' | |||
|- | |||
| | |||
| [[11/9]] | |||
| 173.704 | |||
| | |||
|- | |||
| | |||
| [[10/9]] | |||
| 182.404 | |||
| Untempered generator; upper bound of 9- to 15-odd-limit diamond tradeoff | |||
|} | |||
<nowiki/>* Besides the octave | |||
== History == | |||
Porcupine temperament/scales were discovered by [[Dave Keenan]], but did not have a name until [[Herman Miller]] mentioned that his ''Mizarian Porcupine Overture'' in 15et had a section that pumps the 250/243 comma. Although this music did not use a porcupine mos or [[modmos]] (which would have 7 or 8 notes), the name was adopted for such scales as well, once the essentially one-to-one relationship between vanishing commas and sequences of [[MOS]] scales was fully evident. It was clear that even though Herman's piece was in 15edo, 22edo was a porcupine tuning par excellence, and that was an interesting development in itself. | |||
== See also == | |||
* [[Porcupine notation]] | |||
* [[Porcupine modes]] | |||
* [[Porcupine temperament modal harmony]] | |||
* [[Porcupine Album Project]] | |||
== Music == | |||
=== 20th century === | |||
; [[Herman Miller]] | |||
* [https://sites.google.com/site/teamouse/home#TOC-Mizarian-music ''Mizarian Porcupine Overture''] (1999) – [https://web.archive.org/web/20201127014859/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Herman/MizarianPorcupineOverture.mp3 play] – in [[15edo]] tuning, namesake of the temperament | |||
=== 21st century === | |||
; [[Flora Canou]] | |||
* [https://soundcloud.com/floracanou/april-porkfest?in=floracanou/sets/totmc-suite "April Porkfest"] from [https://soundcloud.com/floracanou/sets/totmc-suite ''TOTMC Suite''] (2023–2025) – in 11-limit CTE tuning | |||
; [[User:CellularAutomaton|CellularAutomaton]] | |||
* [https://cellularautomaton.bandcamp.com/track/minnow ''Minnow''] (2024) – in [[29edo]] tuning | |||
; [[Paul Erlich]] | |||
* [https://web.archive.org/web/20070928093239/http://66.98.148.43/~xenharmo/mp3/erlich/glassic.mp3 ''Glassic''] – in [[22edo]] tuning (at least the beginning part is in porcupine.) | |||
; [[Jake Freivald]] | |||
* ''[https://soundcloud.com/jdfreivald/porcupine-comma-pump Porcupine Comma Pump]'' | |||
; [[Cody Hallenbeck]] | |||
* ''Porcupine Walk'' (2019) | |||
** [https://soundcloud.com/cody-hallenbeck/porcupine-walk 15edo version] · [https://soundcloud.com/cody-hallenbeck/porcupine-walk-22edo 22edo version] | |||
; [[Lillian Hearne]] | |||
* [https://soundcloud.com/lillianhearne/mass-in-22edo-sanctus ''Sanctus''] (2015) | |||
; [[Andrew Heathwaite]] | |||
* [https://soundclick.com/share.cfm?id=8839060 ''being a''] (2010) – in Porcupine[8], mode 1|6, 22edo tuning | |||
; [[Jollybard]] | |||
* [https://soundcloud.com/jollybard/porcupeen ''Porcupeen''] (2017) | |||
* [https://jollybard.bandcamp.com/track/porcupine "Porcupine"], from ''pato, with friends'' (2019) | |||
; [[Igliashon Jones]] | |||
* [https://cityoftheasleep.bandcamp.com/track/second-breakfast-15edo ''Second Breakfast (15edo)''] (2018){{dead link}} | |||
; [[Löis Lancaster]] | |||
* [https://soundcloud.com/lois-lancaster/porcupine-experience ''Porcupine Experience''] (2012) – in 22edo tuning | |||
; [[John Moriarty]] | |||
* [https://www.youtube.com/watch?v=se79rdp705Y ''Flying Straight Down''] (2020) – in 22edo tuning | |||
; [[Omega9]] | |||
* [https://www.youtube.com/watch?v=DSao0Yg3Tck ''Life on Mars''] (2014) | |||
; [[Petr Pařízek]] | |||
* [[:File:AmongOtherThings2.mp3|''Among Other Things 2'']] | |||
; [[Ray Perlner]] | |||
* [https://www.youtube.com/watch?v=8reCr2nDGbw ''Porcupine Lullaby''] (2020) – in 37edo tuning | |||
* [https://www.youtube.com/playlist?list=PLkW9S8bpltfw464vJg3CAJJbV4IR6ggPd ''Porcupine{{lbrack}}7{{rbrack}} Modal Fugues''] – 7-piece playlist | |||
; [[Gene Ward Smith]] and {{w|Modest Mussorgsky}} | |||
* [https://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3 ''Night on Porcupine Mountain''] (archived 2010) – in 22edo tuning | |||
; [[Chris Vaisvil]] | |||
* ''Gently Playing With Miller's Porcupine'' (2011) – [https://www.chrisvaisvil.com/four-pieces-in-porcupine-temperament/ blog] | [https://web.archive.org/web/20231228102528/http://micro.soonlabel.com/15-ET/daily20110619_millers_porcupine_7a.mp3 play] – in Porcupine[7], mode 3|3, 15edo tuning | |||
* [https://web.archive.org/web/20231121064756/http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-indian.mp3 ''15 Porcupines in India''] – sarangi, tambura and sitar improvisation | |||
* [https://web.archive.org/web/20240118050711/http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-piano.mp3 ''15 Quills''] – piano solo | |||
* [https://web.archive.org/web/20231121043724/http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-prickly-side-of-love.mp3 ''Prickly Side of Love''] – rock band with vocals | |||
* [https://web.archive.org/web/20221221154102/http://micro.soonlabel.com/15-ET/daily20120102-porcupine-organ.mp3 ''Porcupine Organ Composition''] | |||
; [[Nick Vuci]] | |||
* [https://en.xen.wiki/images/0/0b/NickVuci-20230426-22edo-PorcupinePrelude1.mp3 ''Porcupine Prelude 1''] – in 22edo tuning | |||
* [https://en.xen.wiki/images/3/39/NickVuci-20230518-22edo-PorcupinePrelude2.mp3 ''Porcupine Prelude 2''] – in 22edo tuning | |||
* [https://en.xen.wiki/images/b/bd/NickVuci-20230521-22edo-PorcupinePrelude3.mp3 ''Porcupine Prelude 3''] – in 22edo tuning | |||
* [https://en.xen.wiki/images/0/0b/NickVuci-20230523-22edo-Praeambulum.mp3 ''Porcupine Praeambulum''] – in 22edo tuning | |||
* [https://en.xen.wiki/images/2/26/NickVuci-20230531-22edo-PorcupineChoraleWithPrelude.mp3 ''Porcupine Chorale with Prelude "Nature's Lament"''] – in 22edo tuning | |||
; [[Well-Tempered Fox]] | |||
* [https://www.youtube.com/watch?v=INM6J9pS_xE ''Porcupine Major Overture''] (2015) – in 22edo tuning | |||
* [https://soundcloud.com/pianodog/waltzing-in-candyland-15-edo ''Waltzing in Candyland''] (2015) – in Porcupine[8], 15edo tuning | |||
; [[Juhani Nuorvala]] | |||
* [https://www.youtube.com/watch?v=aAHkjOvplVg ''Kellot (Bells)''] (2025) – in 96edo tuning | |||
[[Category:Porcupine| ]] <!-- Main article --> | |||
[[Category:Rank-2 temperaments]] | |||
[[Category:Porcupine family]] | |||
[[Category:Archytas clan]] | |||
[[Category:Keemic temperaments]] | |||
[[Category:Listen]] | |||